Frankenstein Literary Analysis

The novel consists of several segments to tell the story in the aspect of first person. Every part seems absurd, while through the unique narrative aspect, the story would be a vivid image of personal experience. In addition, especially through the narrative aspect of the Frankenstein and the monster, the way brings the readers a strong impact on emotions and renders the individuals bury themselves in the mysterious situation. Besides, the sequence of the narratives was ingeniously and rationally arranged in the novel. For example, the first narrative and the final narrative could be the same

Thirdly, the creature 's story to Victor Frankenstein and how he became a monster due to society. The book as a whole discusses various themes and ideas, all presented by Mary Shelley on paper; the relation between a creator and his creation, how one man 's desire for scientific discoveries and determination to hear the hidden secrets of nature might lead to the misery of others, the blindness of revenge in relation to the death of innocent people, theme of monstrosity and the power of radical ideas to lay open darker aspects in life. In 1815, the world witnessed the tragedy of the eruption of Mount Tambora, which caused a volcanic winter, followed by a rainy summer in 1816, also referred to as the "year without a

“Whenever the creation order is inverted, there is disorder, destruction, and death. When we tamper with this order, even a little, we become life-takers rather than life-givers”(J. Ligon Duncan III ). This quote plays a large part in the overall literature that is Frankenstein; it pulls together the attributes of the story in a way I haven’t seen before. This essay will be focusing on the relationship between the gothic novel of Frankenstein, and the greek myth of Prometheus. It will be a compare and contrast of the dueling stories.

Mary Shelley uses Frankenstein's rationalizations to show how his ego seeks to protect itself. Shelley focuses on how Frankenstein's ego gives Frankenstein a warped sense of reality. This warped sense of reality is first seen when Frankenstein decides to go from having little scientific experience to creating life from nothing. His ego forces him to labor with rot and the dead to achieve a mythical status as first and lone creator of life, further blinding him to the horror of his creation. As the novel progresses, Shelley uses ego to once again rationalize Frankenstein's actions.

If Frankenstein is a book of its age, it also looks ahead to its century 's end when interest in the human psyche uncovered the unconscious mind. The idea of the Doppleganger, the double who shadows us, had been around since the origins of the Gothic novel in the 1760s. By the end of the nineteenth century, works such as Stevenson 's Dr. Jekyll and Mr. Hyde made the idea that we had more than one self common. Capable of both great good and evil, we had, it seemed, a "monster" always potentially within us and not always under our control. Freud 's splitting of the psyche put the monster-like id at the core of our persons.

Frankenstein, Dialectical Journal- Chapter 4-The End A theme that was very prevalent in these final chapters was, Creator and Creation, furthermore how the monster and Frankenstein are more alike than they like to think. Both characters had been wronged by the other and made it their missions to destroy each other, losing parts of themselves along the way. “You, who call Frankenstein your friend, seem to have a knowledge of my crimes and his misfortunes. But, in the detail which he gave you of them, he could sum up the hours and months of misery which I endured, wasting in impotent passions.” (Shelly 273) The monster feels as though Frankenstein has wronged him in every way, first by making him ugly, second by abandoning him, and lastly he destroyed the only thing he had hope in; a mate. In the previous quote he explains that there is more that just one side to every story, he explains to Walton the pains he went to on account of Frankenstein.

“You seek for knowledge and wisdom, as I once did; and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been”. –Victor Frankenstein. Frankenstein, written by the English author Mary Shelley, was a gothic, horror fiction, soft science fiction novel, published in London on 1818. The pursuit of knowledge is at the heart of Frankenstein, as Victor attempts to surge beyond accepted human limits and access to the secret of life. Frankenstein has several characters, some of them are very important for the developing of the story.

When writing any piece of fiction, an author 's choice of narrative voice has a huge impact on how readers experience the story. From the slightly less personal yet versatile third-person to the narrow, limited view of first-person, the narrative voice literally provides the voice of literature. It affects which characters the reader really connects with, the opinions that influence them, the knowledge they have, and numerous other aspects. While most authors stick with only one tense, Mary Shelley challenged that standard in Frankenstein. In Frankenstein, Shelley changes her narrative voice numerous times in order to fully develop all aspects of the story through Walton 's letters, Frankenstein 's story, the Monster 's story, and also the

Frankenstein, written by Mary Shelley in 1818, is recognized as the most famous literary romantic and gothic novel that uses various types of languages and themes to convey a message to readers. Frankenstein is best known for the defying laws of nature in which Victor Frankenstein reanimates life with his knowledge of science. The novel denotes darkness which could originate from Shelley’s many experiences with deaths or the influences of the Romanticism period that Shelley lived in. The creation of Frankenstein was established in 1818 with three other Romantic authors who challenged themselves to write a horror story. Frankenstein was created on Shelley’s determination to come up with the most terrifying story, and a dream about a scientist

Mary Shelley’s Frankenstein follows the story of a scientist and his experiment gone wrong. Victor Frankenstein, the scientist, abandons his creature at the first sight of it coming to life. The monster, left alone and afraid, transforms from a warm, loving character to one that seeks revenge as the toils of nature and reality begin to take control. Their title changes of “master” and “subordinate” are often referenced in Frankenstein, and plays off the feelings of vengeance they have for each other. Shelley has built the novel around this relationship in a way that captures not only the audience’s attention but also the character’s feelings of regret and hatred as the consequences of exceeding these moral boundaries come to haunt them in the decisions they make and influence the people around them.