Breaking The Concept Of The Uncanny In Breaking Bad: Breaking Bad?

In her essay, “Sizing Up the Effects”, Professor Sissela Bok states the harmful effects of aggressive media and accents her informational argument with scholarly accounts of emotion in order to grab both the hearts and heads of her audience. Bok references a study done on homicidal men and says “What is most startling about the most violent people is how incapable they are… of feeling love, guilt, or fear.”, shortly after she takes a quote from Macbeth “I am in blood. Stepp’d in so far that, should I wade no more, Returning were as tedious as go o’er.” By including these hard hitting, poetic pieces she stimulates a new part of each audience member, a personal element is introduced making all of her given information apply on a deeper level.

Hamlet is affected harshly with deep and dark feelings of thought and emotion when his father passed away. We see his relation to death and how he is intrigued by it, in his soliloquy in Act one scene 2 he says the lines”o, that this too sullied flesh would melt” signifying his sense of wanting to disappear. The re-marriage of Gertrude with Claudius, his Uncle taking over as king instead of him, makes hamlet feel a

Smoke Signals is a movie about a young man names Victor and his friend Thomas who travel to Phoenix, Arizona to escape the reservation they live on. Smoke Signals shows an explicit representation of Freud’s Functionalist Reductionism of Religion as Victors faith and religion is being tested by his emotional turmoil experienced through his life. Smoke Signals also shows a relation to Freud’s concept that religion arises from emotions and conflicts of childhood as well as the need for a fatherly figure in one’s life (both in the celestial and real worlds). This essay will firstly discuss the situations which support the ideas of Freud’s Functionalist Reductionism Theory. Secondly, symbols

“Part of growing up is just taking what you learn from that and moving on and not taking it to heart.” ~ Beverley Mitchell. Walter Lee Younger changes drastically throughout the play “A Raisin in the Sun” by Lorraine Hansberry. Walter starts out as a person who whines and throws a fit when he does not get his way and turns into a responsible man who can care for himself and make important decisions. Three examples of this in the play is when Walter goes into a depression because Mama will not give him the money to open his shop. This changes him because he realizes that not everything has to go his way. The second example of Walter changing is when he loses the rest of the money. This changes him because he realizes how irresponsible and childish he was acting. The final example of

Have you ever felt trapped unable to escape a certain situation, as if stuck in a room with no doors? It is easy to get lost in this feeling living in this type of world. Living in a world full of endless possibilities people tend to get trapped in their own vice. A professor of psychology by the name of Dr. Stone once said “We are not trapped by our thoughts. What we generally do, however, is create thoughts that trap us” (Stone 162). This correlates directly to the character in the novel by William Gibson called Neuromancer. The novel depicts a hacker, by the name of Case, who steals from his employers. When caught his employers poison him with a Russian mycotoxin, from there he constantly abuses his body with drugs and dangerous activities.

Walter Younger is a very complicated character in the play A Raisin in the Sun. He has a dream of opening up a liquor store, but doesn’t have the financial support. Luckily for him, due to the recent death of his father, a check in Walter’s father’s name is given to his mother, Lena “Mama” Younger. This check contains ten thousand dollars, which is more than enough money for Walter to open up his store and follow his dreams. Unfortunately, when he finds out that his mother had spent part of the money, he is devastated, so to make him feel better, Mama gives Walter 6,500 dollars to use for his own discretion. This decision, in turn, drastically changes Walter’s mood from negative, drunk, and rude to more positive, sober, and believing that his dream could actually become a reality.

