Fear In A Streetcar Named Desire

Everyone will hurt someone in their lifetime, it is inevitable. Cruelty can be showed in many different ways. Whether intentional or not, everyone causes pain to others. In A Streetcar Named Desire by Tennessee Williams, Williams shows the different types of cruelty. Stanley Kowalski is the most cruel character. Stanley is cruel by physically and verbally abusing others. Blanche Dubois is the second most cruel character in the story. Blanche hurts others by lying to them. Harold Mitchell is the most innocent character of the three. Mitch is cruel only by being unforgiving and not helping others in need.

Blanche sat very stiffly and drinks. This shows that Blanche is a nervous type and a person who like to be in control due to lines like “Now, then, let me look at you.But don’t look at me..” and “Open your pretty mouth and talk while I look around for some liquor”.

Blanche’s insanity emerges as she retreats fully into herself, leaving the world of actual reality, since is is unable to go forward and accept reality. In order to escape reality fully, however, Blanche must come to perceive the exterior world as that of which she has imagined. This, reality is not a solution to Blanche’s fantasy world. Rather, Blanche adapts a world, which she thinks is true, to fit into her delusions. While this has been accomplished with both the physical and the psychological sections, there is no boundary between fantasy and reality in which for Blanche, is permeable. Blanche’s final, deluded happiness suggests that, to some extent, fantasy is a vital force in every individual’s experience, despite reality’s inevitable triumph. This refers to her reality of how Mitch had came over to apologize to her, and she tells Stanley that she turned him down. This lie backfired, since Stanley knew exactly where Mitch was at this time. As well as Stanley saw through Blanches delusion of how she has received a wire, from Shep Huntleigh, inviting her to go with him down to the Caribbean cruise, in which Stanley later shuts down as

Blanche lives in a delusional world by neglecting the consequences of her actions. Blanche, in her younger years, comes from the south -southern belle, a symbol of beauty and innocence.

Every character shows their insecurity and if not the reader notices by the way the character is. Blanche is insecure about her appearance or almost everything about herself. She is always self conscious about what other people may think. She thinks people might find her unattractive and old looking so she likes being in dim rooms and outside when it is not as sunny. She gets ecstatic when people compliment her looks and is sort of taken by surprise by nice gestures. She also prefers keeping her past to herself because of all the problems she has had. She prefers for people to not find out what has happened and why she is the way it is. An example is when Blanche panicked because they took off the little paper covering the lamp which made the room dim and got pissed because she did not want to show how she looks. Stanley is shown to be the “manliest man” but he is unstable and irrational when he realizes what he has done when the damage has been done. For example, when Stanley physically abused Stella he realized what he had done when he was brought back to his senses. He regretted it and was crying for her to go back to him and love him. Also, love in this story is filled with insecurities and secrets. Blanche and Mitch would have been official, but Mitch believed what he was being told about Blanche and did not want her for hearing she was not “pure”. Stanley and Stella are in

Throughout the play, Blanche avoids light; she prefers to close the curtains and dim the lights. However, in scene nine, when Mitch finally learns of Blanche’s true life, he tears off the lamp shade cover, putting Blanche under full light. The idea of reality versus illusion is prevalent here because, before, the darkness allowed Blanche to be deceitful and create this illusion that she was young, innocent, and

In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.

Blanche is projecting the self-image of a person who believes that they are above others. She acts as though she is of a royal family and demands the respect of everyone around her. She loses her family's home to the government and blames it on her sister who left in order to search for her own lifestyle. From the beginning of her visit, Blanche gets an off feeling about Stanley. When she arrives, he starts to stare at her with a sense of caution then soon begins inspecting the paperwork that she brought with her in order to validate her story. A while after she got settled in, Blanche witnessed Stanley physically abusing her sister, Stella, and then started secretly rebuking Stanley to Stella. She saw their relationship as unhealthy and tried everything that she could to destroy it. After overhearing Blanche telling Stella to get rid of him, Stanley begins to steadily contemplate his revenge. He had made it his personal goal to dig deeper into her past and he found pretty much all the information that he needed in order to get rid of her. In order to preserve his relationship with his wife, Stanley came up with an amazingly credible plan to permanently get rid of

Desire can be defined as a strong feeling of wanting or wishing for something. The something could be an object, idea, or an event. In A Streetcar Named Desire, Blanche Dubois believes that the opposite of death is desire. Logically speaking, the real opposite of death is life; so why does Blanche believe that it’s desire? Possibly because she relates desire to life it’s self. The lives of the main character revolve around desire. Throughout the play, the theme of death is the opposite of desire is developed through the main character’s need to be desired or desirable.

