“Every man carries with him through life a mirror, as unique and impossible to get rid of as his shadow” ( Auden, 1989, p.93) Based on the work by Sigmund Freud, human behaviour can be influenced by their subconscious – “the notion that human beings are motivated, even driven by desires, fears, needs, and conflicts of which they are unaware” (Freud, 1919). As the forced reflection of what can be understood as unconscious internal conflict or the human ego, Freud (1919) argues that the human body develops defences to keep the “conflict” away from the conscious mind, namely; selective perception, selective memory, denial, displacement, protection, regression, and the fear of death. In this essay we will look at the television series breaking …show more content…
However Breaking Bad appears to be an inversion of this concept, as Walter White experienced trauma through out his life which he repressed and is now resurfacing through the acknowledgement of dying, and deals with this by acting out though Heisenberg as a means of regaining control of his life in order to feel safe. Relating back to Freud (1919), he states “what is heimlich thus comes to be unheimlich” (420) – which suggests the link between where the two words intersects and creates a paradox or conceptual opposites where as an example the more you feel safe, the more you are open to harm. In regards to Walter White; the more he feels safe or in control by creating this new persona, the more he opens himself up to the dangers or consequences of his action through …show more content…
Another instance of inversion in Breaking Bad is that the death of Walter White is in the birth of Heisenberg; the character acknowledges the power of death and is in a sense welcoming it, relating back to Rank’s (1914) theory on the relationship between the soul and death. In Literature and Myth Samuel Eisenstein (1968) argues that before “conscious memory” an individual is aware of the fact that in order to grow they must be “willing to die and be reborn”; Walter affirms this idea when he says “[...] that 's all of life […] It 's growth, then decay, then transformation" (Walter White, Breaking Bad Season 1 Episode 1). This in regards to Breaking Bad suggests that Walter White may have an unconscious need to die, or an acceptance of death which may be a mental death, and he is feeding this through allowing the embodiment of Heisenberg. As Heisenberg he removes parts of his principles and values, as a gesture of trying to control his fate – as a result of this he plays in to the ‘death
In her essay, “Sizing Up the Effects”, Professor Sissela Bok states the harmful effects of aggressive media and accents her informational argument with scholarly accounts of emotion in order to grab both the hearts and heads of her audience. Bok references a study done on homicidal men and says “What is most startling about the most violent people is how incapable they are… of feeling love, guilt, or fear.” , shortly after she takes a quote from Macbeth “I am in blood. Stepp’d in so far that, should I wade no more, Returning were as tedious as go o’er.” By including these hard hitting, poetic pieces she stimulates a new part of each audience member, a personal element is introduced making all of her given information apply on a deeper level.
He believes he is “..see[ing] life like it is” (141) in order to rightfully take his place as the head of the family by making this decision for them, regardless of the hope this house brought them all. The rest of the Younger family is disconcerted by this new business deal, and asks Walter if this is what he truly wants and believes is right, to which he responds that he’s “Going to feel fine…[like] a man…” (144). Due to internally knowing he still had prove himself but not physically doing so, Walter’s delicate, false pride in being a man doesn’t allow him to consider how his actions affect
When one is confined to society and held captive against their ego, it is imperative that they learn to eulogize their own individuality, and learn to improve themselves. In Ayn Rand’s novella, Anthem, Rand uses Equality 7-2521 to communicate the importance of the individual. Equality has always had his own sense of individuality that causes him to stand out and defy the social norms. His individuality allows him to persevere and diverge from collectivist society.
Everyone acts like they are invincible. Impervious. Untouchable. However, just a few circumstances lining up can not only alter your life, but destroy it, changing everything familiar, twisting any feeling into a delusion, and even altering your memory. The human mind is more susceptible to injury and disease than anyone may be led to think.
Have you ever felt trapped unable to escape a certain situation, as if stuck in a room with no doors? It is easy to get lost in this feeling living in this type of world. Living in a world full of endless possibilities people tend to get trapped in their own vice. A professor of psychology by the name of Dr. Stone once said “We are not trapped by our thoughts. What we generally do, however, is create thoughts that trap us” (Stone 162).
