“Ex boyfriends are just like off limits to friends. I mean that’s just like the rule of feminism” (15:15). This famous saying said by Gretchen Wieners from Mean girls is widely known and most of the time ridiculed by people. Mean Girls is a movie that portrays the stereotypical American high school life. The movie has a main focus on the girls of high school, rather then on the boys. It centers on females and how they act at that certain age. The four mean girls, Regina George, Gretchen Wieners, Karen Smith and Cady Heron represent the stereotypes of the popular girls of high school. The role of gender plays an important role in the movie. The movie discusses the aspects of how a “typical” teenage girl should be, in order for her to fit in. …show more content…
Cultural theories by Kathleen Rowe, Laura Mulvey and Stuart Hall can help the audience seek an explanation to how these stereotypical gender roles are portrayed in the movie and how it can create power for the specific …show more content…
The movie Mean Girls can be decoded in many ways because there are multiple meanings to this movie. This movie portrays the general stereotypes of teenage women. Cultural theorist, Stuart Hall, presents the idea that movies and medias are encoded and decoded a certain way. It is the audience’s job to decode it. Some meanings are considered to be very easily found and the audience decodes the meaning of the movie the way it’s suppose to be. Stuart Hall calls this the hegemonic position out of his three hypothetical positions. In Mean Girls, the movie uses many female stereotypical scenes that show what color women should like or how women should look and dress. The famous saying “On Wednesdays we wear pink” implies that girls love the color pink. In Stuart Hall’s essay, Hall said, “ Certain codes may, of course be so widely distributed in a specific language community or culture, and be learned at so early an age…” (Hall:2005, 481). As kids, society teaches them at a very young age that pink is a representation for girls, and blue is for boys. It implies the stereotype that girls have to like pink or wear pink because of their gender. Also there is a part in the movie where Regina George shops for her spring fling dress. She shops at a store named 1,3,5. The name of the store refers to the sizes of their dress. The dresses only come in three sizes, so size
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“would boys really never wear pink? (That’s rhetorical — pink was for decades considered a masculine color.) Would girls naturally reject Matchbox cars?”(Davis 11). The quote proves her statement to be logical because these are questions that people involved with this topic think about when the boy/ girl situation is brought up. And the last example of logos is that she will show her daughter that if she does start to believe that she’s not a girl anymore she will be there for her.
The Beacon Street Girls Series focuses on five preteen girls as they proceed through junior high, who all know they can count on each other. These girls reflect different personalities in comparison to one another as they validate opposites do attract in friendship. The twenty two books of the series target an audience of preteen girls, and involve lessons that they can take away from and apply to their everyday life. The sixth book in the series, Lake Rescue, presents the girls with a new character named Chelsea, who is “. . . Usually dressed in a baggy Patriots sweatshirt, and always sitting in the back of the room . .
Hello everyone, While sitting on the lunch table, plastics explain Cady how she will be able to fit into their group. I choose the ethnocentrism anthropological core concept in this particular scenario of the movie “Mean Girls”. “Ethnocentrism is the attitude or opinion that the norms, values, and customs of one’s own culture are superior to those of others’ cultures”. As per the rules of plastics, Cady can wear ponytail only once a week, everyone has to wear pink on Wednesday, Cady can not wear skirt without informing other girls. If anyone breaks the rule, that person can not sit with the other girls at lunch table.
What the world didn’t know was that the film would so negatively impact teenage girls and how society looks upon them. The representation of teenage girls is often “egotistical, bitchy gossipers” These stereotypes are a protuberant theme/idea in the film Mean Girls. We have two differently represented females in the movie. Regina George, head of the plastics “Queen Bee”.
On Wednesday We Wear Pink In life, there will be people like the Plastics in Mean Girls that will tell you, “You can’t wear a tank top two days in a row, and you can only wear your hair in a ponytail once a week...if you break any of these rules, you can’t sit with us at lunch.” High school, as shown in the movie Mean Girls, is a world full of cliques that centers around one ultimate ruler, Regina George. Janis Ian, the ‘outcast’ of the film, noted the school’s ruler as being an evil dictator that if crossed, would administer consequences. Society in school is often portrayed as a struggle between two classes, the popular and the outcasts, with the populars ending up on top.
