Any land worth everything that any man has to give. Anguish, ecstasy, faith, jealousy, love, hatred, life or death. Don't you see that's the whole excuse for our existence? It's what makes the whole thing possible and tolerable.Debra Marguart expresses her overwhelming love for the upper Midwest territory, even as it was called an uninhabitable and bare location for many who first approached it. With her use of allusions and diction to characterize the early region as unimpressive, she is able to show to the reader all of the distinctive virtues of the land.. In her writing, she repetitively creates alludes to writers and surveyors correspondingly in order to describe singular assets of the region. She refers to Sylvia Griffith Wheeler when she writes, “we are the folks presidents talk to when times require.” Margrquet’s use of allusion illustrates her people as of natural heritage and of important to America because presidents themselves find significance in their opinions. Also, she highlights the notion that citizens that hail from this region are among …show more content…
For example, when discussing men, like Long, who had visited the region, she states that they declared it unimpressive and “a dreary plan, wholly unfit for cultivation.” Here, she sets up the views of harsh critics of the region for comparison with her own feelings for the region itself. Marquet goes on to introduce a story about her grandparents, who felt “anticipation” when waiting to receive their land. By comparing the uncomplimentary aspects of the land judged by surveyors with her grandparents feeling of anticipation, she shows the reader how the land represented a new beginning for many Americans who disregarded the criticism of earlier assessors. She once again portrays her respect for the people of the upper Midwest by clowning their ability to cultivate a previously labeled “unimpressive”
In Montana 1948, Watson’s use of parentheses and dashes allow the 52 year-old David editorialize on the experiences of the native 12 year-old David. Without these authorial interjections, David’s experiences would be presented to us through the unreliable understanding of the boy, thus limiting our ability to disconcern Watson’s overall thematic goal. For the reader it elaborates on ideas that may be unclear from a young boys perspective. Not only do the punctuation marks describe more, they also allow for quick changes in thought.
In the excerpt of Zora Neale Hurston’s novel “Seraph on the Suwannee,” the author describes this town as unique compared to the ones that exist today with the numerous amounts of literary devices such as diction, vivid imagery, and parallelism. Moreover, Hurston goes into detail about the distinct features this town attains with a detached tone that shifts in the third paragraph to a characterizing one when referring to the past and the civilians that reside at the particular location. Ultimately, the author gives life to the community through words to represent who they are due to their demeanor towards Sawley rather than their individuality. The excerpt begins with a geographic description of Sawley and its surroundings. Hurston utilizes literary devices such as descriptive diction and imagery to aid the reader in visualizing the environment she is referring
In the other side, “Homesteading in Southern Saskatchewan” has familiarized in narrator’s
The use of constant complex and simple declarative sentences helps highlight the perceived monotonous nature of the Midwest. For example, one of her sentences simply reads, “now you are driving deep into the square states.” (paragraph 2) Repetitive sentence types and structures help create a plain, dull mood in the excerpt, which directly parallels the false perception of the Midwest. Marquardt uses this effect to her advantage in order to further emphasize this false perception of the Midwest as a boring and monotonous place. Furthermore, Marquart assumes a dispirited tone to convey her frustration with the false labels put on her home states.
Awed by this stalwart activist and with visions of the petite lady and her troop of Girl Scouts standing arm-in-arm defiantly defending the stained glass from burly and befuddled construction workers, I stepped out of my car, which gave the enthusiastic conversationalist time to catch her breath. The dialogue moved to the sidewalk and the shade of a nearby shop awning, where the discourse progressed to a casual exchange. I spoke of my trip home from Ames and my desire to indulge in the artistry of Louis Sullivan’s architectural genius. She disclosed that her husband had been a banker and that they had become enamored by Sullivan’s work while living in Blooming Prairie, Minnesota, not far from Sullivan’s Owatonna bank.
When individuals imagine Vermont, they often envision a landscape of green fields with cows surrounded by colorful bright trees. Albers discuss the myth and reality about Vermont during the nineteenth-century in which Romantics very much so “believed in the ideal of an unspoiled American wilderness, its surface barely brushed by the hand of man” (Albers, p. 164). Many of these Vermonters wanted the land to appear “untouched” and natural yet due to economic necessities, operations such as lumbering and mining copper in areas including Vershire for example, the land experienced major unnatural changes. Vermont was depicted by State Geologist Albert Hager in his published “Report on the Geology of Vermont” in 1861 which captured Vermont as being wild, not very populated, and full of farms and villages” (Albers, p. 193).
“O Pioneers!” shows many forms of naturalism. “It was facing this vast hardness that the boy's mouth had become so bitter; because he felt that men were too weak to make any mark here, that the land wants left alone, to preserve its own fierce strength, its peculiar, savage kind of beauty, its uninterrupted mournfulness.” This quote displays the brutalness of Nebraska; this state will quickly
Each day I’d drive home along the back roads of Sonoma County. I’d pass many plots of farm land but there was one bit of land that always seemed so enchanting and beautiful. So many acres of land and yet none like this one. One day I the land owner walking out to his mailbox and I decided to stop for a moment and show him some gratitude for his outstanding property. “God gave your land quite a blessing by the looks of it!”
Freedom to Interact: The Wave and Travellers Freedom is an element, which is often used as an expression within modern art practice. Artists strive to show their creative process, along with their ideals and truths freely. But what about art that talks about freedom in a literal sense? In Halifax there are two public art sculptures that appear to play with that with the notion of freedom, in very different ways.
Bobbie Ann Mason’s short story, Shiloh, is set in rural Kentucky. The married couple of whom the story centers around is at a moment of change both psychosocially and physically, just as their setting is. For no reason to be seen, Kentucky is being paved over with cheap, ugly subdivisions and massive shopping centers. Leroy dreams of turning back time and building his wife a sturdy log cabin. Whether or not she will support her husband’s dream is the question of whether or not she is willing to go against the current trend of cheap yet expensive over quality that does not require monetary quantification.
During Cooper’s boyhood there were few settlers and fewer Indians. “His early experiences in Central New York gave him background for his frontier works.” His writing style continued to evolve over the years.
He continues by saying what the tribe is like and how much land they had. For instance, Momaday says “They had controlled the open range from the Smokey Hill River to the Red”. In fact, he creates images of thought the whole essay. Such as the land, what the tribe does and his grandmother praying. He says, “The last time I saw her she prayed
Name Professor Course Date Book Review: Everyday Life in Early America The book ‘Everyday Life in Early America’ by David Hawke provides a comprehensive account of the history of early settlers in America. It maintains that the geographic concept including the physical environment is a chief factor that influences the behavior of individuals. The author assumes that early settlers came to America in the hope of taking forward their customs and traditions while starting afresh in a foreign land.
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
This is the first passage of The Pioneers, it introduces the book. Near the centre of the State of New York lies an extensive district of country whose surface is a succession of hills and dales, or, to speak with greater deference to geographical definitions, of mountains and valleys. It is among these hills that the Delaware takes its rise; and flowing from the limpid lakes and thousand springs of this region the numerous sources of the Susquehanna meander through the valleys until, uniting their streams, they form one of the proudest rivers of the United States. The mountains are generally arable to the tops, although instances are not wanting where the sides are jutted with rocks that aid greatly in