Creativity Theory

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CREATIVITY
The English word creativity comes from the Latin term creō, which means "to create, make." English mathematician and philosopher Alfred North Whitehead coined the term creativity in 1927 while delivering the Gifford Lectures at the University of Edinburgh. The traditional view of creativity in Western culture was one in which creativity was an act of divine inspiration, or an inspiring gift from God. An idea is salvation by imagination. -- Frank Lloyd Wright
INTRODUCTION
Creativity is defined as seeing what everyone else has seen, and thinking what no one else has thought. Creativity is the process of producing something that is both original and worthwhile and characterized by originality and expressiveness and imaginative. …show more content…

Countless artists find that their addictions hamper their creative skill though involving in the fine art form helps them alongside recovery from their addiction. Most of their creativity comes as they endeavour to battle their addiction. As countless such artists clash alongside addiction their finished lifetimes their creative work comes in spurts. One theory associating to addiction and creativity is the believed that use of recreational drugs and alcohol remove the stress agent that inhibits our creative ability. Recklessness, ignore for public sense and spontaneity that are frequently associated alongside …show more content…

These needs demand to be encountered beforehand we can thrive. After these needs are encountered we can grasp self-actualization and are nowadays free and cosy plenty to express ourselves in a creative manner. Creativity is central to our development and discovering procedures and as such aid us to advance ourselves inside society. Adler quarrels that our main motivation for creativity is to compensate for an observed physical or intellectual disability. The humanist school of believed leans towards the progress of methods that stop defensiveness, and growing belief, agreement, lack of judgement and crafting a freedom of expression. There is not far antagonism to this theory. This could be because it is extensively consented that we cannot be creative if we are distracted by supplementary

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