The Difference of Gender Roles in 1950s and 1990s: Roman Holiday vs French Kiss Mimi Vlaović BGD10181 3,391 words Table of Contents: Abstract 3 The Introduction 3 The best thing I know is to do exactly what you wish for a while (Roman Holiday): 3 The Story 3 Rome vs. Paris 4 Happy-smile. Sad-frown. Use corresponding face with corresponding emotion (French Kiss, 1995) 5 Princess Anne 5 Kate 6 Joe Bradley 7 Luc Tessier 7 Side characters: 8 Gender studies 8 Conclusion 9 Abstract This article presents the roles of a man and a woman in two different eras through two movies: Roman Holiday (1953) and French Kiss (1995). The focus is on the analysis of the characters, their differences and similarities and messages directors wanted to send considering gender roles in society during the 1950s and 1990s. The method is to make the structure of the essay similar to the structure of filmmaking and pay attention to many elements and symbols that influenced the viewers, consciously or unconsciously. The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling
In this film, the concepts that I will be using as analytical categories are gender conventions, the model of cinematic analysis, the feminine concept, the Social
In the mid to late 1950’s France saw the birth a new and unique form of moviemaking. This movement was famously known as the French New Wave and was developed by many different directors, critics and film students. Films found in the New Wave many communities that tie them together. Although a very famous New Wave film that came out near the end of the cycle, La Jetee (1962), broke away from many of the common tropes. The 400 Blows (1959) on the other hand was one of the first examples of a New Wave film, meaning that it followed the tropes more closely.
In this paper I will be writing about the film Casablanca. I will describe how the film corresponds to the requirements of Classical Hollywood Style (CHS) and how it differs in some respects. I will also note some important elements of Mise-en Scene, cinematography, and editing in this film. Casablanca is a 1942 American romantic film directed by Michael Curtiz. Set during contemporary World War II, the film focuses on an American expatriate who must choose between his love for a woman and helping her and her husband, a Czech Resistance leader, escape from the Vichy-controlled city of Casablanca to continue his fight against the German Nazis.
Introduction Part 1: “Consciously or not, Alfred Hitchcock never followed tendencies of mainstream cinema. By depicting his heroines as strong and expressive, giving them freedom of will and using a subjective narrative mode, he broke with the classical image of woman as a spectacle.” (Malgorzata Bodecka) Films have always been influenced by the social-cultural background from the time the film was produced. Dating back to the beginning of film around the 1890s through the films produced today, if taken into account the time period, one can argue that a big change in the social-cultural background of the world, especially in western society, has been the change of the role of women in society.
David Foster Wallace once said: “The great thing about irony is that it splits things apart, gets up above them so we can see the flaws and hypocrisies and duplicates.” Situational irony catches the reader by surprise with different types of emotions. Also, it creates an unexpected twist. It shocks its audience but still leaves them wondering. For instance, O. Henry, the author of “The Ransom of Red Chief,” provides humor in order to create irony to mess with the reader’s emotions.
Casablanca, a Romantic Propaganda Introduction Casablanca is one the classic Hollywood movie which is one of the most critically acclaimed Hollywood movies of all time and also very famous. Casablanca is a romance story that happens during World War II but the question is does it end there? Is Casablanca just a Romance movie? In this essay, I will be discussing how the movie Casablanca which is one of the most famous and critically acclaimed films of all time is a propaganda movie and what message is sending and the effects that propaganda movies make and why it’s important for governments.
The image of a typical 50s woman was a happy housewife who cooked the food, cleaned the house, and watched the children. This idea of gender roles was certainly reflected through magazines, television shows and even toys. Often times, many advertisements showed smiling women with loaded arms of cooked food and cleaning supplies, looking happy content to be doing that and nothing else. Through Barbies, these figurines were used to construct young girls on how to become a " good mommy” and would supposedly help them imagine their future. They were portrayed as dedicated housewives whose only goal in life was to meet the pleasures of their husband and children.
To summarize this essay, there are several points that highlight differences between the two films, yet the overall context of the film remains the same. One common theme that tends to drive the force between the reasoning in why the two films have varying aspects is because they were made for slightly different audiences at different times in society. Though both versions of the movie have small portions that vary from one another, the main emphasis is the same and both versions are loved by the
The Iranian classic film, “The Day I Became a Woman”, directed by Marziyeh Meshing, released in the year of 2000, is a three part allegory that conveys the yearning of women at three different stages of their lives, a girl who is on the edge of adolescence, a wife determined not to be ruled by her husband, and a wealthy old woman who wants to gain and buy the things that she never had. On the other hand, Thelma and Louise, directed by Ridley Scott, is a 1991 American crime film starring Geena Davis as Thelma and Susan Sarandon as Louise, two friends who plan to go on a road trip, away from their husbands, with disastrous consequences. Although the two films seem very different from each other and they have been produced in two extremely different
Film is a story of people and a story made by the people. Since society is a world of community where people creates atmospheres and interact with one another, through films we can look into the mirror of the society at that time. The French society from the mid 1950s to the mid 1960s was the time when the postwar modernization for France had begun. During this time period there were many values that the society reflected and various cultures that were embedded into the people’s lives.
Jiahao Huang Instructor 's Name Course Title 25 March 2016 The Film “No Country for Old Men” Similar to any other kind of art, films can scrutinize the inner works of humanity and the interaction of people in the universe. With the viewpoint of human nature besides the current critical state of the film-philosophy, the film No Country for Old Men by the Coen brothers has succeeded as a philosophical medium. No Country for Old Men is the twelfth film by the Ethan and Joel Coen brothers.
Laura Mulvey’s article Visual Pleasure and Narrative Cinema was published in 1975, has set out the concept of visual pleasure and explains it under a system looks in cinema. Her theory points out that men looked at women, men are the subjects of women, and to look at the object position; (women) accept their role of being looked at and creating visual pleasures for men as well as in the social reality. Her approaching is to use the same “political weapon” (“psychoanalytic theory”) that “the unconscious of patriarchal society has structured film form” (the way men used to oppress women) (Mulvey 483), with the hope to leave “the past behind without rejecting it” (Mulvey 485). To analyze that the main bias of cinema lies in the obsessive psychological
The movie Visions is a Horror film that tells of a couple, newly pregnant Eve and her husband Daniel, that just moved into a new house in wine country. The move was stimulated by a recent car crash Eve was involved in, which unfortunately resulted in the death a newborn baby in the other car. Eve feels terrible about the crash takes it upon herself to bear the blame, even though it was proved the crash wasn 't her fault. All of this leads to Eve falling into a deep depression which then results in her being put on heavy anti depressants. Eve However, fights out of this bitter state by deciding to get pregnant, get off her medication and move to a new place.
Throughout the years femininity in Hollywood cinema has changed quite drastically. The industry has gone through several phases that changed how femininity was viewed. This paper will address the postfeminist phase in Hollywood, while focusing on the film Bridget Jones’ Diary (2001). It will show how postfeminism is viewed in cinema as well as the characteristics that make a film considered to be postfeminist. Bridget Jones’ Diary (2001) showcases all the characteristics needed in a postfeminist film which makes the film a great representative of postfeminist attitudes in media.
The unique qualities of films are described by the film theories and film studies literature. Film theory also describes how film can enhance the learning process in ways unavailable in other media. In this paper an attempt is made by giving examples from