In reading, it can be also found that Bartleby 's life and that of the woman are very impersonal, but Bartleby 's is more since the woman, at least, the woman tries to communicate with her son and her husband in order to solve it is happening to her. An obvious difference between the woman and Bartleby is when she realizes that she was wrong, “What has happened to me, I’m not myself anymore.” (Pg. 40) This is represented when she hit the child because of his antics. Her husband tried to help her in many times; he hired a nanny. This made the wife feel freer for a little bit.
Nanny who has been Janie’s caretaker has several hopes and dreams for her granddaughter. Nanny is not entirely perfect at her job of raising Janie, since her dreams for her are clouded by her own scarring experiences. Nanny attempts to insure a better life for Janie by forcing her to marry Logan Killicks, an old and wealthy man. Blinded by her own dreams, hopes, and desires, Nanny makes many impositions on Janie, “Have some sympathy fuh me. Put me down easy, Janie, Ah’m a cracked plate” (Hurston 20).
Edna then looks back at her feelings towards the birth of her children. She merely saw them as an addition to “the great unnumbered multitude of souls that come and go” and reveals her nonmarital nature. Then, Madame Ratignolle tells Edna to “Think of the children Edna... remember them.” These words ring in Edna’s head and played the role as a wake up call. Edna has previously planned on abandoning her moral values, but these words made her realize the effect her actions of adultery may have on her children. This is the first example of Edna’s alienation and how society’s assumptions of her, which were brought to her attention by Madame Ratignolle, should play a larger role in her
And how Nea deals with this events. This story is written with the immature and unreliable 12-year old perspective. These two sisters have grown together all through their life’s, creating a strong bound, and the fact that her family and a “old guy” is taking away her sister is something she can’t stand. In the end Nea believes that she is saving Sourdi from Mr.Chhay and her mother. However what Nea does not understand in all her youth and idealism , is that sourdi does not want to be saved: She willfully accepts her fate and her marriage to Mr.Chhay because she finds financial stability and a secure future.
The story shows that her father abused her mother like it was normal. Had her mother still be alive she would be the victim, and it would only be a matter of time before the father would move onto the children. Not only was Eveline living a life of hell, she felt paralyzed in the decision of leaving for a new life with Frank. The theme paralysis comes into contact with dysfunctional families more than we could expect. It seems as if Eveline’s life was planned for when her mother passed away.
I only heard stories but my mother’s grandmother on her mother’s side was a cold and numb woman, especially cold mother, no affection was giving towards my grandmother which laid the foundation for how my grandmother would raise my mother and her two sisters, which eventually trickle down to me and how I handled the responsibility of motherhood. The women on my mother’s side have difficulties expressing emotions and showing love by affection, it was more important to take care of the home, to clean and to cook then to worry about your children’s emotional well-being. I look back and I wonder what happened to my great grandmother, was she raised that way or was the impact of being young girl during WW1 losing her father and then had to live through WW2 raising two daughters while her husband went off to war and became a prisoner of war? Did WW2 affect my grandmother who still to this day tells me stories about the sirens and how scared she was when she had to hide and find shelter in church basements? Rebuilding Germany after the war was hard on both my father’s
She spent her time as a teenager trying to control her harsh temper as to not hurt the ones she loves. The author depicts this internal struggle when Jo goes to her mother for help saying, “It’s my dreadful temper! I try to cure it; I think I have and then it breaks out worse than ever” (Alcott 100). As the story progresses, both her and her mother notice improvements and are quite proud. Later in the story she fights with Laurie on the grounds that at this point in her life, she is independent and feels as if she doesn’t need or want love whatsoever.
She simultaneously loves and resents her children because, while she is their mother, she feels that they have taken away her freedom and self-purpose. As Edna journeys in her awakening, she strives to find meaning for herself as Edna, not her children's mother. To prove she is more than just a mother, she distances herself from normal motherly responsibilities. “He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother's place to look after children, whose on earth was it?”(Chopin, 15) Edna's neglect of her children stems from others expectations for her to submit to and look after her
Both stories have common situations about the mothers portrayed in the stories. In both stories, the main characters had to deal with abandonment in some form. As seen in the story “I Stand Here Ironing”, the narrator’s husband left and caused her to play both roles of being a mother and a father to her children. Therefore, the relationship between her and her daughter isn’t as strong as it should be and the narrator feels guilty about it. The main character in “The Yellow Wallpaper” blames her husband for her depression.
This symbolizes her realization of being trapped for so long, and her desire now to free herself. However, because society is cruel and who never approve of a woman so independent, she creeps around the room to hide her escape. When John arrives at the nursery-like room, he sees what has become of his wife. His wife explains she has ‘gotten out, in spite of you and Jane,’ before John faints and his wife continues to creep around the room, trying her best not to step on the fallen body. In conclusion, the narrator of the Yellow Wallpaper, is what happened to a woman in an oppressed society.
You can see the full extent of her suffering when she sobbed the truth to August “It was my fault she died. I killed her” (241) and when she torments herself with thinking that she is unlovable. Lily even describes that her words had “broke open her heart” (242). This shows how captive Lily is over her mother because, despite loving her life at the Boatwright’s house, she can still move past the death. Lily’s suffering increase after finding out that her mother had willingly left her behind with T-Ray and begins to question why?
If her mother keeps telling her about the troubles that they are going through in detail, Callie can’t just forget that. After her mom says that, Callie spaced out, “I tried to concentrate on what the mother was saying... The mother’s mouth was moving but the character who was me was walking away” (18). She says this in a third person point of view as though she faded out of the reality, and watched herself get up. That’s when she walked into the visitor’s bathroom, and cut her wrist with the teeth of the paper towel dispenser (18), “There was a jab, bright beads of blood, and finally I was OK.” Callie stated after (18).
Sally Seton is a rebellious and free-spirit woman, that is shown, “how they were to reform the world” (Woolf 33); she always tries to seek changes, specifically the changes of gender roles in the society. Doris Kilman is another female figure in the novel that expresses the rights of woman to be able to choose their occupation freely, “all professions are open to women of your generation” (Woolf