CREATIVITY
The English word creativity comes from the Latin term creō, which means "to create, make." English mathematician and philosopher Alfred North Whitehead coined the term creativity in 1927 while delivering the Gifford Lectures at the University of Edinburgh. The traditional view of creativity in Western culture was one in which creativity was an act of divine inspiration, or an inspiring gift from God. An idea is salvation by imagination. -- Frank Lloyd Wright
INTRODUCTION
Creativity is defined as seeing what everyone else has seen, and thinking what no one else has thought. Creativity is the process of producing something that is both original and worthwhile and characterized by originality and expressiveness and imaginative.
…show more content…
Countless artists find that their addictions hamper their creative skill though involving in the fine art form helps them alongside recovery from their addiction. Most of their creativity comes as they endeavour to battle their addiction. As countless such artists clash alongside addiction their finished lifetimes their creative work comes in spurts. One theory associating to addiction and creativity is the believed that use of recreational drugs and alcohol remove the stress agent that inhibits our creative ability. Recklessness, ignore for public sense and spontaneity that are frequently associated alongside …show more content…
These needs demand to be encountered beforehand we can thrive. After these needs are encountered we can grasp self-actualization and are nowadays free and cosy plenty to express ourselves in a creative manner. Creativity is central to our development and discovering procedures and as such aid us to advance ourselves inside society. Adler quarrels that our main motivation for creativity is to compensate for an observed physical or intellectual disability. The humanist school of believed leans towards the progress of methods that stop defensiveness, and growing belief, agreement, lack of judgement and crafting a freedom of expression. There is not far antagonism to this theory. This could be because it is extensively consented that we cannot be creative if we are distracted by supplementary
In conclusion, not only does she effectively contribute to the conversation regarding the decline of creativity and why it happens, but through her efficient usage of ethos, logos, pathos, and kairos, Manoush Zomorodi gives a thoroughly convincing presentation. Weaving these together creates a favorable argument for why taking time to set aside electronic devices boosts creativity. Overall, Zomorodi created a compelling argument that not only convinces her intended audience, but also those who may have initially disagreed with her.
Besides, addiction is a treatable disease and he also states his idea about how to solve it. Therefore both of the authors express the worry to drug problem in
Scientists have taken centuries to “discover” what poets have been grappling with ever since we learned how to read and write. In Shakespeare’s Hamlet, before Hamlet despises his uncle for greater offences, he ridicules him and his fellow Danes for their reputation abroad as drunks and speculates with his friend and fellow scholar, Horatio, about the nature of alcoholism: “So oft it chances in particular men / That for some vicious mole of nature in them, / As in their birth (wherein they are not guilty, / Since nature cannot choose his origin), / By the o’ergrowth of some complexion / (Oft breaking down the pales and forts of reason), / Or by some habit that too much o’erleavens / The form of plausive manners... / The dram of evil / Doth
The image that people have on the topic of “drug addiction” is one that is full of stereotypes. In William Burroughs’s “The Junky’s Christmas” it is evident to the viewers that a drug addict, or what Burroughs’s refers to as “junkies”, go to extremes in order to fulfill their needs to feel the ultimate ecstasy. Similarly, in the propaganda film “Reefer Madness”, viewers are informed on the side effects of taking drugs which are told to extremes. Both videos clearly express means that are based solely on stereotypes linked to being a drug addict. Even thought these videos seem to be on the same page regarding drug addiction, there are many differences.
The most powerful tool of men is his own imagination after observation of things around us. Observation simply means the act of observing things with the eyes or the act of picturing something into the mind. There are three types of imagination. They are generalized imagination, inventory imagination, and professional imagination. Generalized imagination is where a person imagines things out of observing things that exist and use his creative mind to create a picture of a thing which has never existed before.
