Bach-Brahm Project Concert No.1
Did you know that Joel Schoenhals, Professor of piano at Eastern Michigan University, is a foreign expert at Central China Normal University in Wuhan, Hubei, China? I was able to attend his Bach-Brahm Project Concert on September 23rd in Pease Auditorium at Eastern Michigan University, not only to enjoy the music, but to hear and understand the piano in different major and minor keys on a professional level. It mainly focused on him playing the piano and gave really interesting facts about piano music history. In this paper, I will be discussing what the different major and minor keys signify for each different mood, the two main composers Joel Schoenhals played, and how this event relates to my UNIV and speech class.
I had intermediate knowledge going into this event because I was a former aristocrat in high school and had to listen and perform in different major keys. We mostly performed a lot of Bach music, so I understand how bouncy and happy his music is and what chords to play. Although aristocrat was
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Of course the piano sounds beautiful even when you are just listening for fun or just playing chords together, but with doing that, you really miss the true meaning of each composer 's piano’s mood and sound. I would definitely recommend this event to other EMU students because it is a way to relax your mind and really have a peaceful time. It would also be a good event to attend because you will understand the concepts of the piano’s true sound when playing different music. All in all, Schoenhals performance has influenced me in many different ways, such as opening my ears and really paying attention to each major and minor key choice, helping me understand that I am more of an aural learner, and giving me information about two classical
Bach worked as a composer for royalty in Germany during the Weimar and Baroque period and contributed over 200 original cantatas. Bach was most well known for playing the organ, and his most important work contributed to music was The Well-tempered Keyboard that involved 48 preludes and fugues, a pair for each major and minor key. The significance of his work was the full range of keys used and the distinct difference from each key. Towards the end of Bach’s life he performed for the court of King Fredrick II and was beloved in Prussia. At the end of his life Bach had composed over 1,000 works and was a major influence on Haydn and Mozart.
Johannes Sebastian Bach was born into a family with a musical reputation in his birth town of Eisnach. His uncle, Johann Christoph Bach was a well known organist and his father a court trumpeter for the Duke of Eisenach, he had many mentors and influences in his life that helped him develop his musical talents . Bach grew up surrounded by music and began his studies in violin and harpsichord a very young age, taught by his father. Bach had experience playing the organ and singing in choirs, as he sang with his Latin Grammar School and was recognized for his, “uncommonly fine treble voice”. At the age of nine, Bach’s parents passed away within a nine month span of each other.
The concert I attended, with my sister and friend, was held at FAU’s beautifully quaint University Theater. The room was only half full with student, professors, and various other adults. The Fifth House Ensemble performed three different “acts”. The first was a few different comedic opera songs about “Employees Wash Hands”, “Cascading Water”, and “Lipstick”. These songs were comicial with a refreshing twist.
For my concert critique, I went to the “Reimagined” Concert on Sunday, October 18 at the Koger Center for the Arts, where the USC Symphonic Winds performed. The idea of the concert was to show how the ensemble reimaged the musical piece, or how the musical piece itself had been reimaged in the past. Many of the pieces were different from what one would expect at a symphonic winds concert, but they definitely grabbed the audience’s attention. The first piece the ensemble played was “Kill Screen” composed by Matthew Browne and you could undoubtedly say this piece grabs your attention and is a great choice to open with.
DSO: Mozart’s “Little Night Music” Reaction I attended the Sunday performance of Mozart’s “Little Night Music” performed by the Detroit Symphony Orchestra. This was the first time I’ve been to the Orchestra Hall and the venue was awe inspiring. I was seated on the main floor before the show even began I was just taking in the scene. Just the style of the room made me feel like I had taken a step back in time. The conductor of the performance was Leonard Slatkin.
Benjamin Zander is a music conductor and a composer. His main goal in his Ted talk was to make everybody understand that “classical music” is indeed for everybody and all can pertain to it. Some of the most fascinating points he makes is that all of us can relate to classical music. He is definite about the fact that the love for classical music is there in all of us except people have just not understood it still.
A.Y. Jackson Piano Night Review Love, peace, beauty, romance, all expressed on one night by one single instrument. Decorated with lighted candles, the gorgeous A.Y. Jackson piano night started at 7:00 p.m. on the 29th of September. The overall performances were great and astonishing although some performed better than others. Some of the best performances of the night are Pathétique Sonata and All of Me which are the two performances that will be closely examined in this review. To begin with, composed by Ludwig van Beethoven, Pathétique Sonata was amazingly performed by Cynthia Jiang on the piano night.