Throughout the novel, through the discoveries, the challenges, and the persecution, our hero perseveres. He stays true to one person - himself. His individuality allows him to persevere and diverge from the collectivist society. He will go on, to achieve greatness, and create a better world. A better world which holds one word of utmost importance, “The Sacred word : EGO” (Anthem

To be prideful is human nature, even when it hasn't been earned. Being proud of who you are and what you have accomplished is an important part of everyone's life, but sometimes we are prideful without something to be proud of. This kind of pride is shown in the play A Raisin in the Sun by Lorraine Hansberry through the character Walter Younger. He enters the play with a false sense of pride in being a man, despite the fact that he is a chauffeur who is struggling to support his family. Throughout the plot, he struggles with acceptance of his social status and economical situations, but ends up achieving true fulfillment in simply being proud of who he and his family are as people with aspirations. Walter’s evolution

Neal Gabler defines entertainment in his book Life the Movie: How Entertainment Conquered Reality as a damaging power which is able to “ruin” society (Gabler, 1998). However, according to Longman Dictionary, entertainment refers to “things such as films, television, performances etc that are intended to amuse or interest people”; to be more objective, it “entails communication via external stimuli, which reaches a generally passive audience and gives some portion of that audience pleasure” (Bates & Ferri, 2010). The contradiction of these definitions shows that entertainment makes both negative and positive influences on society, so it is not entertainment itself, but the way how it is used by human beings has the capacity to “ruin” or improve

While Frankenstein, written by Mary Shelley, and The Prestige, directed by Christopher Nolan, are both works of art that distinctly follow the codes and conventions of an epistolary story, they contain several other similarities and differences within their elements of fiction that can be used for analysis purposes. In both the novel and film, there is a strong overarching theme of appearance vs. reality, which, when studied closely, can tie in to other elements of fiction in each text. Appearance vs. reality could, arguably, be the main reason for both Victor and Angier descending into obsession, as well as being a primary source for the character relations establishing in the way that they do.

n Barbara Ehrenreich’s The Worst Years of Our Lives, she highlights a significant infection festering in American Culture: television as a main event, or only event in a day. As she says “you never see people watching tv”, and that happens because it truly isn’t entertaining. It substitutes for a life. The television has been pulling people into an allusion of a false reality and a seemingly boring life since its implementation. She essentially illustrates the negative impact television has on todays society.

In the last twenty years, violence has increased leaving communities with the fear of what’s going to happen next. During the prime time news, we can get inform about what’s happening around the world. We hear about wars, violence, crime, murders, earthquakes, and other disasters around the world. Nowadays, TV shows and movies are more about crimes and violence, which are based on real life in some way. TV shows such as Criminal Minds represent the FBI team as brilliants investigators that capture skillful serial killers. The TV show Criminal minds portray serial killers of have been victims of physical abuse, sexual abuse, or mental illness.

In Aldous Huxley’s book, Brave New World, an unimaginable dystopia has been created. The World State was formed on three principles: community, identity, and stability. These three principles dictate how members of this society live and interact with one another. In modern society, there is an emphasis on the importance of motherhood, commitment, and countless other ideals that are rejected in the World State. Throughout the novel, the principle of community is shown with castes and hypnopaedic slogans, such as everybody belongs to everybody else. Identity, or rather a lack of, is shown through Bokanovsky twins, soma, conditioning, and the caste system. The final principle, stability, is shown through excessive vaccines, hypnopaedia, and Hatchery

The 1971 film, A Clockwork Orange, consists of many psychological concepts. Two concepts in particular seem to have the biggest impact and role throughout this film. These concepts being, classical conditioning and the idea that our environment and our experiences of nurture are what shapes us.

Everyone acts like they are invincible. Impervious. Untouchable. However, just a few circumstances lining up can not only alter your life, but destroy it, changing everything familiar, twisting any feeling into a delusion, and even altering your memory. The human mind is more susceptible to injury and disease than anyone may be led to think. Since a person’s brain is so fragile, considering how important it is becomes even more daunting. After all, the brain, is the body’s ultimate controller, taking charge of even a person’s own desires and actions once it is compromised by injury, illness, or other ailment (Cahalan, 2012, pg.87). As much as the human race wants to believe they are in control, the truth is one event could drastically change