Analysis Of Ursula Le Guin's 'Sur'

“When there is no more room in hell, the dead will walk the Earth” (Romero). These words of the main character, Peter, in Dawn of the Dead mirror the situation taking place in the film. With zombies running amok throughout the country, four survivors hijack a traffic helicopter to escape and search for a place to barricade themselves. After landing at a shopping mall, they build themselves a make-shift apartment and overtake the mall, killing all the undead in their path. Homologous with America’s present economic and social culture, consumption is important to the survivors and the zombies. Although George Romero’s Dawn of the Dead is seemingly an apocalyptic-age zombie film, it exposes the true horror of American consumer culture, racism,

Authors are given the dynamic potential to create an image in a reader’s mind that would previously be unimaginable. They are given a power to control one’s imagination, word by word, page by page. Donald Barthelme, Robert Frost, and J.D Salinger are all captavating authors because of their strong authority on their stories. However, one of the most notorious examples of this unique influence is in the short story A Mickey Mantle Koan by David James Duncan. Beautifully written, Duncan tells a story of an impeccably timed tragedy. Shortly after David’s brother John, who was a complete baseball fanatic, passes away of heart complications, David receives a signed ball from John’s hero, Mickey Mantle. However, contradicting what the reader may

Having goals is something that allows people to strive for what they desire in life. Many like to believe what is possible and by doing so, they will conquer whatever they put their mind to. It does not matter what others want in the world when it comes to someone else’s life. In “The Ones Who Walk Away from Omelas” by Ursula Le Guin, Le Guin allows the readers to imagine that everything they do is up to them and not many people should be able to have a say in what they desire most in life. Le Guin says, “Or they could have none of that; it doesn 't matter. As you like it” (2). Someone can come up with anything they would like, they do not have to follow everyone else. It is up to the person to decide what they want in life as long as they know

I always love to read books and watch their movies, because I get to witness the differences that take place. I prefer the books because they have more detail and really let you decide how the characters look and act. Lots of times, the stories are different than the film versions. The short story, “Most Dangerous Game”, is a very good example of this. The film and the movie have lots of things in common, but this paper is about the complete opposite. The exposition has the first significant difference hidden inside and is just waiting for us to reveal it. By comparing and contrasting the elements of plot in the text and film iterations of “The Most Dangerous Game,” the reader will discover which is the most effective representation.

The role of a woman in society has always fit into a perfect box. Women were expected to be the dutiful wife, loving mother and housekeeper for her family. Betty Friedan wrote The Feminine Mystique, in 1963 hoping to unveil the truth behind women’s thoughts about their role in society. Friedan exposed that things were not always, as they seemed for the average mother and homemaker in the 1950s and 1960s. Kate Chopin wrote The Awakening in the 1850’s which told the story of Edna Pontillier and her struggles as a housewife and finding her true identity. These two literary works captured how women really felt about their everyday lives. They displayed that women were often unhappy and felt unfulfilled regardless that they were living the lifestyle

One of the most predominant themes in “The Woman Warrior” is finding ones voice. Throughout the book, voice is referenced many times and most often as a disability of the women in Kingston’s memoirs. Being voiceless is not always a defect that one is born with but can also be due to societal pressures and expectations. The women that appeared as voiceless in the book were most often the ones that did not have an identity of their own. They simply led their lives following someone with a voice hoping that they would be able to live under the shelter of other’s voices. Kingston gave voice to women in this book that were not able to speak for themselves and to deny the accusations and taunts of society. She expresses in the beginning of her book how

Storytelling has been a part of people's’ lives since the beginning of time. It started with just verbal communication, then it was translated into written word, and now there hundreds of ways to tell those same stories. Movies and books, for example, are two very different ways to tell stories to an audience. A story can be a book, but not a movie or vice versa. Many books are made into movies, but lose major elements in translation. One of these examples is in A Raisin in the Sun. It was originally a play written by Lorraine Hansberry, in 1957, but became a movie in 1961 and then remade in 2008, which was directed by Kenny Leon. While the play and the movie follow the same storyline, there are many elements of the play that got added when