“Under The Influence: Paying the price of my father's booze” is an essay that was written by Scott Russell Sanders to describe his father drinking habit. In this essay, the author has used both comparisons and allegories to explain how his father’s drinking habit was very serious and how it affected his whole family. In addition, the essay describe explores the connection between excessive drinking and excessive working and compares the two. To start with, the author has talked about father’s extreme habit of alcohol drinking, stressing on the different changes his father showed every time he had a drink. Besides his father’s addiction in drinking, Sander has also talked about his lovely daughter who she also considers as an addict as well.
Addiction influenced authors to write with their own individuality and make it easier for them to explain themselves. Authors who suffer with addiction portray their own individuality through the books they write. In fact, those who struggle with addiction “are more likely to have poor interpersonal relationships, live alone, have higher levels of aggression and impulsivity, and have an overall negative outlook on life” (Effects of Alcoholism on Behavior). An example of an author who suffers with addiction is F. Scott Fitzgerald, who was addicted to alcohol. Fitzgerald reflected his own addiction of alcohol to the characters that exist within The Great Gatsby.
Harvard University’s godfather of bio-philosophy, Edward Wilson, is 88 years old, and he’s just penned, The Origins of Creativity. The text is bubbling over with meandering pontifications as Wilson waxes on the subject, but all his ideas remain anchored to the theory of evolution and are centralized around genetics. He threads these things together with the belief that creativity and culture can both be traced back to genetics. He takes creativity itself back to the prehistoric, African savannah.
1.Robinson argues that education systems and society are at fault for the low amount of creativity found in students. 2. Ken Robinson suggests there is a decrease in creativity as a result of an academic inability to nurture individualism as well as a societal pressure to become academically similar. Robinson effectively brings to mind the inadequacy of the education system by addressing its failure in equalizing the importance of all subjects and developing different types of intelligence. His line of reasoning mainly built upon a logical narrative that succeeds in persuading his audience.
Hines describes this idea as ‘the tension of opposites’ that describes a duality of temperament in which the artist needs in order ‘to provide the requisite tension to spark a creative work.’ Introversion and performance are an example of two opposites that create tension. While the idea of creativity, and where creative ideas come from, has been examined on different levels such as the biological, psychopathological and psychological, a duality of temperament is has always appeared as a common theme. For example, on a personality level, Chavez-Eakle argues that creativity is spilt between ‘temperament and character’, in which the ‘former is a biological dimension and is heritable, representing a potential for development; the latter is molded by environmental and sociocultural factors’ (). While internal and external influences may establish creativity it is how the individual reacts to these factors that affect their artistic temperament.
Via Character states, “Creativity is Thinking of novel and productive ways to conceptualize and do things; includes artistic achievement but is not limited to it. ”One time when I was creative is when, I had a lot of people playing outside with
However, there is a fear that true creativity is a fading due to a lack of ingenious minds. Why? Philosophy can be seen as a pattern. When one person has ideas, and establishes them, another person picks them up and practices them; continuing a cycle where thought for oneself is nonexistent. Nietzsche proposes
Moser -Wellman’s Five- face creativity Moser -Wellman’s five faces creativity had been applied into the dancing traffic light. Five Faces refer to Seer, Observer, Alchemist, Fool and Sage. Different face has different power of creativity. In the design of dancing traffic light, two faces seemed to be applied. Firstly, “Observer” has been used.
Creativity can be defined as the willingness to be courageous, adventurous, daring and to try new things. Creative people take risks and produce some of the best ideas. When designing and making, creative work is likely to bring about original knowledge which will incur risk taking. Innovation and risk taking are skills that are close together, everyone that knows it have to deal with creating something new everyday. Being creative does not only involve the study of art, which is how it has been perceived through the years.
Addiction is the reliance on a routine. There are many addictive stages. Addiction, as it comes along, becomes a way of life. The persistent use of the substance causes to the user serious physical or psychological problems and dysfunctions in major areas of his or her life. The drug user continues to use substances and the compulsive behavior despite the harmful consequences, and tries to systematically avoid responsibility and reality, while he or she tends to isolate himself/herself from others because of guilt and pain (Angres, & Bettinardi-Angres, 2008).