“A Doll House”: The Righteous Deception
Henrik Ibsen, the writer of the play “A Doll House,” provides insight on self-righteousness when the character Nora is faced with assisting a loved one and the deception that arose from it. Nora has the most extenuating circumstances for her reasons of dishonesty within the play. Her deceitfulness is created through criminal applications, social expectations, and fear of her husband. Unfortunately, the biggest fabrication, revealed at the end, was the falsehood she said to herself. All of Nora’s deception begins as an act of love for her husband, Torvald. The doctor informs her, “it [is] necessary he should have no idea what a dangerous condition he [is] in” (p. 1357) and that a warmer climate is what he needs to get better. But Torvald refuses to get a loan even when Nora’s request she would like to “travel abroad like other young wives” (p. 1357), Nora has no choice but to lie to get the money herself. Since “hundreds and of thousands of women have done” it in the name of love (p. 1401). Nora has no second thoughts of borrowing money to save her husband. During the period (1887) in which this play was written was ruled by a patriarchal society. The social expectations for women were controlled by men and women’s rights were virtually non-existent. In essence, this provides
…show more content…
1358). It even made him angry when Nora “hint [s] that he might raise a loan” (p. 1357). Nora is accurate in hiding a loan due to Torvald’s tremendously protective attitude towards their perfect image. As an illustration of Torvald reaction, he tells Nora that she is “destroy [ing] all [his] happiness [and] ruin [ing] all [his] future” (p. 1395). He even resorts to calling Nora a “miserable creature, a hypocrite, a liar, a criminal, and a thoughtless woman” (p.
Nora is not concern about keeping her honor but selflessly more concerned with her husband’s honor. While taking into consideration Torvald’s reputation, Nora informs Kristine the negative effect sharing her secret would have on Torvald when she remarks, “besides Torvald, with all his masculine pride-how painfully humiliating for him if he ever found out he was in debt to me” (Ibsen 1030). Nora’s genuine care and prior knowledge to how important reputation is to her husband displays how important protecting honor is. Nora is not the only one concerned with protecting her husband’s honor so is Torvald himself. Torvald answer contradicts what Nora believes to be important in maintaining honor in their relationship: “I’d gladly work for you day and night - and take on pain and deprivation.
Nora’s defiance may have resulted in criticism from society, but Ibsen importantly commented on the terrible treatment of woman in relationships and the world. Ibsen created A Doll’s House in a time where women were treated unjustly and poorly. While the play might seem slightly irrelevant now, it still has a place in the world today. Women can borrow money and leave their husbands; however, society still puts tremendous pressure on women to fulfill sacred vows. The expectation to assure her husband’s happiness and to prioritize everyone else before herself is still an issue that many woman face today.
But listen to this, Kristine - I got something to be proud and happy for.” (Ibsen, 1256), This statement by Nora changes the conversation from Kristine’s troubles and accomplishments and turns everything around so that Nora can brag about what she has done. We also see Nora’s selfishness in the last act of the play when Nora leaves her family. It is understandable for Nora to leave Torvald if she no longer feels loved, but Nora decides to leave her kids
A single family income has always made budgets tight and being a wife and mother leaves little opportunity for earnings, in fact Nora did tricks and begged her husband for what little money he gave her. While many critics condemn Torvald’s treatment of Nora, in reality he was no different from any other man during this time period. When their finances were minimal he did whatever it took to take care of his family, working day and night almost to the point of death. For that reason, Nora showed her love for Torvald by securing a loan in order to take a trip to Italy for his treatment and recovery. In doing so, Nora needed to work odd jobs to repay the loan while keeping it a secret from her husband.
In act one, the audience learns about the secret which Nora has been hiding from Torvald: that Nora has obtained a loan from Krogstad due to their financial situation and inability to pay for their trip to Italy to save Torvald’s life. When Krogstad
Shocked, Nora, quickly ended the attempted and noted it was wrong, the doctor then proceeded to see Torvald. Nora was too afraid to ask him for money to repay the loan and became additionally desperate to try to find a quick
He rather expects her to be more compliant, loyal and wants her to follow the social and moral rules strictly, like he does. Torvald’s assertion that Nora’s lack of understanding of money matters is the result of her gender (“Nora, my Nora, that is just like a woman”) reveals his prejudiced viewpoint on gender roles. Torvald believes a wife’s role is to beautify the home, not only through proper management of domestic life but also through proper behavior and appearance. He quickly makes it known that appearances are very important to him, and that Nora is like an ornament or trophy that serves to beautify his home and his reputation. He tells Nora that he loves her so much that he has wished in the past that Nora’s life were threatened so that he could risk everything to save her.
