This in turn jokes on the entire foundation of the character and nature of women. In the end of The Importance of Being Earnest, both Gwendolyn and Cecily claim to be furious with their men and that they won’t be speaking to them. Then, they proceed to speak to them any ways. After Algernon and Jack present their case, which is clearly fake, the girls immediately take them back and forget their anger and how they had been mistreated. They demolished everything they claimed they stood for just because they received an insincere apology.
In vain ye speak To live with him I so profoundly hate” (3.3.17-20). That she says her fate is cursed suggests that she understands the potential consequences of the actions she is about to take. Mariam begins to think of possible ways to deal with Herod’s return, she says she could “enchain him with a smile” (3.3.45) meaning she could play her part and rely on her physical appearance but she ultimately rejects this course of action. She says, “I scorn my look should ever man beguile, / or other speech than meaning to afford” (3.3.47-8), meaning that her desire to express herself honestly outweighs her fear of Herod.
Additionally, society’s expectations are mirrored by Higgins’s expectations of what the ideal woman should be like, which is quite disturbing considering Higgins is anti-feminist. In the play, Higgins goes out of his way to exclaim, “I find that the moment I let a woman make friends with me, she becomes jealous, exacting, suspicious, and a damned nuisance. I find that the moment I let myself make friends with a woman, I become selfish and tyrannical. Women upset everything” (Small book Page 48) So, at this point, it is plausible to question how a man who is against women can be the man who dictates how the “complete” woman should
Examination of Feminism in A Doll’s House During the victorian times women were to be oppressed by their husbands. They had no legal rights. Women were not considered to be equal to men. Women were not allowed to do many things such as partake in politics and have control over men.
Through the novel, we can see how Gilead negatively affects the psychology and mentality of the handmaids that makes them to give up to the system and brain washes them. One example is Janine. She is rejecting her victimization and ignorant of her own victimization, Janine looks revolting, pathetic, and distressed. For example, Offered describes Janine as pitiful since she tries to fulfill Gilead’s roles. She describes her how she throws herself into the testifying and feels arrogance in describing her rape story and abortion; subsequently, feels guilty when she had done nothing wrong.
Emilia is explaining to Othello, Iago is lying and manipulating Othello. and says that Desdemona was far too in love with Othello to ever do such a thing. Marjorie Pryse Doctor of American Literature and Feminist Theory, has an impetration of both Desdemona and Emilia’s deaths. She is suggesting that you aren’t something unless you say it or admit to it. Which is why Desdemona could never bare to “confess” to Othello that she was a “whore”, Desdemona never actually did anything wrong.
The most prominent point of The Second Sex is to illustrate how women are segregated from society by men, something which happens a lot in Heart of Darkness. De Beauvoir explains to the audience that men and women often do not understand one other and because men hold a higher social status in a patriarchal society, they have made women the ‘Other’ group in society. This is made evident by De Beauvoir’s following quote: “To pose Woman is to pose the absolute Other, without reciprocity, denying against all experience that she is a subject, a fellow human being.” (De Beauvoir 1266). As a consequence of not understanding women, De Beauvoir explains, men use this false sense of mystery as an excuse not to understand women or their problems.
Not only were they expected to reside in the home but women were also tied down through marriage with the expectation of blindly following their husband without challenging their authority. Kate Chopin’s short story, “Story of an Hour”, uncovers the chilling truth of how women were perceived to have longed and enjoyed marriage during the 18th and 19th century when in actuality many felt confined, trapped and imprisoned due to what society and men wanted them to do. The story reveals that the impending pressures of having to become a good wife and mother along with patriarchal societal oppression oftentimes pressures a woman into experiencing a psychological breakdown that can result in fatal consequences. Chopin begins the story with the protagonist, Mrs. Mallard, being told
His fear of weakness and failure is derived from his father, Unoka’s failures, which ignite Okonkwo’s misogynistic views. Throughout his lifetime, Okonkwo associates femininity with weakness because of Unoka, who was called an “agbala” or woman by the people of Umuofia. Since women have this reputation for weakness, Okonkwo lives with constant fear that he will be given the same title as his father. Okonkwo’s first son, Nwoye’s effeminacy reminds Okonkwo of his own father. He says, "I have done my best to make Nwoye grow into a man, but there is much of his mother in him ."(Achebe, 66).
As we move through the passage, we see Adriana shift her emotions of depression away from her husband and towards her naïve sister. Adriana becomes so enraged with her sister’s comments, that she refers to Luciana’s mentality as “servant like” (2.1.26). Since servants were treated as the lowest members of society, it is clear that Adriana feels as though Luciana is making a fool out of herself. Shakespeare portrays Luciana in a manner that would suggest that she is an expert on marriage, which is contradictory in itself as Luciana is not yet married. Her tone, while initially understanding and compassionate, quickly turns into one of arrogance and righteousness.
Women were not respected and often thought of sex objects that are there to make great men fall; this becomes very evident in the literature written during this time. In Beowulf, Grendel’s mother a monster, who is given the qualities of a women and represents women who are not submissive to their husbands. “Grendel’s mother, monstrous hell bride, brooded on her wrongs. ”(Beowulf, page 56, lines 58, 59).
Excellency, surely her claims and this trial deserve to be re-examined. Human lives are on the line! Have you thought of the unfairness of this court? If the devil lives on such confidence (Act 3, p78), the court is surely the devil or it worships his majesty for believing the girls’ false claims without even requiring a single piece of evidence from them. Giles Corey and John Proctor presented the court with credible and tangible evidence.
The biggest struggle that women in that time period faced was their lack of equality compared to men. Compared to men they were deemed inferior. For example, in 'The Yellow Wallpaper, ' when the women insisted that her staying confined in that place was not working, her husband dismissed her and called her a "blessed little goose. " Her husband did not see her as fit for her to decide what was or was not working for herself. This is one of the many instances where men in that time period deemed themselves superior and took away the freedom of their wives.
“The most perfect education, in my opinion,is…to enable the individual to attain such habits of virtue as well render [her] independent” (Doc D). The Enlightenment was a time period from the early 17th century to the late 18th century. There were many philosophers who contributed to making The Enlightenment. John Locke was a man who wanted freedom of government during 1690 (17th century) in England. He wanted this because he believed everyone was born with natural rights and the government should respect them and whoever didn’t, the people would have the right to impeach them.
The Age of Enlightenment consisted of a metaphorical molting of ideas, which were advanced by the brandishing’s of social, political, religious, natural and intellectual epitomes; concomitant collisions of man’s perceptions of the natural order of things as he saw fit to define or decipher. The days of Protagoras, Plato and Aristotle had seen immersions deeply imbedded within muthos and logos as argumentative foundations. The Greco-Roman era—which was steeped in the worship of heroes and demi-Gods--soon dissolved into calls for unquestionable compliance and devotion to a singular, omnipotent and omnipresent deity. For millennium, man had unquestionably—if not blindly—followed the biddings of those in authority; whether they be immersed