I attended the Houston Symphony conducted by Andres Orozco-Estrada on Sunday, February 18th. It consisted of three pieces by the name of Three Dance Episodes from On the Town, Lago de Lagrimas Concert for Flutes, and Symphony no 7 in D minor, Opus 70. Overall, it was a great experience that I would definitely repeat because it was relaxing and peaceful watching the performance. The crowd was very respectful and the setting was professional and fancy. Everyone was nicely dressed and the workers were extremely helpful in directing the audience to the correct place.
The harpsichord part develops as a revelation than an evolution: The centrality of the harpsichord part is suggested early, but only becomes obvious once the rest of the ensemble has quieted. This reading is incompatible with McClary 's claim that the harpsichord 's emergence and so-called hijacking of the work represents the rise of the bourgeoisie because that would suggest the bourgeoisie had always had a stronghold on economic and political power that suddenly decided to reveal itself. An important qualification on my rejection of McClary 's interpretation is that my reading of the work depends highly on visual elements and possibly stylistic choices of the recording and performers. For example, the choice to show the pan frequently to the harpsichordist as in Excerpt 1 highlights the harpsichordist 's hands in masterful control both corroborate my view of the harpsichordist in contrast to McClary 's. More generally, this disparity problematizes many aspects of interpreted historical works of music by suggesting that such interpretations depend not only one 's individual experience with the work but also the stylistic choices of the people interpreting it removed from its original context. Without Bach behind the harpsichord, both the character he plays as the harpsichordist and how we should interpret the
Along with a few other genres, classical music was the one of the major gateways to many other music genres that are popular today. Many of the hits today would likely not have been here if it weren 't for the impeccable, creative minds of the baroque age. One of the most popular musician/composers of this era was Johann Sebastian Bach. Sadly, many of today’s youth do not know about Bach or any of his advancements in classical music. Johann Sebastian Bach lived a very interesting and musical life.
Joseph BLOG I am a piano teacher and teach my own children. Music is very much a part of our lives and this is a good way to expose them to the symphony at a young age. Ticket price is always a consideration.- Heather BLOG IN FACT, QUITE A FEW OF OUR BLOGGERS VALUE THE ANALOG AWARENESS AND INTERACTION CLASSICAL MUSIC PROVIDES. It is a time to just be together sharing something larger.
Introduction The year 1685 was iridescent in the historical backdrop of European music, because it saw the conception of Johann Sebastian Bach (1685-1757). Hence, the date 1685 took on the part of the marker, dividing the music of essential listening background called "early music. " The height of Bach's development started in the nineteenth century, where he created an instrumental medium, the ripieno string ensemble.
Overall Glenn Gould has made two versions, the 1955 version and later the 1981 version that was made on Bachs 300th anniversary shortly before Goulds own death. In this essay I will be discussing the 1955 recording in more detail .The essay will include talk on the performers interpretation of this work , musical features with slight comparison to the 1981 version to conclude I will discuss my opinion on whether or not the 1955 recording was a failure or a success. Goulds 1955 recordings style had a remarkable and virtuosic technique. It has a style that was new to the world of music, he introduced a method that was unique for example throughout his variations he involved staccatissimo , a musical style in which is heard after the Aria ends, it comes across as and exaggerration on staccato notes in order to give the effect of quickness brief and the sense of detachment, they are distinctive notes.
In A Streetcar Named Desire, music is used as a mood setter of the scene and as a source of characterization of the characters. Tennessee Williams plays Blue Piano in moments that evokes passion, enthusiasm and passion. Blue Piano was played in the opening scene where the character Stanley and Stella was introduced. It was used to introduce the type of setting A Streetcar Named Desire was set in and it overall set the mood of the play. The presentation of Blue Piano played a vital role in the audiences first impression of the play, with its happy, and spiritful tune.
There are several theories that regard where and when the music originated. The historiographers pointed out that there are different periods of music with each period having its own characteristics, its composers, its instruments, its rhythm and significance to the existing music today. The first three periods; Medieval, Renaissance and Baroque are expounded in this essay. The periods span through different times albeit some overlapped one another. The essay also focuses on the common factor that triggered the existence of the music periods and its impacts on each period.