Cities can be bustling centers of opportunities; however, they can tear apart a person’s hopes and dreams. Writer, Ann Petry, in her novel, The Street, depicts a woman, Lutie Johnson, trying to find a place to rent out, but struggles due to the impenetrable city winds. Her purpose is to showcase how certain individuals have the ability to fight the barriers in their ruthless environment in order to succeed. Through the use of imagery, personification, and selection of detail, Petry depicts how Lutie Johnson tries to adapt to the harsh conditions of the city. Petry begins the selection by depicting the winds as an intrusive force. The narrator recounts that the winds “drove most of the people off the street” in its “violent assault.” The speaker also reveals that the wind got “dirt...into their noses, making it difficult to breathe” and “dust...into their eyes and blinded them.” Petry indirectly characterizes the wind as a terrorizing force in order to reveal the difficult obstacles people in the city have to endure, which is symbolized by the wind. The tantalizing diction utilized to characterize the ruthless winds informs the audience how not every person is capable to thrive in the urban environment as not everyone has the strive to be prosperous. …show more content…
The speaker reveals that “the cold fingers of the wind touched the back of her neck” and “blew her eyelashes away from her eyes so that” they were “bathed in a rush of coldness.” The invasive personification employed to characterize the winds as intrusive to Lutie’s well being articulates how the wind is imposing a challenge upon her as she is struggling to find a place to rent out in the city. The power-hungry diction utilized to depict the interaction indicates the continuous struggle Luttie will have to endure as she continues her journey in finding a flat to rent
Joan Didion’s essay “Los Angeles Notebook portrays the Santa Ana winds as being ominus, unseen, and foreboding, by having characters in the story view the winds as an omen of evil inhabitants. She also helps to convey this by changing her sentence length and structure to better suit the atmosphere for the effect the she wants her writings to take on the reader. From the start of her writing, Didion did something to make her story more interesting, that really need to be rooted out. She manipulated the sentence structure and changed their lengths to either make them more long and drawn out, or when she wanted to build tension, she would make the sentences increasingly choppy and short-worded. There are many instances
In this passage from State of Wonder, Marina is a foreign individual placed in an area she is unaccustomed to as the author reveals how Marina was beginning to understand the city of Manaus. Marina faces troubles of her environment only heightened by the seemingly impossible task of locating Dr. Swenson. Through the use of imagery, insightful diction, similes, and flashbacks of a routinal past, Ann Patchett characterizes Marina as a helpless individual who was beginning to adapt to her situation and becoming more pleased from her environment which Ann reveals to be unusual, horrific, and harmful to Marina in her early encounters. Ann Patchett, in her novel State of Wonder, utilizes a vast array of literary devices to characterize Marina as an intelligent and earnest individual and portray her situation as hellish and hopeless. Marina’s objective of meeting Dr. Swenson is
Throughout the opening paragraphs of Joan Didion’s essay there is a detailed description of the human experience with the Santa Ana winds. This description demonstrates a distinct feeling and point of view towards the natural disaster known as the Santa Ana winds. Her writing describes several interactions and reactions to the wind allows the reader to understand the relationship between the Santa Ana winds and human beings. Overall Didion’s diction along with the use other stylistic elements clearly conveys her feeling of anxiety towards the winds.
The Most Terrible Poverty “Loneliness and the feeling of being unwanted is the most terrible poverty” (Mother Teresa). Sinclair Ross pens such poverty throughout the pages of his award-winning story, “The Painted Door.” In Ross’s story, readers see how the main character Ann is lonely and uncared-for, alienating her from society and the man she once loved. This alienation can be seen in Ann’s relationship with John, the physical distance between her and human contact, and the traditional gender roles forced upon her.
Struggles of Role Models on Mango Street Many people have other people in which they look up to, and often repeat that person’s actions while some of these role models could have something bad going on in their life. In the novela The House on Mango Street by Sandra Cisneros the main character Esperanza looks up to many role models, all of which has something going on in their lives. Esperanza always has the dream of having her own home. Her family moves all of the time, and usually gets a non spacious apartment.
The House on Mango Street was written by Sandra Cisneros. The House on Mango Street is a Coming of age story about Esperanza. In The House on Mango Street Esperanza the protagonist is very similar to the author Sandra Cisneros. Like Cisneros Esperanza grew up in a Chicago Barrio. The Spanish word Barrio means the Spanish-speaking quarter of a town or city, especially one with a high poverty level (Barrio).
