Throughout The House on Mango Street, characters struggle to actualize their dreams of a meaningful life. Author Sandra Cisneros illustrates this theme through her inclusion of windows as a symbol for a longing of another life. In the novel The House on Mango Street, windows represent the book and it’s theme of struggling for satisfaction in life by acting both as a border to another life and a translucent gateway to the character’s hopes. Windows act as a border to the life the characters long for but are incapable of achieving. Esperanza tells her great-grandmother’s story in which she is whisked away from her previously eventful life only to “[look] out the window her whole life, the way so many women sit their sadness on an elbow” because “she couldn’t be all the things she wanted to be” (Cisneros 11). Esperanza’s great-grandmother looks out the …show more content…
Because Esperanza is capable of finding love as she says, the window acts as a device that she can direct her hope through. While fantasizing about a different life, “away from Mango Street”, Esperanza describes a house that she would find nice, a house with “flowers and big windows … [that] would swing open, all the sky [coming] in” (Cisneros 82). Esperanza isn’t content with her current life and wishes for a life with something more, a life with a house to call home. The windows that bring in the sky in Esperanza’s dream home act as a symbol for significance in life, the windows are big because they are part of Esperanza’s hopes that she has been dreaming of through windows and the sky coming in represents Esperanza being wild and free from the bounds of her current unsatisfactory environment. Windows symbolize the novel’s theme of struggling to attain a gratifying life by acting as an object for the characters to direct their hope
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She comes to see the house as a metaphor for her own personal growth as she gets older. Esperanza's body becomes a metaphor for the house, and its "rooms" stand in for different facets of her character and identity. In one chapter, for instance, she says that her "Sally" and
The House on Mango Street follows Esperanza Cordero 's transitioning through a progression of pieces about her family, neighborhood, and mystery dreams. In spite of the fact that the novel does not take after a customary sequential example, a story develops by Esperanza’s fortifying toward oneself and will overcomebarriers of poverty, sex, and race. The novel starts when the Cordero family moves into another house, the first they have ever claimed, on Mango Street in the Latino segment of Chicago. The red, unstable house frustrates Esperanza. It is not in the least the fantasy house her guardians had constantly discussed, nor is it the house high on a slope that Esperanza promises to one day own.
In the book The House on Mango Street by Sandra Cisneros, Esperanza uses metaphors to display the connection she feels between her and objects. For example, in the vignette “Boys & Girls”, Esperanza states her exasperation of how she didn't have any friends to talk to except her sister, Nenny. She mourns the fact that everyone has a best friend except her, and in addition she doesn't have somebody “ who will understand my jokes without my having to explain them”(9). She explains that until she has a best friend of her own, “one I can tell secrets to,” then “I am a red balloon, a balloon tied to an anchor” (9). The color red is a symbol of prosperity and happiness.
Esperanza clinging onto her dream house indicates that she doesn’t want to belong on Mango Street. She also uses repetition to emphasize a few phrases. Furthermore, Esperanza finds freedom and identity through pursuing her writing. On page 61, it was mentioned that Aunt Lupe told her, “You just remember to keep writing, Esperanza.
The House on Mango Street is a touching and timeless tale told in short vignettes. It tells the story of a young Latina girl growing up in Chicago. Her life, and the lives of the people around her, are laid bare to the readers in this touching novella. In the beginning, Esperanza is not accepting of herself. Her family’s poor financial situation, the sadness of the people around her, and the problems she faces in her daily life make her very cynical.
Mitchell Curtis English 9 / Period 6 Mr.Boyat 17 October 2016 Three Influential Characters in The House on Mango Street In the novel The House on Mango Street by Sandra Cisneros, the story is developed through the eyes of a young girl Esperanza. She learns about the realities of life in a house that she recently moved into. There are many characters that are written as she learns about her new neighborhood. The three most influential characters in the novel are Sally, her Mother ,and Marin.
The windows are a representation of what Esperanza does not want to be. Her goal is to leave Mango Street and become something better. She does not want her life to be sitting by a window wishing for something better. She wants to be able to live her life without being tied down to something.
“The House on Mango Street" is a Bildungsroman novel written by Sandra Cisneros. "The House on Mango Street" is about a 12-year-old girl who struggles with her identity and what type of person she wants to be in the future. Esperanza faces many problems and as she endeavors not to get stuck on Mango street. Neighborhoods and communtites are very important in life but they do affect a person to a minor degree if they are strong of chararcther and have a mighty conviction.
This ideal heaven that Esperanza's family dream about is what gives them hope to keep going everyday, although it may not be attainable. Since Esperanza does not know this, though, when they get to their new house on Mango Street, she sees it is nothing like that despite the depictions of a house she was told. This contributes to a cynical, jaded attitude that is sad to see someone so young have, as we see when she her parents tell her that this new house is temporary, and she tells the reader: “But I know how those things go” (Cisneros, 5). Here, although the house of dreams help her parents keep surviving, it gives haunts Esperanza as an unobtainable myth.
Esperanza and her family are always moving because they do not have much money, but they finally moved into a house on Mango Street where they “Don’t have to pay rent to anybody, or share the yard with the people downstairs, or be careful not to make too much noise” (703). Although it sounded like a nice place, when a nun from her school saw where Esperanza lived, she said, “You live there?” (703). That made Esperanza feel like nothing and made her realize she needs a real house, one that is really nice. Esperanza wants to change her life and make the best of what she has.
“No, this isn’t my house I say and shake my head as if shaking could undo the year I’ve lived here (Cisneros 106).” This quote shows Esperanza’s unwillingness of accepting her poor neighbourhood because of the violence and inequality that has happened in it. In the House on Mango Street, the author, Sandra Cisneros, shows that there is a direct link between inequality, violence and poverty. The House on Mango Street shows women are held back by the inequalities that they face. Cisneros shows that racism prevents individuals from receiving job opportunities which leads to poverty and violence.
Sexuality in adolescence Sexuality is the most notorious and common sign of development in adolescence. “The House on Mango street”, by Sandra Cisneros is a coming of age novel, where Esperanza transitions from a girl into a young teen. In her journey, Esperanza comes across many challenges, she is forced to grow up by life’s adversities. In the short story “Girl” by Jamaica Kincaid, a mother advises her daughter and scolds her into becoming a decent woman. In her guidance, the mother is worried about her daughter’s sexual activity and warns her about the consequences of improper behavior.
The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.
Believe it or not, people are not entirely unique. It is certain that no one is truly the same as another person, but it would not be ridiculous to think that everyone does in fact share many similarities. After all, the majority of the population grows and develops opinions or values based on what they see or hear. For Esperanza, the protagonist of Sandra Cisneros’s, The House on Mango Street, the perspective she has is built upon her childhood on Mango Street. This coming-of-age novel illustrates how Esperanza’s experiences on Mango Street play an important role during her period of growth.
One characteristic of the house; the window; symbolizes not only the opportunities of the outside world but the feeling of being trapped by her husband and other men in the world. The window shows her the way that everything could be and the things she wants. The narrator gets sick of looking out the window explaining “I don't like to look out of the windows even - there are so many of those creeping women, and they creep so fast. ”(656) The narrator has to hide and lay low, believing that in order to be like the rest of society she had to creep through the window.