In “Cathedral” by Raymond Carver, the narrator struggles with an internal conflict that involves him never being able to be in a vulnerable or sensitive state, especially when he is with his wife. The narrator creates suspense by having the reader wait until the end to realize what the blind man was referring to when he states, “From all you’ve said about him, I can only conclude—” (Carver 35). The reader can observe that the blind man was explaining that the husband was missing out on all aspects of life and the little things the world has to offer. The husband was so closed-minded, that he was missing out on having a deeper connection with his wife. Throughout the story the reader can affirm that the wife has a deep, strong relationship with the blind man. The wife and the blind man share an intimate and vulnerable moments together; one includes when she lets him touch her face so he can remember her. Similarly, the narrator gets to share an intimate moment with Robert that leads to an epiphany. The epiphany that the narrator experiences when drawing a cathedral refers to seeing life from Robert, the blind man’s, point of view and seeing the struggles as well as life experiences a blind man must encounter on a daily basis. However, the focal point within the story occurs when the narrator gets to have a vulnerable moment with the blind man that he has never encountered before, and it makes him feel liberated. Entry #2 In “Sonny’s Blues” by James Baldwin the author
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In Cathedral, the speaker at first is very uncomfortable with the idea of having a blind man stay at his house. He is a very shallow person, never gives much thought to anything, and he does not try to connect to his wife on a deeper level. At the end of the story, the blind man and the speaker are alone, and the blind man asks him what a cathedral looks like. The speaker says that he cannot describe it, that he does not believe in God, so a cathedral would not have much importance to him. The blind man then has the speaker draw what a cathedral looks like, and he placed his hand on top of the speaker’s while he drew.
This is where the epiphany starts to arise. Throughout the whole story, the author, Raymond Carver, gave an organizational structure of how the narrator’s views on the blind changed as the fiction progressed. He first viewed them as helpless beings. But once he heard the man’s wife died he felt pity for the blind man would have never known what she had looked like.
Later in the story, Robert and the narrator are both watching a documentary on Cathedrals. Robert then asks the narrator to describe the physical features of the Cathedral, but the narrator has a tough time describing it. Eventually, the narrator tries to draw a cathedral with his eyes closed. While drawing, the narrator has an epiphany and learns how to see someone or something beyond their physical attributes. According to enotes.com, the cathedral in the story symbolizes how life is more than a day to day event that takes up one’s time and how one could find something rare and beautiful inside their
Everyone likes different authors because every author has their own unique ways of writing. In reading the short stories “Cathedral” and “The Students Wife” written by Raymond Carver, readers notice some of the many similarities in his writing style. Carver is able to establish his style with the use of imagery and mood. Carver’s stories contain various forms of figurative language which add to his style.
Raymond Carver’s “Cathedral” is a short story that unfolds through the perspective of Bub. The story begins with the depiction of Bub’s narrow-mindedness and as the story progresses, it becomes clear that his perspective shifts after an encounter with his wife’s blind friend Robert. It’s through his encounter that he has an epiphany. His jealousy towards Robert and intoxication that debunk his preconceived notations and highlight the connection between him and Robert. Only, after his epiphany that he’s drawn out of his obliviousness and he gains insight.
Literal blindness can be seen in “Cathedral” as Robert was introduced to the narrator. Although he was blind, Robert was a sympathetic man who was insightful. He also demonstrates wisdom and friendliness. This characterization is important, because ironically, the narrator himself was figuratively blind. His blindness was caused by ignorance, prejudice, and social awkwardness.
Drawing a cathedral gives the narrator an opportunity to recognize the deeper meaning of life and understand the significance of true sight. The narrator’s point of view about Robert has importance because it reveals how the willingness to open up and learn from
The unnamed narrator does not see Robert, the blind man, as a person, but as someone different. The grandmother, on the other hand, believes in her appearance and belief that is better than other people. After the challenges they both face, they end up finding enlightenment. In “Cathedral,” the narrator was not certain on how to describe the Cathedral to Robert. The narrator resorts to drawing and with a pen in his hand, he had realized that Robert “closed his hand over my hand” and asks the narrator to “close your eyes” as they drew the Cathedral (75-76).
The blind man had to learn how to see beauties without his eyes. While he had mastered this, the narrator had a difficult time learning how to do it. When he finally gets it, he has an epiphany and realizes that “[i]t’s really something”(136). Another reason why the cathedral is a symbol is because it is a place of communion. When Robert and the narrator drew the picture together, touching hands, and placing themselves in each other’s shoes, they shared a bond.
Isolation of the human heart results in the inability to connect and take part in a greater existence, whereas blindness of the human eye gives way to the truth and tenderness of humanity found in the wonders of this world. In Raymond Carver’s short story, “Cathedral”, the nameless narrator seems to exhibit behavioral patterns of an addict, tending to detach himself from the plot and all relationships that he continually fails to confront throughout life. The central figure, who abhors the blind, is ignorant of his own constraints, which prevent him from recognizing the traces of transcendence in humanity that lies beyond the temptation of physical pleasure. Through the utilization of the communion model, by way of first-person narration, characterization, and extended metaphors, Carver reveals the main character’s journey of rapport, which is indicative of a human’s limited sight of truth and understanding, leading one to search outside the scope of curiosity for a more fulfilling life. One may begin to apprehend Carver’s true message throughout “Cathedral” by first considering the significant role that the first-person perspective of the main character plays in the basic plot scheme.
In Raymond Carver’s “Cathedral,” written in 1983, the author points out that empathy and perspective are the only way to truly experience profound emotion. The narrator is struggling is sucked into his own comfort zone, he drowns his dissatisfaction on life, marriage, and job in alcohol. A man of limited awareness breaks through his limitations by socializing with a blind man. Despite Roberts physical limitations, he is the one who saved narrator from himself and helped him to find the ones vies of the world.
With this, readers could sense that the narrator is jealous, grouchy, and angry that Robert’s presence affects the narrator’s wife because of the connection between both the wife and Robert. The author prepares readers for the enlightenment when Robert came for a visit and that is how cathedral came about. The narrator explains, “The TV showed this one cathedral” (110). In this scene, the narrator and Robert bonded about the appearance of the cathedral. Instantly, the narrator says to Robert, “Do you have any idea what a cathedral is?
In the story, the narrator’s narrow mindset is challenged over and over again as Robert breaks most stereotypes that the narrator held. As these stereotypes are broken, the narrator begins to feel more comfortable with Robert, and sincerely tells him that he is “glad for the company”. This release from prejudice culminates in the cathedral drawing scene of the story, where the narrator finally lets go of his bias towards blind people. Once the narrator closes his eyes, he is seemingly equal to Robert, and he consequently begins to understand Robert’s perspective. His newfound empathy towards Robert demonstrates how he has lost his prejudice towards him.
From that moment, the narrator show his true side to me. It shows that he doesn’t not care about his wife feeling toward the blind man. After carefully reading “cathedral”, the narrator is jealous of the blind man relationship with his
In his contemporary short story, “Cathedral,” Raymond Carver tells the story of an unnamed narrator, his wife, and an old friend, a blind man named Robert. Robert has come to visit the narrator’s wife, who is quite excited to see this man whom she hasn’t seen in ten years, yet the same can’t be said of the narrator who is noticeably and vocally uncomfortable about his visit. The story is told through the narrator’s first person point of view, showcasing his thoughts and the events that take place when Robert comes to visit. Carver highlights the theme of having the ability to see, but not truly seeing, through his use of colloquial language, and creation of relatable characters. “Cathedral” begins with the narrator informing the audience