Compare And Contrast She's The Man And Twelfth Night

In the dorms, the class, and the soccer field is where the movie takes place more. Having the setting change so constantly in the movie, it makes it easier to understand and it makes it more captivating and not boring. The Globe Theatre version didn’t have a setting change like She’s The Man demonstrated. Since Carroll’s version on the Twelfth Night is showed on a stage, it is difficult to have a setting change, and it also played in front of a live audience. The Hollywood version was good when it comes to the setting, but it was difficult to understand where they were because it was dark and there wasn’t any description on where they were. Since She’s The Man showed more setting changes, it is easier to watch and more

The Crucible was a very interesting story and it was also very odd. It showed that back then people would pretty much believe anything. The Crucible play and The Crucible movie are similar and different in many ways. The scenes in the play and movie are the same and different sometimes.

Twelfth Night and She’s the Man have very similar plots with very little differences. In Twelfth Night Orsino, the Duke of Illyria is in love with Olivia, just like Duke is in love with Olivia in She’s the Man. Olivia falls in love with Viola which is disguised as Cesario in the play and in the movie Olivia falls in love with Viola which is disguised as her brother Sebastian. In both the movie and the play Viola is in love with Duke who thinks that Viola is man, in the play Cesario and in the movie Sebastian. Also we can see how Duke quickly becomes close to Voila, disguised as man, in both productions. We also see how in both the film and the dramatic piece Duke asks Viola, disguised as a man, to help him get Olivia, but in both Duke thinks Viola has betrayed him by stealing Olivia from him. All this similarities keep the essence of the play in the

The movie ties in more brutality and violence to appeal to a modern audience that demands intense appeal to the senses. The play uses the simplicity of setting elements such as the balcony and common acting techniques to communicate Shakespear’s original message. Given the time period of the text, Shakepear’s use of these strategies are as modern as those unique techniques used in the movie. The movie and the play attract their audiences based on what appeals to them. Most importantly, both deliver the message to the audience that “For never was a story of more woe than this of Juliet and her

Another difference in the plot is in a Twelfth Night Viola is serving Orsino by helping him try to win the love of Olivia. In She’s the Man Viola even though she is helping Duke try to get a date with Olivia, she is trading it for him to train her in soccer. Which in return makes her a better player. Viola is helping Duke to get something in return, but the other Viola from a Twelfth Night is helping Orsino because she is in service to him.

In most novel to film adaptations, directors will often change certain elements of the work for the movie to move at a different pace. These changes may range from the main character’s hair colour to larger transformations like an important character being left out. In the case of William Shakespeare’s Macbeth, the largest difference from the play to film was the role of Ross. In the film adaptation of Macbeth, Ross is a developed and crucial character to the plot. This is shown through his involvement in Macbeth’s schemes, relationship with Macbeth, and loyalty to power in Scotland. In the play, Ross is seen as just another nobleman and the cousin of Lady Macduff. However, in the film version he is seen as a valuable follower in Macbeth’s eyes. Ross is often seen running errands for Macbeth and delivering messages to him.

William Shakespeare is considered one of the greatest playwrights of all time. One of his most famous plays, Romeo and Juliet, written around 1595 was remade into a modern day movie. The movie, Romeo + Juliet by Baz Luhrmann, was released in 1996 and represented the story of Romeo and Juliet. There are many old stories that have been remade into modern day versions. An example is the Bible which has been remade into many different movies including The Ten Commandments by Cecil B. DeMille and The Passion of the Christ by Mel Gibson. The original story Romeo and Juliet by William Shakespeare is about two teenagers, Romeo and Juliet, who fall in love and their families’ feud ends with death of Romeo and Juliet. The play Romeo and Juliet by William

The setting of the movie is the first obvious difference that can be seen. The movie was set in New York City, New York in 2000 while the play was set in Elsinore, Denmark in the late middle ages. This greatly affects the way the movie is viewed because it is essentially an entirely different world. In the movie there are video cameras, cars, phones and skyscrapers, all things that obviously weren’t around during Shakespeare’s time. Even if the movie and the play had been based in the same year, the story still would have been slightly different. The United States of America didn’t even exist during Hamlet 's lifetime. But if Hamlet had been alive in 2000 in Elsinore it would still be a different story. New York City is the second largest city

In the twenty-first century, the plays of William Shakespeare may at first appear dated and irrelevant: they use archaic language, are set in the age of Kings and Queens, and the Kingdom of England. However, it would be plainly mistaken to construe that Shakespeare’s works do not still remain integral to a twenty-first century society. Shakespeare’s plays gave the words and expressions one uses every day, revolutionized the art of theater as it was known, and forewarned about issues that would unknowingly still apply centuries later. Therefore, Shakespeare has had a profound effect on our lives by enriching our language and culture, as well as providing ideas that would still apply five centuries later, and it would thus behoove us to learn from his works and life.

