In South Indian film culture, there is a widespread practice of idolizing movie stars, the best example being Rajnikanth. Fans go out of their way to catch repeat shows of their favorite films. Another such practice is the form of extreme devotion which is invoked in fans at times either in the form of bhakti or by appealing to some other sentiment in them. This has often been criticized and scrutinized by film critics who claim that this is a method used by film-makers to make their films big hits in the box office as the ‘magic hit formula’ does not always work.
In western movies, classic realism in films appealed to the disembodied spectator quite contrary to the Bollywood and South Indian films which seek to embody the spectator. Through
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With the use of filmic devices like mis-en-scene, music and narrative structure the horror emotion began to be better elaborated in the 90’s devotional films. I would again like to site the example of Ammoru in this regard.
Through the film Ammoru we also notice that the makers are constantly subverting and assimilating the goddess aspect. There are many instances in the film which suggest that the village goddess has now eclipsed to a great goddess but there are also instances which suggest that the movie-makers want to constrain the goddess as a lower-caste and village deity. An interesting departure in the film which can be seen is the practice of sacrifice of animals which by the devotees. This was not seen in the earlier devotional films. Scenes of possession by the power of the goddess is one such interesting departure.
One central theme in most Tamil devotional films is that of women suffering, often at the times of an oppressive patriarchal family structure along with pregnancy and the difficulties of the birthing process. In Ammoru, the central character, Bhavani is inflicted with terrible torture and is nearly killed but the goddess appears at the right time and manages to save
REVIEW: PERRAS Perras is a Mexican drama film directed by Guillermo Díaz on 2011. It’s based on a play with the same name. Its plot focuses around ten schoolgirls who are all suspects of something terrible that happened at school.
The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling
She points to the deficiency of the Bakhtinian theory that fails to establish dialogism between the grotesque body and the female one. While explaining that although he relates the grotesque body to the images of womb, pregnancy and childbirth, he fails to recognize their close affinity to “to social relations of gender” (The Female Grotesque: Risk, Excess and Modernity 63). She condemns the Bakhtinian contradictory treatment of the female body, which simultaneously celebrates its generative and subversively debasing potential and abbreviates it to be a mere vessel to give new birth (RW 240). While trying to explain what “remains repressed and undeveloped” in her male counterpart, Russo points to the subversive potential of the female grotesque to overthrow the normative constraints on female actand look (Russo 63). “[D]efined […] in relation to the ideal, standard, or normative form” of the twentieth century, this work tends to argue that the female grotesque in contemporary age still has the power to create horror as it plays a fundamental role “to identity formation for both men and women as a space of risk and abjection” (Russo 12, Miles
Though they are friends, the lives of Pedro Machuca and Gonzalo Infante differ drastically in many aspects including family life, the luxuries they can afford, and the political affiliations chosen by their families. All of which relate to the common everyday life of Chilean citizens during the Allende Presidency, and the Pinochet Dictatorship implemented after the coup d'etat. During this time, the civil unrest never ceased, and life for chileans was generally either good or bad based on social status, income, and party affiliation. Both Machuca and Infante are classic examples of the division inequality of life amongst Chileans, with Machuca being a poor boy who lived in a shanty town, having very little education, and owning very few possessions. Where as Infante is wealthy, has a high end private education, and can afford to buy various luxury items such as brand name shoes and food for his family.
Within accordance to Kenneth Robert Jenkens’s novel, The Wilmington Ten, Khalil Gibran Muhammad’s Introduction in The Condemnation of Blackness, Stanley Nelson 's The Black Panthers: Vanguard of the Revolution and Damon Davis and Sabaah Folayan Whose Streets?, the interpretation of African Americans being treated unfairly within the court system is clearly portrayed. From the aspects of having an unfair trial, to police brutality, to even murder, racism is a problem that has been going on for various years, that just continues to happen. The Wilmington Ten were a group of teenagers who were wrongly incarcerated in 1971.
In her feminist film theory essay, "Visual Pleasure and Narrative Cinema", Laura Mulvey uses psychoanalysis to criticize and scrutinize the fetishism, scopophilia, and eroticism in Hollywood mainstream cinema. What Daughters of the Dust executes impeccably roots from radically abandoning the cultural conventions that depict women as subservient and submissive to patriarchal
In this three genres, the main characteristic is the excess of the body. According to Kristen Thompson, she said “the minute the viewer begins to notice style for its own sake, or watch works which do not provide such thorough motivation, excess comes forward and must affect narrative meaning. Excess does not equal style, but the two are closely linked because they both involve the material of the film”. It is means that in pornography films, horror films and melodrama, the body was appeared similar to the spectacle to the pleasures already informed. It is not only a customary body that turns into the object of spectacle, yet the female body and it is through "the sexual immersion of the female body that gatherings of people of different types have gotten some of their most intense sensations".
In “Aesthetic of Astonishment” essay, Gunning argues how people first saw cinema, and how they are amazed with the moving picture for the first time, and were not only amazed by the technological aspect, but also the experience of how the introduction of movies have changed the way people perceive the reality in a completely different way. Gunning states that “The astonishment derives from a magical metamorphosis rather than a seamless reproduction of reality”(118). He uses the myth of how the sacred audience run out the theater in terror when they first saw the Lumiere Brother Arrival of the train. However, Gunning does not really care how hysterical their reaction is, even saying that he have doubts on what actually happened that day, as for him it the significance lied on the incidence--that is, the triggering of the audience’s reaction and its subsequence results, and not the actual reactions and their extent. It is this incident, due to the confusion of the audience’s cognition caused by new technology, that serves as a significant milestone in film history which triggered in the industry and the fascination with film, which to this day allows cinema to manipulate and
In the film Extreme Measures someone can find ideas of Secular Ethics throughout the film involving Utilitarianism and its basic tenets along with Kantian analysis. The basic tenets of Utilitarianism include the principle of utility, Hedonism, and the viewpoint of a disinterested and benevolent spectator. While the tenets of Kantian Ethics, which include good will, the formula of universal law, the formula of the end itself, and the categorical imperative. These basic ideas setup arguments for and against the Utilitarian ideas set up by doctor Myrick. In the film doctor Myrick makes the claim that it is worth the deaths of unwilling subjects in order to help/save the lives of millions.
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
Literature Review Since this work aims to take on a new approach to fandom studies, namely putting male idols under the framework of affective labor and focusing on the emerging relationships between fans and idols, several theories need to be addressed in this section. First we need to consider not only what affective labor is and how it can be applied in this case study but also look at other parts of the Japanese entertainment industry where affective labor is visible. Hardly any attention has been paid to this connection and therefore affective labor is rarely explicitly mentioned but the thought of affective labor being a key element to Japanese entertainment industry should become clear throughout this chapter. A second important point
Two films, although created years apart yet have a lot in common, including their content of it’s narrative techniques. Both films, even though black and white with strokes of genius of cinema offer a vast stretch for study. I will be looking at Sir Orson Welles “Citizen Kane” (1941) and Akira Kurosawa’s “Rashomon” (1950). We see in Citizen Kane he values for the American life. The three abstract themes that constantly follow through Citizen Kane are Wealth, Power and Love.