Glenn Goulds 1955 recording of 'The Goldberg Variations', being his first recording of this work, was an interpretation of Goldberg Variations by the composer J.S. Bach. The Goldeberg Variations 1955 was an album that heightened Glenn Goulds musical career in terms of being a pianist, internationally. The album is a set of 30 variations, with a length in timing of under 40 minutes, seen as ''one of the monuments of keyboard literature'' (Gould, Glenn,P.22) he means that this recording and interpretation of Bachs original work is a masterpiece and hugely honoured through music history. The 1955 recordings were his first recording and made at and for Columbia Records in the city of Manhattan. The process of recording the 30 variations spread out …show more content…
Overall Glenn Gould has made two versions, the 1955 version and later the 1981 version that was made on Bachs 300th anniversary shortly before Goulds own death. In this essay I will be discussing the 1955 recording in more detail .The essay will include talk on the performers interpretation of this work , musical features with slight comparison to the 1981 version to conclude I will discuss my opinion on whether or not the 1955 recording was a failure or a success. Goulds 1955 recordings style had a remarkable and virtuosic technique. It has a style that was new to the world of music, he introduced a method that was unique for example throughout his variations he involved staccatissimo , a musical style in which is heard after the Aria ends, it comes across as and exaggerration on staccato notes in order to give the effect of quickness brief and the sense of detachment, they are distinctive notes. the staccatissimo style is seen in Variatio 1. Clav. at the beginning after the Aria theme. Goulds interpretaton of this work also includes incredibly fast tempos. From listening and studying this work, Goulds rapid
Charles Ives wrote many musical pieces that covered numerous genres. Charles Ives wrote his music into 1915 and would considered a prolific composer. Charles Ives wrote the “Robert Brown Overture” and his “Holiday Symphony”. Charles Ives also wrote shorter and more unnerving pieces alike to his pieces “The Unanswered Question” or the “Central Park in the Dark”. Charles Ives “114 Songs” which was published in 1922, covered a large range of musical genres.
The tempo begins at moderato then rises to allegro shortly into the piece. Soon after the change in tempo the choir begins dancing and acting out the lyrics, depicting a weather forecast. Next, the lights come on and choir members have on sunglasses, and are moving a giant sun around the stage. The tempo then slows to an adagio level, as the choir sings the last lines in a strung out fashion.
Bach worked as a composer for royalty in Germany during the Weimar and Baroque period and contributed over 200 original cantatas. Bach was most well known for playing the organ, and his most important work contributed to music was The Well-tempered Keyboard that involved 48 preludes and fugues, a pair for each major and minor key. The significance of his work was the full range of keys used and the distinct difference from each key. Towards the end of Bach’s life he performed for the court of King Fredrick II and was beloved in Prussia. At the end of his life Bach had composed over 1,000 works and was a major influence on Haydn and Mozart.
In fact it was often intended for small gatherings. In a private concert setting it only relied on voice and a single instrument. Furthermore, composers often softened and lightened the settings of the text, especially in recitative sections when designated for chamber performance. Bukofzer states that the restrained bel canto style as found in the cantata, the oratorio, and the opera was “based on the penetrating and sustaining power of the castrato voice,” which may be an indication that the castrato voice was an important performing force in the
This book also covers how it influenced Irwin Fischer, Ross Lee Finney, and George Crumb in their compositions. Since she studied under Irwin Fischer when she studied composition at the American Conservatory of Music, she witnessed firsthand the professionalism, and this is where she gained her inspiration for the book. These three composer of three of the top known American composers, hints the name Three American Composers. A few other books she wrote is American Operas, Music in Europe and the United States, and Music Melting round.