The question of why Olivia, after dramatically declaring her affections for Cesario, would so quickly jump to Sebastian after finding Viola’s true identity, is likely answered by the societal norms of the Elizabethan era. Cesario and Viola are two halves of one whole; by loving Cesario, Olivia loves Viola too. Upon meeting “him,” Olivia says “Thy tongue, thy face, thy limbs, actions and spirit/ Do give thee five-fold blazon” (1.5.297-298). She is attracted not just to Cesario’s mannerisms, but to Viola’s beauty, which shines through her male bravado. The “actions and spirit” which Olivia refers to are Viola’s ability to converse with Olivia woman-to-woman, unbeknownst to the countess. Twelfth Night seems to present gender as a mask to be worn and taken off at will, a fluid concept that changes to suit one’s needs and emotions. By playing Cesario, Viola partly becomes this version of herself, so Olivia, by loving Cesario, has feelings for Viola by extension. When Sebastian makes his reveal, Olivia marries him for two reasons. The first is an external piece of reasoning, being that in Elizabethan comedies such as this, heterosexual pairings must happen for the play to follow the fairly strict expectations of a comedy. The second falls to Sebastian’s demeanor. Throughout the play, he demonstrates a sense

Arthur Miller was an award-winning author, who wrote many plays over the course of his life. In 1953, he wrote a play called The Crucible. His intention in writing this play was to give readers insight into the, “strangest and most awful chapters in human history” (Miller back cover), or in other words, the Salem witch hunts and trials of the seventeenth century. The Crucible is based on real events and historical people and reflects the anti-communist hysteria based around the supposed witchcraft that was happening in Salem at that time. In 1996, a film based off of Arthur Miller’s play, also called The Crucible, was released. Although there are minor differences between the play and the movie, they are greatly outweighed by the vast similarities.

In the movie She’s The Man, Viola and her teammates learn that their soccer team has been cut so they go to talk to the boys coach to ask him if they can try out for the boys team. While the girls are talking to the coach and the boys team, the coach says, “but girls aren 't as fast as boys….Or as strong. Or as athletic. This is not me talking. It’s a scientific fact. Girls can’t beat boys. It’s as simple as that.” (Fickman, Andy, 2006). This shows the women are not being accepted because they did not even have the chance to try out for the boys team, the coach didn’t even offer them a shot. Furthermore, in the movie, Viola was talking to her brother Sebastian about his band and her soccer and he said, “You know the percentage of bands that make it to the big time, probably the same as female soccer players” (Fickman, Andy, 2006). Instead of lifting his sister up after learning about her soccer team being cut, he negatively talked about females and their success in sports. This is degrading because he is shutting down Viola and her dreams. To continue, in the play The Twelfth Night, Duke Orsino speaks to Viola, who he believes to be Cesario, and says, “There is no woman’s

Numerous events and conflicts from Twelfth Night are dependant on Viola’s disguise, as she is caught in between Olivia and Orsino’s affection due to her disguise. In the beginning of the play, she dresses up as a male in order to conceal her identity and to get a job at Orsino’s court. In doing so, she is able to gain more of his trust than she would have if she was a female. By disguising herself as a man Viola is able attract his attention and appreciation to ultimately prove her worth to him as a woman. Moreover, Viola's disguise also allows Orsino to respect her intelligence which causes her to win his love. First, her disguise represents her wit since she is able to adapt in a new environment quickly and excel at her job as well. Not only does this disguise prove Viola’s quick-thinking but also proves some of Orsino’s thoughts.

In Twelfth Night, Viola and Olivia are the central characters to the play’s plot. Each are young women that take approaches to dealing with the people around them, which are mainly men. There is much trickery that goes on in Twelfth Night, but the ending is for the most part happy. Viola marries Orsino and Olivia marries Sebastian, but the events leading up to this are more or less chaotic. Ultimately, I argue that while Olivia uses her higher social status in order to maintain control of herself and others, Viola resorts to trickery in order to bring about her desires. Thus, there are ways that Viola and Olivia both reserve information about themselves while also remaining authentic to an extent.

In the play Twelfth Night, through the depiction of Orsino’s and Viola’s desires for romantic love, Shakespeare portrays how adjustable and self-delusional human romantic attraction can be, especially when blinded by wants and needs. Viola, who puts on the appearance of a man, makes everybody think she is a male. Her disguise becomes a sexual confusion throughout the play for several characters, creating an odd love triangle where Viola loves Duke Orsino, who loves Oliva, which then on the other hand loves Viola, in disguise as Cesario. On the other hand, Malvolio dreams of marrying his beloved Olivia, and gaining authority over his superiors, like Sir Toby. Shakespeare uses disguise in the play to show several confusions and internal conflicts between the characters, proving how malleable and deluded some human attractions can be.