This changes him because he realizes that not everything has to go his way. The second example of Walter changing is when he loses the rest of the money. This changes him because he realizes how irresponsible and childish he was acting. The final example of
Reflection Paper on Smoke Signals (directed by Chris Eyre) Smoke Signals is a movie about a young man names Victor and his friend Thomas who travel to Phoenix, Arizona to escape the reservation they live on. Smoke Signals shows an explicit representation of Freud’s Functionalist Reductionism of Religion as Victors faith and religion is being tested by his emotional turmoil experienced through his life. Smoke Signals also shows a relation to Freud’s concept that religion arises from emotions and conflicts of childhood as well as the need for a fatherly figure in one’s life (both in the celestial and real worlds). This essay will firstly discuss the situations which support the ideas of Freud’s Functionalist Reductionism Theory. Secondly, symbols
TV without Guilt by David Finkel focuses on the Delmar family’s relationship with TV. What I enjoyed about this article is how the family kept an open-mindedness about television. For example, “I mean without TV, who would exist? Just these middle-class people I see every day. I wouldn’t know anything else that goes on” (83).
In the last twenty years, violence has increased leaving communities with the fear of what’s going to happen next. During the prime time news, we can get inform about what’s happening around the world. We hear about wars, violence, crime, murders, earthquakes, and other disasters around the world. Nowadays, TV shows and movies are more about crimes and violence, which are based on real life in some way. TV shows such as Criminal Minds represent the FBI team as brilliants investigators that capture skillful serial killers.
Adversity can take us by surprise, but everyone at some point in life experiences it. The way our personal identity can be shaped is through our phases of adversity. The experiences of dealing with difficulties can shape the way we view life and the actions that will show our persona. When we persevere adversity and obstacles it shows our reputation and our true type of identity. In the play Hamlet, William Shakespeare, illustrates the way Hamlet, as well as other characters, deal with adversity through the types of motives they are seeking.
This decision, in turn, drastically changes Walter’s mood from negative, drunk, and rude to more positive, sober, and believing that his dream could actually become a reality. Previous to this decision, Walter’s emotional state would repeatedly change from angry to upset. He would constantly escalate a situation in order to create an argument. For example, after George Murchison’s departure from the Younger house, he calls Walter, “Prometheus” (86).
Comparing and Contrasting the complex mind of children and adults We live in cruel world full of bad people who do bad things and good people who are capable of doing bad things in the stories “The man in the well” and “If You Touched My Heart” readers witness several different types of people all of which except for one know right from wrong. The two stories both show how sick one’s mind can be as well as how cruel a person can be. Some at a very young age but also as adults.
While Frankenstein, written by Mary Shelley, and The Prestige, directed by Christopher Nolan, are both works of art that distinctly follow the codes and conventions of an epistolary story, they contain several other similarities and differences within their elements of fiction that can be used for analysis purposes. In both the novel and film, there is a strong overarching theme of appearance vs. reality, which, when studied closely, can tie in to other elements of fiction in each text. Appearance vs. reality could, arguably, be the main reason for both Victor and Angier descending into obsession, as well as being a primary source for the character relations establishing in the way that they do.
Since the television shows make influences on people, their values conveyed in the programs also impact social morality. If the directors of television shows only focus on the entertaining functions of television programs to make profits, the public’s morality will have danger to be lowered
Throughout the novel, hypnopaedia and the use of soma are shown to be the main components to the society’s lack of individual identity. Soma, a drug sponsored by the government, is used by the citizens of the World State in order to suppress any emotions which make them feel somewhat uncomfortable. The use of soma leads to a society which lacks any understanding of real emotion, an important piece to the formation of an identity. While soma by itself is destructive, the effects of hypnopaedia are comparable to a “...liquid sealing wax, drops that adhere, incrust, incorporate themselves with what they fall on, till finally the rock is one scarlet blob” (Huxley 28). Hypnopaedia is a process which is used throughout childhood to result in adults that have the exact views the World Controllers want the citizens of particular castes to have.