Literature is a medium that enables people to effectively express their opinions and perspectives. Being the vast genre that it is, fiction presents writers with the opportunity to utilize literary devices in their pieces. These devices help in communicating the message of the author’s work. Several fictional texts use common literary devices such as metaphors, similes, symbols, and imagery. These devices allow for writers to personally involve readers with the author’s message. Specifically, allowing for the writer to demonstrate a sense of cultural identity through their writing. For African writers David Don Mattera and David Diop, the use of literary devices is essential in conveying the message of their texts. When analyzing Mattera’s “Afrika Road” and Diop’s

The novel ‘Jasper Jones’ written by Craig Silvey and the film ‘Dressmaker’ directed by Jocelyn Moorhouse have connected to the audience and use of narratives conventions in very similar ways. The ways that they have succeed doing this is through characteristics, plot and setting. By looking into how they are used by the author/ director widen the knowledge and have deeper in-depth understanding on how authors and directors use them to connect with the audience.

In “Our Zombies, Ourselves” author James Parker speaks to moviegoers and monster fans about that slow-moving creature of horror known as the zombie. In the essay, he attempts to uncover the reason for the zombie’s sudden and extreme popularity. To do such a thing he unearths the history of the zombies in film, literature, video games, and other media, and he sheds some light on their real origins – which all lead him to the conclusion that zombies are popular because of their “ex-personhood” (345). Throughout the essay Parker uses analytic language peppered with metaphors, description, and colorful references to some of the latest and greatest depictions of zombies, which help to bring the essay and the monsters to life and keep the audience’s interest.

The world of Fahrenheit 451, written by Ray Bradbury and published in 1953, is an extreme dystopia. Firemen, rather than shutting down blazes, run around burning books and the houses that used to hold them, trust is a rare find, and hatred for the intelligentsia of society runs absolutely rampant. Politics is superficial at best in Fahrenheit, where people vote based on image and appearance rather than policy simply because it is much easier on the mind than to carefully evaluate each part of politician’s platform. People disassociate from what is real, and because of this, violence becomes something to gawk at. Television escapism becomes the norm, and it’s quite fair to say that the need for instant gratification drives

Stories can be used to empower, to break, and to rebuild human nature. Moreover, the most dangerous kind of story is a single story. Single stories are so incredibly dangerous because they create stereotypes and, as Adiche said, “the problem with stereotypes is not that they are untrue, but they are incomplete” (Adiche). A single story about Africa being a completely destitute and hopeless place caused Adiche’s college roommate to immediately have extreme feelings of melancholy for her; her roommate even believed she was unable to work a stove which was far from the truth. In William Shakespeare’s Othello, other characters assume Othello’s traits, habits, and abilities simply based on his single story. Othello’s single story is exceedingly normal; he is Muslim, from Northern Africa, and black. Adiche says, “a single story robs people of their dignity” (Adiche), basing their assumptions on facts they do not like, characters such as Brabantio

We, humans, tend to daily communicate with one another, through the art of storytelling. What we have not yet all come to realize, are the dangers that storytelling can actually cause. Everyone including myself, is guilty of believing and adding on to the weight of the single stories we are told. The same single story that could have the power to break someone 's dignity, is capable of fixing it as well.

Throughout history, the equality of women to men has been regarded as a social taboo. It was a universal understanding that women were always subordinate to their dominant males. Pre Modern Greece expressed these views through their social expectations, hierarchical structures and general lack of acceptance. This ubiquitous truth for this society was challenged in Homer’s The Odyssey, with his strongly developed and diverse female cast. Each female character possesses a unique personality and faced internal as well as external struggles that rivals the complexity of the male characters. Despite the inequity that these females face, they overcome it by showing themselves to be strong in the face of adversity and work to be unmoved by even the

This chapter provides a review of available literature on social issues in To the Lighthouse. The basic focus is on the social issues related to every character in the novel. Issues like feminism, marriages, death, vision, religious doubts, optimism, pessimism, materialism etc. The relative work is connected to the objectives of the study. Mrs. Ramsay uniting family, and Charles Tansley religious doubts and degrading women, and Lily’s painting, similarly the marriages of Victorian and Modern Age through the characters of To the Lighthouse, and at the end how they all deal and respond to all these different social issues.