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Belonging In Lorraine Hansberry's A Raisin In The Sun

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Lorraine Hansberry’s A Raisin in the Sun follows the struggles of an African American family living in a neighborhood in 1950s South Side Chicago. The play discusses several issues pertaining to African Americans of the time, such as poverty and discrimination. One of the major themes of the story is the search for a sense of belonging; whether that’s a sense of belonging to the continent of Africa, a neighborhood in Chicago, or on a personal level within the Younger family. The play explores this theme through its characters Beneatha, Mama and Walter. The play deals with the search for a sense of belonging on different scales. Beneatha’s character journey throughout the play is representative of one’s search for belonging in the world. …show more content…

The quintessential image of the American dream is that of a house with a white picket fence and Mama thinks the house she buys in Clybourne Park will allow the Younger family fulfill that dream. It’s a symbol for belonging in America; it can also represent an acceptance of American cultural values, such as capitalism. In addition, it’s an emphasis on the Youngers’ value on family and the home because the Youngers rely on each other during hard times, and they are not afraid of what may happen in the new neighborhood they know they are not welcomed in because they know they have each other. Moreover, Lindner and the other residents of Clybourne Park who offer to buy the house the Youngers bought represent the discrimination against African Americans at this time, and possibly a reason black Americans, like the Younger family, need to fight for a sense of belonging. “And we have decided to move into our house because my father- my father- earned it for us brick by brick” (Hansberry 148). When Walter states the family will be moving into the house despite Lindner’s offer supports the importance of fighting against racial discrimination, which ties into the idea of the rejection of assimilation seen with Beneatha’s

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