For example, Tina Fey’s Mean Girls (2004) is a critical representation of one of the most popular and long-standing subculture’s in mainstream society: the high school popular female social clique. The basis and inspiration for this movie was from Rosalind Wiseman’s self-help book, Queen Bees and Wannabes, which focuses on how high school girls form cliques that are permeated with aggressive behaviour. Mean Girls (2004) aptly portrays the complex hierarchal social dynamic of a subculture. The overall aim is to critically analyse Cady Heron’s socialization from
The film Mean Girls is an American comedy movie for teens that illustrates the mainstream high school experience in the west. The main character, Cady Heron is a sixteen-year-old girl who is a new student at bob school in Illinois. Cady moved from being home-schooled in Africa, and therefore is unaware of the environment and lifestyle at a public high school. Cady then meets Daemon and Janis, who are part of an outcast group. Janis and Damien expose Cady to the norms of their school, talking her through cliques, and most importantly introducing her to “the plastics”, a group that Janis and Damian hated.
The film Boys Don’t Cry takes place in a lower class, small American town in Nebraska. The film is intended to follow the story of a born female, transitioned to male, transgendered person named Branden, once Teena, who wants so desperately to escape the restrictions of social gender and sexuality. In his hometown, he was scrutinized by many and evicted from his cousin’s trailer home where he was staying because of physical threats by other men in the town. Branden is forced to leave and ends up in a city called Falls City, Nebraska where Branden gets into a bar fight while defending a girl from violence by a man resulting in him being befriended by a group of locals. Branden meets Tom Nissen, John Lotter, and two girls named Candace and Lana.
Women is not different in the modern life. In the story “Boy and Girls” by Alice Munro and the Info-text “We haven’t come that far after all” (WHCTFAA) by Diane Framcis, both two texts talk about the gender stereotypes. In the story “Boys and Girls”, the narrator want to get the right and change the female stereotypes. In the info-text “WHCTFAA”, the writer illustrates that how women want to turn the female stereotypes in society. Both two texts show the writer against the traditional female stereotype, however the narrator in story think that she does not changed it, while the info-text express that it is changed but little.
In Mean Girls (2004), Cady Heron is shown to move from the periphery to a hard-core member through the adoption of various plastic characteristics and consumption activities. Cady’s physical appearance removes the barriers to entry and opens the metaphorical doors that allow her to be first accepted as a potential member of the Plastics since she is described as a “regulation hottie”. Her physical appearance reflects that of the hard-core members of the Plastics and as a result, prompts an invite sit with them at lunch for the rest of the week. She achieves periphery or prospect status by conforming to the specific uniform worn by the girls, one of the various idiosyncrasies that differentiate the Plastics from everyone else.
Each of these concepts are utilized at the advantage of men, and the disadvantage of women, and has shown to provide detrimental consequences and results for women in society. However, in this film, and other films by Tyler Perry, appear to take the added step to combat these aspects that are present in the media’s portrayal of women. While these are present in the movie, he often makes a point to combat it with an inverse portrayal of each
Many of the characters in Mean Girls struggle with finding their identity and belongingness into a certain group. Fitting in is hard. Making new friends, moving to a new place, figuring out where you belong, and discovering who you are—all of these are difficult tasks. The films show how cliques can wreck everyone’s life. The film even shows how conflict often time arises within different socio or cultural groups.
Unlike several of Gaiman’s alternative works that have feminine characters like Black flower and imp, “How to speak to Girls” focuses on the male protagonist, Enn. Enn and his friend Vic visit a celebration within which Vic makes advances on the hostess, Stella, whereas Enn finds numerous women to do and check with. Enn himself admits at the start of the story to having no expertise reprehension, or having physical relations with any women and sense of this, he appears up to Vic United Nations agency, “seemed to possess had several girlfriends” (Gaiman). this is often any emphasized by the actual fact that Vic convinces Enn to accompany him to the party by the mere expression, “Girls! Girls!
in The Color Purple, a period drama, based on a book with the same title by Alice Walker, women are categorised by the society they live in. Spielberg is able to convey Celie’s vulnerability though the use of camera angles. Whenever Celie talks to her father or her husband the angle either shows the men standing over her or her looking up at the men. This shows that the men have control over Celie. ‘one day my daddy come and say to me “We gonna’ do what your mumma wouldn’t,” now I got two children by my daddy’.