A difference was the type of slavery. Slavery in the slave narrative was that of humans being slave to each other. In the money article humans became slave to the dollar. If you go even further, we could say humans became slavery to politics, and materialistic object. As Americans, we focus more on the tangible objects.
In Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper”, the narrator is suffering from postpartum depression. The narrator 's husband John, who also happens to be her physician, prescribes the rest cure to help lift his wife of her depressive state and ultimately heal her depression. However, the rest cure does not allow the narrator to experience any mental stimulation. Therefore, to manage her boredom the narrator begins obsessing over the pattern of the yellow wallpaper. After analyzing the pattern for awhile, the narrator witnesses a woman trapped behind bars.
Harriet Jacobs’ "Incidents in the Life of a Slave Girl: Written by Herself" is a classic work of American literature due to its significance and conscious artistry. Its significance comes from its contribution of a female perspective to the slave narrative and its ability to make Americans remember their role in slavery. Harriet Jacobs then displayed conscious artistry by confronting the practice of sexual abuse by male slave owners and then directly addressing her female readers in order to gain their sympathy towards the female slave experience. This combination of significance and conscious artistry has made “Incidents in the Life of a Slave Girl: Written by Herself" a continued hallmark of literature.
Incidents in the Life of a Slave Girl by Harriet Jacobs is Jacobs life story under the pseudonym Linda Brent. Jacobs’ main focus or theme in the novel is motherhood and the effects of slavery on the female sex. She directs the novel to a female white middle class audience. She initially wrote the novel under a pseudonym to protect her identity and herself from cruelty because it was published in 1861, also the year the civil war started. She agreed to writing her story to expose the wretched life African American female slaves endured.
All of this works symbolically as a measure of the characters ' integrity and freedom, which in turn demonstrates a contrast to the image of the carefree, ‘happy darky’ that prevailed in the fiction of many American novelists” ("Zora Neale Hurston. " Notable Black American Women). In the novel, Hurston explores the gender roles of African American women during this time period. It follow the story of a young lady named Janie, who was struggling to fit in the world.
It 's here where she discovers the yellow wallpaper that leads to her mental demise. What is the symbolic meaning of the yellow wallpaper and how do her interactions with the wallpaper represent the change in her feelings towards her husband and society. The yellow wallpaper symbolizes women 's suffrage and the struggles women went through, and her interactions with the wallpaper represent the problems woman had with their husbands and society. The main symbolism present in the story is how the yellow wallpaper represents woman suffrage and the problems they endured during the 19th century.
The purpose of a ghost story is to leave the reader feeling frightened and unaware of what the truth of reality is. Nguyen's Black-Eyed Women flips all our perceptions of what a ghost is and why they visit the living. The ghost stories told in this story affect the narrator by forcing her to confront the discomfort of her reality. The narrator realizes she has been ignoring discomfort about her brother dying for her, and s the guilt and that she lived. She loses her identify, and sense of security, however her brother's ghost arrives to mend this disconnect.
Sethe and her daughter are isolated from the community due to Sethe’s killing of her youngest child, an action Sethe justifies as “put[ting] my babies where they’d be safe” but one which Paul D sees as a love “too thick” (Morrison 193). Her misjudgment fits Aristotle’s description of the fatal flaw. The trauma she experienced as a slave made her justifiably determined to not let her children return to slavery, but her panicked actions resulted in her isolation the community. As her isolation is caused by herself rather than an external force such as slavery, she is a fitting model for a Greek tragedy protagonist. Sethe’s “thick love” continues to linger after the killing, as she says she wanted to die alongside her youngest child after she killed her so she can continue to take care of her daughter, and states “[Beloved] is mine” after her realization that Beloved is her daughter (Morrison 241).
The first stage is the Repression of memories. For example, Sethe, throughout the first and the second part of the novel is haunted by the memory of murdering her child. The second step is the painful reconciliation with these memories. This happened when Beloved, the ghost of Sethe’s murdered child comes back in their lives. The third step is the clearing process which takes place in the end of the novel where Sethe tells Paul D about the murder she committed.
But with her mother dead and her father bitter, those feelings are foreign to Lily. Especially since she is trapped, tormenting herself over the fact that she was the one to shoot her mother. Despite it being a terrible accident. Sue Monk Kidd expresses to the readers how much death can trap someone in their own mind through Lily. You can see the full extent of her suffering when she sobbed the truth to August “It was my fault she died.
We can look at Blanche’s husband death as a cause of her mental illness because she is haunted by the scene of Allan’s death in the entire play. And that’s how her grip on reality seems to slip from herself. She uses fantasy as magic that protects from reality’s harsh blow. Tennessee William uses Blanche’s fantasy to contrast
The emotional trauma of losing her loved ones heightens her fear of the future. In contrast to Beloved reappearance, she immediately accept and shelters her as way to ease her conscious while reconstructing a possible relationship with her daughter she killed years ago. She believes caring for Beloved eradicates her guilt and lessen the burden. Even though, Beloved drains her of her energy and time she continues to place Beloved above her leading Denver to get assistance to deliver her from Beloved who controls her like a puppet. The exorcism of Beloved grant Sethe the vision to see the damages she wear for herself and her children.
Postpartum Depression Created a Human Activist Postnatal depression, commonly known as postpartum depression, is a clinical depression which can affect women after giving childbirth. Women continuously suffer from the disease without receiving any type of treatments and attempt to cure themselves. Having someone share their own experiences through writing can support one during the therapeutic process and hopefully make the recovering course less painful. The short story, “The Yellow Wallpaper”, is an embellishment of Charlotte Perkins Gilman’s personal experience after giving birth to her daughter Katherine.
As the book ends Paul D returns, and finds Sethe laying down in Baby Sugg’s bed ready to die (70). Sethe cried out to Paul that she lost the most meaningful person in her life, Beloved (70). Paul D then hugged her as he told her she was the best thing to ever happen to him (70). Instead of Morrison writing about families being separated, she writes about them being sold as if they were livestock (71). Morrison chose to write about the African-American experiences during slavery (Heinze 127).