The relationship between a mother and a daughter holds a special bond of love and care. While mothers truly care for their daughters, this act of devotion can lead to conflicts. The strength of their bond is the determining factor in overcoming and being able to tolerate periods of disagreement. The excerpts in Amy Chua’s Battle Hymn of the Tiger Mom and Amy Tan’s The Joy Luck Club both display the reality of mother-daughter relationships. The attachment and deep affection that the mothers give to their daughters provoke arguments between the two. While Chua gives off a tone of irritation to express her relationship with her daughter, Tan displays a more harsh, resentful tone.
Parenting is never perfect. Every parents questions whether they are raising their child correctly, and no parent ever feels like they are doing the right thing. With no clear distinction between good and bad parenting, it is usually left to personal preferences and judgements to decide which parents have adequately raised their children and which have failed. When a parent so call “fails,” often it is the children with their strong will and determination to survive that collectively raise themselves. In Jesmyn Ward’s Sing, Unburied, Sing, Leonie, one of the narrators and the mother of another narrator, Jojo, is not the most caring, hands-on mother, but is loving of her children nevertheless. Leonie is not just the failed mother most make her out to be because her thoughts are in the right place, trying the best she can given her own circumstances, but her past and her own childhood haunts her too
“Wise guy, he not go against wind. In Chinese we say, Come from South, blow with wind--poom!--North will follow. Strongest wind cannot be seen.” (Tan 497). In Rules of the Game by Amy Tan, Waverly Jong’s mother expresses this to her in hopes that she would learn the “art of invisible strength,” which was a strategy for winning arguments and respect from others (Tan 497). Tan successfully illustrates the way of Chinese parenting and the frustration a Chinese child often experiences. As the interaction between mother and daughter becomes tense, Tan seems to convey the mother’s message-- “the art of invisible strength” a very understandable Chinese way of
Shame and guilt can go hand in hand, as seen in; Flight, The Glass Castle, and The Joy Luck Club. As the three novels progress, many of the characters suffer with inner shame and guilt. While the characters suffer with these things, it somehow seems to shape and change them. Through the characters hardships and struggles, the theme of shame and guilt emerges.
Amy tans’ the joy luck club is picturing the relationship between mothers and their daughters born in America. The relationship is weaken by daughters’ disobedience, lack of communication, and even getting along with their mothers seems challenging. For examples, Waverly asked her mom “Ma, what is Chinese torture” because she couldn’t understand her mom expression of love toward her.
This report was commissioned by The Asian Education Foundation, to analyse the growing number of Asian texts being produced. This report will asses Family life, Resilience and the issue of Racism. Asian tests have had a large increase from the publishing of Anh Do’s autobiography, The Happiest Refugee.
In the Battle Hymn of the Tiger Mom, Amy Cua’s daughter is practicing her instrument. Like all children do, she gets extremely annoyed when her mother tries to correct her. At one point, Lulu’s starts acting like a child when she says “‘Just turn off your brain!’ Lulu ordered.’I’m not going to play any more unless you turn off your brain.’” (Chua 47-48). Lulu acted out like any child would when their parents are constantly correcting their every move. The way that Lulu addresses her mother as “mommy” shows that there is no hate and the mother is just trying to make Lulu the best human being possible. Even though Lulu is annoyed with her mother at the moment, they still have a loving and caring relationship unlike Amy Tan’s relationship with
As an experienced (seasoned) mother of four, having recently read an excerpt from your book “Battle Hymn of the Tiger Mother” I unconditionally disagree with your perspective on this idea. Your ideal parenting method is unacceptable as it damages self-esteem, confidence, and creativity. It truly scares me to think that the content of your article may persuade amateur parents to mimic you and your “tactics”, which would be an absolutely tragic plummet in parenting standards, sending us back to the 1900s.
The Fifth Chinese Daughter by Jade Snow Wong is an autobiography about her being the fifth daughter of a Chinese family. The novel is written in the third person as she tells the readers her story of being born and raised in Chinatown, San Francisco. Throughout her story we watch her grow as she portrays her life growing up as kid and becoming an adult. Education plays the largest role in Wong’s journey to adulthood in both a formal and informal manner. She helps the readers understand the morals of Asian families, and the conflicts that the normal Chinese community and person may face when dealing with foreign issues. What I liked the most about her book was that even though it is her autobiography she chose to write it in third person in
In this piece of work written by Maxine Hong Kingston, a Chinese American woman tells of the Chinese myths, events of her California childhood and family stories that have shaped her individuality. In this novel, Kingston tells
Amy Tan’s The Joy Luck Club and Amy Chua’s Battle Hymn of the Tiger Mom both share a common concept, the relationship between mother and daughter. Although the themes are the same, the tones are completely different. The tone in Tan’s The Joy Luck Club has a very aggressive, belligerent feel towards it, while Chua’s Battle Hymn of the Tiger Mom gives off a calming disagreement that may easily be resolved. The tone and diction of each passage lets the reader decipher the sort of relationship the mothers and their daughters share.
In Maxine Hong Kingston’s 1976 novel The Woman Warrior, Hong Kingston, through several novellas, illustrates key moments and stories from her life, including stories of great female warriors like Fa Mulan, and even her own mother, who overcomes adversity and danger, both literal and metaphorical. Through the vehicle of these autobiographical moments and “talk-stories”, Hong Kingston reveals her views on feminism and her views on individual the role and individual liberty of Women in Chinese culture. As a first-generation Chinese-American, she had a very different perspective on her role as a person than her parents, during a time when second-wave feminism was affecting swathes of American cultural ideals. Hong Kingston’s ideas echo many of the key features of this movement, like independence from men, seeking out your own education, and not needing the approval of a man or family to be successful.
Throughout her memoir, The Woman Warrior, Maxine Hong Kingston laments on the gender roles prevalent in both her own culture and the United States, as well as the disdain she feels for the ideology driving these beliefs and the difficulties she’s faced resulting from it. In “White Tigers,” Kingston displays this theme through the use of the epic hero quest and paralleling common staples of the genre in her own story, effectively demonstrating the importance of her own personal message, feminism and female empowerment, through this process. Specifically, Kingston utilizes elements such as the quest itself, the constant struggle and setbacks faced by the protagonist as they attempt to achieve their goal, and the characteristics possessed by the main hero of the tale, Fa Mu Lan, in order
As Abel Ferrara once said “As barbaric as we are, it’s a miracle we haven 't blown ourselves off the face of the earth” in this quote, Ferrara is discussing how we all are barbaric and how we haven 't destroyed everything because of it. This is also shown in the short story by Frank Stockton called “The lady or The Tiger”. This story is about a barbaric kings way of punishing criminals and offenders. Its starts with the the author describing the kings barbaric ways. Shows how criminals and offenders have to choose between two doors in an arena. One has a beast that would kill anyone and the other is a lady that will marry the offender or criminal. An adviser to the king falls in love with the princess this act offends the king and now has