These rumors were a threat to what she has created in order to help her with the chaos in her life. Although she tried to build a new life with Stella, Stanley never gave in to her act and was constantly suspicious of her actions. Stanley's constant investigations and interrogations on Blanche’s old life. This is a representation of reality is starting to creep in of Blanche's newly created life. From the beginning Stanley has doubted Blanche, this is seen as he went through Blanche's things with Stella, questioning her belongings, “has she got this stuff out of teacher's pay?”(2.33). Stanley continues to impose his reality onto Blanche, which causes her more anxiety relying more and more on herself to create more of an illusion by creating an admirer for herself, saying that she ended it with Mitch because she does not deserve “deliberate cruelty”, and crating this alter ego for herself as being pure. While Stella is in the hospital, he and Blanche are left alone for the night as she continues bragging about her admiration coming from Sheep Hunt Leigh and how she just got a wire from him. Stanley catches her in her life, finally tearing apart Blanche's illusions. Although Stanley has been a threat to her through his suspicion and empowering masculinity over her, the last scene is where he finally takes final control over her, or symbolically where reality has a final triumph over her illusions. While catching her in the midst of her lies she reveals to Blanche that “[he’s] been on to [Blanche] from the start!” (10.225). towards the end of the play Stella, Mitch, and Stanley play a role in imposing reality into her allusions. As Stella calls for the Doctor to pick Blanche up it rips her away from her fantasies with Shep Huntleigh. When Mitch reveals to Blanche that she isn't pure enough to take home to his

On page 111, Blanche was talking to Mitch about her current living conditions and she described to him the behavior of Stanley. Blanche said "It 's really a pretty frightful situation. You see, there 's no privacy here. There 's just these portioned between the

Secrets, lies, and fear form the foundation of Blanche and Mitch’s relationship. First of all, Blanche is particularly interested in Mitch, not only because of his appearance or wealth, but because he is a way for her to escape Stanley and find love. (Pg. 67) On the other hand, Mitch is forming this relationship, and possible marriage, out of fear of being alone and worrying his mother. “She won’t live long. She wants me to be settled down before she-.”- Harold Mitchell.

In a scene with Mitch Blanche says, “I don’t want realism, I want magic! [..] Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell the truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!” Blanches magic is seen through her illusions and delusions. In Blanches world Mitch doesn’t fit however she has reached a point of intimacy by being honest about her first husband and the guilt she endures as she begins to share the painful moment of her life with him. Stanley’s intrusion ruins her plans of marriage with Mitch and yet again she had to retreat in the world of her delusions. Stanley who represents realism in this novel and play pops Blanche’s illusion bubble through seeing the realism in scene ten he says: “not once did you pull any wool over this boy’s eyes!” Not only Stanley had broken her world of illusion, but also Mitch who is influenced by Stanley and destroys the protection of darkness by exposing her to the bright light. Stanley bringing up the past contributes to how Blanches ends up, alone and insane expressing the theme that what happened in the past determines the present, and illusion and fantasy directly correlate.

Blanche’s suppression begins after Allen’s death. For Blanche his death opened up a floodgate of fear and desire which she could not manage. After Allen’s death Blanche was filled with fear, fear that she would end up alone and become a spinster. This panic "drove [her] from one [man] to another, hunting for some protection”(117). As well Blanche states that when she met her husband, she “made the discovery-love. All at once and much, much too completely” (95). Blanche made the discovery of her desire for the first time, but this hunger could not be satisfied. Her husband’s death and his homosexuality kept her from feeling what it is to be desired and, in turn feeling desire. Her sexual desires which at first had been denied by her husband 's death were now denied by her need to find a husband. As she no longer owned Belle Reve, which afforded her some social status, her only means of tempting suitors was through her sexuality and her fading looks. Blanche’s knowledge that she must attract men with her physical body is shown when she tries to get Mitch 's attention by undressing in the light so that he can see the outline of her body “Blanche moves back into the streak of light. She raises her arms and stretches, as she moves indolently back to the chair” (88). However, her sexual encounters quickly gained her a reputation that prevented many

Tennessee Williams is acclaimed for his ability to create multi faced characters such as Blanche Dubois in the play, A Streetcar Named Desire. She comes to New Orleans after losing everything including her job, money, and her family’s plantation Belle Reve, to live with her sister Stella. During her time there she causes many conflicts with Stella’s husband Stanley and tries to get involved with the people there, all while judging them for their place in society, although she is imperfect too. Through her, Williams has created a complex character. She is lost, confused, conflicted, lashing out in sexual ways, and living in her own fantasies throughout the entirety of the play. Blache is destroyed by her own characteristics: alcoholism, promiscuity, and cruelty.