As one of the most noteworthy performers and musicians of his time, and more specifically of the era of 20th century classical music, Glenn Gould (1932 - 1982) has certainly earned his widespread recognition that has extended across decades since his passing in 1982. While his body of work is extensive, and within that body of work lies several characteristics worthy of discussion, perhaps the most noteworthy of Gould 's performances lie within his interpretation of Johann Sebastian Bach (1685 - 1750) 's music. Having been performed throughout his life, Gould influenced the development of classical music in Canada and changed the approach of many musicians towards the Baroque era of music. With his passion for contrapuntal craftmanship, it is clear that that Gould garnered influence from
When George Frideric Handel was a little kid, his uncle gave him a clavier which was a small keyboard-like instrument in secret because he knew that George loved the beautiful notes of music. One night, his parents heard music wafting throughout the house in the middle of the night and knew not from whence it came. When they searched the house, they found George playing melodies on his instrument. This was one of the first times that he would experience music for himself and lead him to have a career that would produce one of the most inspiring pieces of all time: the Hallelujah Chorus from the Messiah.
Bach-Brahm Project Concert No.1 Did you know that Joel Schoenhals, Professor of piano at Eastern Michigan University, is a foreign expert at Central China Normal University in Wuhan, Hubei, China? I was able to attend his Bach-Brahm Project Concert on September 23rd in Pease Auditorium at Eastern Michigan University, not only to enjoy the music, but to hear and understand the piano in different major and minor keys on a professional level. It mainly focused on him playing the piano and gave really interesting facts about piano music history. In this paper, I will be discussing what the different major and minor keys signify for each different mood, the two main composers Joel Schoenhals played, and how this event relates to my UNIV and speech class. I had intermediate knowledge going into this event because I was a former aristocrat in high school and had to listen and perform in different major keys.
Both J.S. Bach and G.F. Handel use different aspects of music to compose important pieces of music. The baroque period is often known as the time when artists exaggerated their motion and produced drama through interpreted detail. Both of these composers used this baroque style to convey messages through their music. The similarity in their music was that it is in a spiritual manner. J.S. Bach’s style was a harmonic and motivation manner, which Handel’s is more of a narrative.
This piece has three movements, Allegro moderato, Adagio di molto, and Allegro ma non tanto. This piece starts off with a slow and expressive solo by the soloist, Alexi Kenney. The change in dynamics, the use of vibrato, and other techniques enhanced his solo. The orchestra then plays with a homophonic texture with some tempo changes. A few fast solos and a few slow ones followed.
Under the perspective of dialectical relationship between slavery and mastery, this paper addresses the issue of intimacy across the color line, especially the dynamics of the racial border. The aim is to elaborate on the peculiarities of boundaries, on race and the peripheral vantage point of embattled interracial love in Perkins-Valdez’s Wench. Sexuality and sexual relations are racialized in a white-supremacist order and involve the privileged position of whites (masters) over blacks (slaves). However, the novel constructs a momentary breakdown of the slave system through outlaw sexual intimacy meant to question white absolute domination in slavery. This paper shows interracial sexuality as a force that subverts and disrupts power relations,
This essay analyses Steve Reich’s Music for 18 Musicians, and how this minimalistic piece of Steve Reich’s later days proves to be a work of an alternative paradigm to many of his other earlier works. Music for 18 Musicians is an alternative paradigm to Steve Reich’s earlier works in various aspects. These aspects include harmony, rhythm, and instrumentation, which will the elements described and explained in this
The woodwinds starts the section off with the Dies irae as a fast staccato
“I worked hard. Anyone who works as hard as I did can achieve the same results” (Bach). Johann Sebastian Bach is one of the most influential composers of all time ("Top 10 Most Famous Classical Composers of All Time.") He lived during the Baroque period of music in the 17th century. Baroque music is a category of European Classical music and is recognized for ornamentation added to long melodic lines, the addition and use of harpsichord and basso continuos.
Zhang Zhou Yaodong Professor Greg Peterson Classical styles and romantic spirits 2 November 2016 Richard Strauss Violin Sonata Richard Strauss (1864-1949), was a leading German composer and conductor. His orchestral compositions and operas have made him one of the best known composers of the late Romantic and early modern eras. While Strauss did not pay much attention to his chamber music in his later life, in earlier years he tried to compose several different types of chamber works such as a string quartet, two piano trios, a piano quartet and several instrumental sonatas. Now I will introduce his last work of chamber music, the violin sonata. At the age of 23, Strauss composed