Shel Silverstein’s books of poetry are often found in classrooms because of the sheer accessibility of his words and their meanings. The poem Where the Sidewalk Ends from the book of the same name is a testament to this point as he uses the simplest words to get his point across, he spells his message out so that anyone can absorb the information they read or hear. Silverstein’s consideration of his audience is what I believe gave myself and my friends our first conscious appreciation for poetry. It was conscious because we chose to read all of Silverstein’s work after having our teacher read Where the Sidewalk Ends from a poster in our school library.
Imagine, a grandmother with no one to help her and no way to get to town except by trekking through the woods just to get medicine for her sick grandson. A trek that takes this old lady up a hill, through thorny bushes, and over a stream with no way of getting across except for a log laid over it. A world where this exists is the United States of America in the early to mid-1900s. As the old lady sets off, immediately she encounters difficulty, a hill, the first threshold. Welty’s depicts Phoenix as a determined character on a long, difficult journey to the doctor’s office to elevate her journey to that of a hero’s.
Joan Didion’s “Los Angeles Notebook” is an essay that highlights the deeply mechanistic view of human behavior by using images that are both enticing, yet horrifying at the same time. Her audience is broader than the people of Los Angles, who she discusses in articulate detail. Being that her audience is generally aimed at people who are concerned about humanity and the way people operate together in certain scenarios. There is an eerie sense to this piece, as the subject is the hot winds known as foehn by scientists, but otherwise known as a “Santa Ana” by the people of the region. Didion claims that, in the simplest terms, “to live with the Santa Ana is to accept, consciously or unconsciously, a deeply mechanistic view of human behavior,”
The Santa Ana Winds Analysis There are moments when mother nature does something that may be inexplicable to mankind. There is not always an explanation for why things happen, sometimes they just do. Joan Didion tries to describe the instinct that people have that tells them the Santa Ana winds are the reason for the change in the climate and within one another. Didion sets a dreadful tone to her essay by associating a set of words that contain unhappy connotations, with the wind. She begins the essay by setting up an unpleasing mood for the audience.
"The Storm," a short story by Kate Chopin, is about the affair between a woman named Calixta and a stable boy named Alcee during a violent thunderstorm. Her husband Bobinot and son Bibi, who trek through the storm to get home, are oblivious to these events. In the end, the family is happily at home with Calixta writing to her other husband about how her vacation is going wonderfully. There seems to be a lot at play underneath these events. By using severe weather as natural imagery, the nature of secrets in a cyclical nature, and contrasting gender issues with inner struggle, Kate Chopin's "The Storm" illustrates the longing for freedom in the Antebellum South.
Ann Petry pens a stimulating expositional read in her 1946 novel, The Street. Running with the over-arching anticipated universal theme of vulnerability, Petry establishes Lutie Johnson’s relationship with the urban setting quite succinctly. Through her use of well-placed literary conventions, Ann Petry delivers a piece that will withstand the test of time. Petry establishes the wind as a symbol of an attacker to foreshadow Lutie Johnson’s violent future. From the very first paragraph, the wind is written ripping through the street, doubling over the pedestrians against its force.
The essay, "Los Angeles Notebook , written by Joan Didion, is about the Santa Ana winds and its affects on people. She views the winds as scientific and horrific. This is noticed by the development of the paragraphs. The paragraphs go from a deep dark tone to a more reasoning, scientific tone. Paragraph 1 she introduces the Santa Ana wind and its dark qualities..
With dark clouds carried by the winds and filling the sky, the storm is growing closer to us. Pouring rain combined with strong winds cause people to be unable to move forward; lightning and thunder scare people from coming out of their homes. In our eyes, storms cause destruction everywhere, no matter where they occur. However, in Kate Chopin’s story “The Storm”, represents something other than a destructive machine created by mother nature. It represents the passion of two love birds being reunited, reigniting their passion toward each other, Calixta and Alcee met again after a long time of being apart.
Analysis of the poem Spellbound by Emily Bronte The speaker in the poem Spellbound by Emily Bronte uses sensory images and figurative language to create a weary feeling among the readers of the situation. The descriptions of the circumstances in the poem indicate a looming storm that has the potential of destruction. Unfortunately, the speaker is in a situation where they cannot leave to a safer place and they are bound by some unexplained forces to the storm. The use of imagery and figurative language assist the readers to critically think about the descriptions and look deeper into the poem and come up with insights that surpass the literal meaning of the words.