Nora expected Torvald to take the blame for her mistakes “When he’d done that, I was so utterly sure that you’d step forward, take the blame on yourself and say: I am the guilty one” (592). While Nora does say that she would defend her husband if he were to do so, Nora wanted Torvald to attempt to take the blame for her illegally borrowing money. She was so used to Torvald consistently taking care of her, Nora expected him to swoop in and take save her in her time of need. A husband and wife should be able to defend each other and ensure the other’s safety but even more importantly, Nora should have been able to be honest with Torvald from the
The way that Nora responds to Torvald and his many rules show again Nora’s childish nature. This is evident in how Torvald controls Nora and does not want her to eat macaroons. After realizing that Nora had in fact had some, he questions her to which she responds “No; what makes you think that?” (Ibsen 1361). Nora hides the truth from Torvald as if he is her father and is unable to stand up to him because she fears what may happen to her even though they should be equals. Although it may be frowned upon for the wife to make such decisions in this period, Nora knows that this is no way to live, and instead of making that known she buries the idea.
This unhappy secret must be disclosed; they must have a couple understanding between them, which is impossible with all this concealment and falsehood going on,” (Ibsen 52). Mrs. Linde is well aware of Nora’s secret and the consequences that would follow if Torvald found out. When Torvald finds out about the letter, he is only worried about his reputation and his appearance. Torvald says, “From this moment happiness is not the question; all that concerns us it to save the remains, the
In Henrik Ibsen’s A Doll’s House, appearances prove to be deceptive veneers that disguise the reality of situations and characters. Ibsen’s play is set in 19th century Norway, when women’s rights were restricted and social appearance such as financial success and middle class respectability were more important than equality and true identity. Ibsen also uses realism and naturalism, portraying the Helmer’s Marriage through authentic relationships, which are relatable to the audience. In A Doll’s House, Nora represents 19th century women entrapped by society to fulfill wifely and motherly obligations, unable to articulate or express their own feelings and desires.
One of the main conflicts in the play is the money that Nora must pay back to Krogstad. When Krogstad reveals that he will tell her husband that the money she obtained for the trip to Italy was not from her father, she realizes that she needs to pay off the money as quickly as she can before that information is reveled to her husband. This monetary obligation becomes an even greater burden throughout the play. She tries to find a solution to hide to details about the money or to quickly pay off the debt. At the beginning of the play when her husband asks her what she wants for Christmas, and Nora responds, “You might give me money, Torvald” (829).
The play begins with Nora being portrayed as a self-indulgent and whimsical woman with childlike qualities. After the porter asks Nora for “a shilling”, (Ibsen, p.23) she tips him over-generously with a pound, directing him to “keep it,” (p.23) giving the audience the impression that Nora does not know the value of money, much like a child would not. Her immature extravagance is recognized through her desire to spend Torvald’s higher salary right away, even though it will not be received for another three months. His
In 1880s, women in America were trapped by their family because of the culture that they were living in. They loved their family and husband, but meanwhile, they had hard time suffering in same patterns that women in United States always had. With their limited rights, women hoped liberation from their family because they were entirely complaisant to their husband. Therefore, women were in conflicting directions by two compelling forces, their responsibility and pressure. In A Doll’s House, Ibsen uses metaphors of a doll’s house and irony conversation between Nora and Torvald to emphasize reality versus appearance in order to convey that the Victorian Era women were discriminated because of gender and forced to make irrational decision by inequity society.
Throughout A Doll’s House, Henrick Ibsen gives emphasis to male-controlled symbolism in order to emphasize the standard family structure of the late nineteenth-century. Torvald, the central male character, perfectly depicts the typical male dominance through his actions of control and dominance in the relationship with Nora Helmer. The names he gives her throughout the play: skylark, little squirrel, little spendthrift, etc. shows his looking down to Nora. He gives her no respect and like all typical marriages in nineteenth-century Denmark, he gives Nora no means to have any control in the marriage. The title A Doll’s House in itself generates the whole definition of the play, giving symbolism to Nora and how she is “trapped” in her own home and being ordered by Torvald in everything she says and does.