Truman Capote uses variety of language devices such as diction, similes and symbolism to vividly develop Perry Smith in his novel In Cold Blood.
They maintain the utmost integrity and virtue when it comes to family life and this is reflected in Mr. and Mrs. Clutter’s kind, giving, and somewhat perfect children. From this quote we can conclude that Capote wrote this novel to show how our culture of our childhood can affect our way to live,think ,and act. Which is the case of Perry Smith and Dick Hickock. More than that, this quote contributes to the overall theme of The Dynamics of Family
The novel, In Cold Blood, is an anomaly in the literary paradigm. The author, Truman Capote, designed his novel in a way that made it unique when compared to others. His fundamental purpose was to present the problem of American violence and the fragility of the American Dream and how it can be so easily shattered. In order to portray his purpose, he used many rhetorical devices including syntax, diction, tone, ethos, logos and pathos. These devices allowed Capote’s novel to be different from the spectrum of other non-fiction novels and to support his purpose.
Although, Holcomb is written as a picture-esque mid-west utopia in the first chapter of In Cold Blood, Capote uses personification, parallelism, and the inclusion of first hand accounts, to describe its shift from a neighborly society to one of locked doors in order to comment on how one event can completely alter a locations image.
The opening of In Cold Blood written by Truman Capote, describes a small, quaint town called Holcomb, Kansas that appears forgotten. Capote states that there is “not much to see” in Holcomb, and that it very dull and boring. He believes that Holcomb is dull and bland; nothing that makes it out of the ordinary. Throughout the opening, Capote utilizes many different stylistic elements to describe Holcomb, some of which are diction and imagery. These elements are key to the opening; they provoke the reader to read more and make the novel more interesting.
English is a fascinating and riveting language. Subtle nuances and adjustments can easily change the understanding of a literary work—a technique many authors employ in order to evoke a desired response from their readers. This method is used especially in In Cold Blood by Truman Capote, a literary work which details a true event about the murders of four members of the Clutter family in the small community of Holcomb, Kansas, in 1959. Although Capote’s 1966 book was a bestseller nonfiction and had successfully garnered acclaim for its author, there is still a great deal of confusion about the distinction between the factual and fictional aspects in the book. Much
Although Capote seems to be explaining the progression of the ongoing investigation regarding Clutter family murder, his words delve deeper to explain the resounding effects that a senseless crime has had on the residents of Holcomb. Therefore, Capote depicts the shattering loss of innocence that these murders have caused to interrupt this small, tranquil community.
Truman Capote was a well known author for Breakfast at Tiffany's, House of Flowers and his most famous In Cold Blood. The one he is most famous for, In Cold Blood, is about the spontaneous murder of the Clutter family; it sparked a new genre of writing - the nonfiction novel. The book describes how the detectives are solving the murders and also includes the perspective of the ones who committed the crime. Capote additionally encompasses the towns people’s outlook on the situation. He was able to create sympathy for all characters in this book, including the murderers and also show that there are always two sides to every story by using the rhetorical devices of pathos, foreshadowing and conceit to create the effect of giving
Truman Capote’s novel, In Cold Blood epitomizes the shifting sentiments related to the murder of the Clutter family which range from terror, to sorrow, to pride, and all mixed emotions in between. Yet through Capote’s particular descriptions about each character, the connection between their feelings and their actions become further clarified. In effect, the readers experience feelings of sympathy for the victims, their friends and family, the investigators, and even the brutal murders of the innocent family. In order to craft this association, Capote employs a pathos appeal to amplify the audience’s ability to sympathize with each and every character. He succeeds in creating these complex personalities that many can relate to by using a myriad of tones to illustrate every aspect of those engaged, such as their childhood, their family, or their emotions. For instance, Bobby Rupp, Nancy’s boyfriend and Perry Smith, one of the slayers, represent two individuals who readers commiserate with due to their distinctive characterization.
In the book, “In Cold Blood,” Truman Capote takes us through the lives of the murderers and the murdered in the 1959 Clutter family homicide, which transpires in the small town of Holcomb, Kansas. The first chapter, “The Last to See Them Alive,” vividly illustrates the daily activities of the Clutter family—Herbert, Bonnie, Nancy, and Kenyon—and the scheming plot of Dick Hickock and Perry Smith up to point where the family is found tied up, and brutally murdered. In doing so, he depicts the picture-perfect town of Holcomb with “blue skies and desert clear air”(3) whose safety is threatened when “four shotgun blasts that, all told, ended six human lives”(5). Through the eyes of a picture perfect family and criminals with social aspirations, Capote describes the American Dream and introduces his audience to the idea that this ideal was no more than an illusion.
Truman Capote incorporates unusual diction into his writing to convey a haunting tone. For example, he uses the words “wet twilight” to enhance his tone. These words are not commonly placed together and when they are, they create an eerie feeling. The way that the author chooses to use to word “staring” creates a spooky mood. It reconstructs the way people feel when they feel like they are being watched. A “staring teddy bear” is a very unnerving thought. The diction that Capote employs sets the tone for the story as it mirrors the actual story of the two murderers who massacred a whole family. At the trial for Perry and Dick, the judge entered and “a hurriedly donned black robe billowed about him.” The word “donned” was used to further illustrate
The work In Cold Blood was written with extremely varying syntax. Sentence length became shorter and more urgent when it coincided with the plot, and the length became long and drawn out during sections with no real action. Truman Capote utilized telegraphic sentences after the murders, many being very similar to the quote above. The author inserts a four word sentence followed by a one word sentence and then a 3 word sentence, emphasizing the fact of the matter, the Clutter family truly was no more; the wholesome ideal family was never coming back and the citizens of Holcomb were coming to that realization. If Capote had written the sentence differently, the reader would not have felt the blunt truth that the townspeople did. For instance,
Holcomb, Kansas. (Seen as a lonesome area that other than Kansas calls “out there,” by author Truman Capote in the novel “In Cold Blood.”) Capote adopts strong imagery to characterize the small wasteland that the people of Holcomb call home. He views Holcomb almost as a cemetery, where the town is dead. He paints the reader living in this town, and uses an oxymoron to state to the reader that not everything is a peaceful as it might seem.
Disturbing, horrendous, and gut-wrenching could be words used to describe the complex and twisted movie, Capote (Baron, Vince, & Ohoven, 2005). Based upon the murder of the Clutter family in 1959, Truman Capote traveled to Kansas to cover the story for The New Yorker (Baron, Vince, & Ohoven, 2005). However, during his own personal investigation he realizes that the story is too extensive for a magazine article, so he decides to write a book (Baron, Vince, & Ohoven, 2005). Finally, this is where Capote’s story of troubling, and unprofessional research commences (Baron, Vince, & Ohoven, 2005).
Journalism and novel writing, like so many other artforms, evolves into variant styles. Combining noveling and reporting, Truman Capote wrote In Cold Blood, a nonfiction novel about a gruesome murder of the Clutter family in a quiet Kansas town. Novels are fictitious and journalism is factual, so their juxtapositions creates an entirely new type of literature, the nonfiction novel. Capote uses fact reporting and storytelling together in a purposeful work that challenges conventional journalism and traditional non-fiction book writing. The mixture of facts with semi-fictionalized tales, and colorful details both establishes the nonfiction novel and challenges traditional journalism.