Identity is found throughout history, from the Renaissance, the world wars, the modern day, and in this short story, “Everyday Use” by Alice Walker. The Author, Alice Walker, writes from the perspective of a mother in the 1960s; the mother's family consists of her, Mama, and two daughters, Maggie and Dee. The story follows the mother as she relives her past and watches her daughters grow up and face similar struggles of being an African American woman in the 60s. In Alice Walker’s short story “Everyday Use,” the theme of identity is demonstrated through the setting, Mama, Maggie, and Dee/Wangero.
Before the story's events, the characters suffered a severe house fire. The reader can notice a flashback where Mama relives a moment of the fire.
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However, she constantly compares herself to her kids, believing they are mentally stronger than her. “Who can imagine me looking a strange white man in the eye?… I have talked to them always with one foot raised in flight… Dee, though, would always look anyone in the eye. Hesitation was no part of her nature.” (Walker 1). This allows the reader to see that Mama is proud of her kids, as she speaks highly of them. Mama is very “manly” in her own way while keeping and maintaining a soft side through her kids, even though she believes that they are more confident and strong-willed them she ever …show more content…
Dee is strong and confident, and while she is still figuring things out, she holds her ground and keeps a solid will to do so. “She was determined to stare down any disaster in her efforts. Her eyelids would not flicker for minutes at a time… she had a style of her own, and knew what style was.” (Walker 2). Here Dee would hold her ground to anything, the reader can see that Dee is super strong-willed and won’t stop for anything, but in this following quote, Dee is no longer “Dee.” “‘Not ‘Dee,’ Wangero Leewanika Kemanjo!’ ‘What happened to ‘Dee’?’ I wanted to know. ‘She’s dead,’ Wangero said, ‘I couldn’t bear it any longer, being named after the people who oppress me.’” (Walker 4). Some people could argue that Wangero knows who she is, but as the reader keeps reading, Wangero is wrong about her past. With her being bad about her past, it is hard to say what her identity is, but one thing is for sure, she is very, very confident about what she says and believes in, and doesn’t let anyone change that even if she still hasn’t found her
Dee still has yet to educate her family but counties to make fun of them and chastise them about not having the cognitive ability that she us. Dee moved toward other traditions and went again her own traditions involving her on family, in resulting in quest if trying to link into her “African
This shows that Mama worries about her family because she cares about
This starts by the inclination Dee has to approach the world without fear. She views the world as a white woman, back then, rather than an African American woman like her mother and sister-timid and afraid. She then comes back from getting educated and allows this to cloud her judgement and think that she is above those who aren’t educated. She continues this attitude all the way to the end of her visit where she tells her mother that she doesn’t understand her heritage and then continues on condescending to her sister, “’You ought to try to make something of yourself, too, Maggie. It’s really a new day for us.
The Last line that relates to Mama is “Does it dry up”. This relates to Mama because she is starting to lose the power in the family and she is giving it to Walter. Mama also doesn’t own anything and is starting to lose Walter, “I ain’t got nothing, don’t own nothing, ain’t never really wanted nothing that wasn’t for you” (106). After she gave him the power Walter started to be more happy and even though Mama lost the money, at least they are
Dee breaks this rule by saying, “But they’re priceless!” Furiously; for she has a temper. “Maggie would put them on the bed and in five years they’d be in rags. Less than that!”(67). Dee is very upset that she is losing and as a result, she loses her temper and says mean things about maggie which mama is not ok with.
It’s really a new day for us. But from the way you and Mama still live you’d never know it" (6). While Dee was at school, she learned about her heritage, and because she got that education that Mama and Maggie didn’t get, she thinks she is superior to them and knows more. Dee also thinks that they need to be exposed to the outside world and see how much it has changed. As you can see, since going to school, Dee has become a more confident character and thinks she knows the most about their heritage out of everyone in the family.
Occasion: Alice Walker writes the story to draw attention to the mindset of the minorities. Walker was an activist. “Everyday Use” is a short story within a collection documenting the stories of black women, such as Alice Walker herself. Audience: Walker writes the story for everyone to read.
Looking at the story with Dee telling it would allow access to her thoughts so that the reader can understand why she is the way she is. It would allow the reader to access the deeper meaning to certain actions she takes and why she says the things she says. The point of view in a story determines so much for the reader including their feelings towards a certain character, in this case,
In the story, “Everyday Use,” the oldest sister Dee redefines her views of her family’s heritage. Dee leaves her rural home to receive an education in the city, but when returning back home she has changed completely. Specifically, Dee changes her name to Wangero Leewanika Kemanjo which creates difficulties for her mother. In the story Dee explains, “Couldn’t bear it any longer, being named after the people who oppress me" (Walker 318). She views her past name as a reminder that African Americans are not given original names.
Dee is very materialistic and thought highly of herself. She knew she was going to leave her small simple home life for something better. Dee was confident in everything she did in life. She wasn’t interested in learning the family heritage because she didn’t think it would ever come in use for
In attempts to reconnect with her African roots, Dee has changed her name to Wangero Leewanika Kemanjo. Dee has also taken an interest in embracing her African heritage and has dressed in traditional African clothes to visit her mother. Her mother knows that Dee’s intentions are not genuine. Worrying more about taking pictures of her mother and collecting items that represent the African culture to take back home, Dee neglects to spend time with her family. Her mother notices that Dee, “Lines up picture after picture of me sitting there in front of the house with Maggie cowering behind me.
Alice Walker wrote what Mama said about Dee or Wangero, “Dee wanted nice things.” Mama describes Dee as a lavish person who is only interested in herself and her fulfilling’s. Dee had changed her name to show that she is not accepting that a “white person” named her ancestors in way, so it can be passed down. Walker describes Mama as someone who is satisfied with what they have. “I will wait for her in the yard that Maggie and I made so clean and wavy yesterday afternoon,” Walker demonstrates how Mama is pleased with nature where her life takes place in.
Alice Walker’s “Everyday Use” illustrates Dee’s struggle for identity by placing her quest for a new identity against her family’s desire for maintaining culture and heritage. In the beginning, the narrator, who is the mother of Dee, mentions some details about Dee; how she “...wanted nice things… She was determined to stare down any disaster in her efforts… At sixteen, she had a style of her own: and (she) knew what style was.” Providing evidence to the thesis, she was obviously trying exceptionally hard to find for herself a sense of identity. She wanted items her family couldn’t afford, so she worked hard to gain these, and she found a sense of identity from them, but it also pushed her farther away from her family.
A lack of sense of self and empathy, Dee’s characterization represents a search for
And, womanism here represented through Mama, calls for a critical relatedness to the heritage. The narrative articulates the shallowness of Dee’s