Reader Response of Chapter 2 of A Different Mirror: A History of Multicultural America by Ronald Takaki In the book, A Different Mirror: A History of Multicultural America, Ronald Takaki gives an anecdote about how the lives of both the Indians and the Irish were dramatically destroyed and how they were even almost extinct because of the violent and corrupted acts of the English. Moreover, the English expansion led to the “making of an English-American identity based on race” (Takaki 26). Furthermore, the Irish were the first people to be considered as savages. The English felt as if the Irish did not have any respectful manners or obedience to God.
The best portrayal of Hamlet’s “To Be, Or Not To Be” soliloquy is the Kenneth Branagh interpretation of the scene because, in my opinion, Branagh does the best to demonstrate Hamlet’s feelings of madness through his tone and body language. Even though Branagh’s speech is quite slow, and in my opinion too slow, the speed at which he is speaking allows him to place more emphasis on the topics that drive Hamlet insane, such as “Th' oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay…” The slow listings of these flaws Hamlet sees in today’s world places emphasis on each and every one, as well as an emphasis on the total flaws themselves. Branagh also does an excellent job of demonstrating Hamlet’s madness
Turning now to the absurd world of the two plays. To begin with, Hamlet finds himself in a world of actors where no one is who they seem. Claudius is playing the role of the king though his betrayal would suggest he is not meant to be king. Rosencrantz and Guildenstern are playing the role of Hamlet 's friends while secretly working for Claudius. Even fair Ophelia, who Hamlet thought honest deceives him in Act 3 scene 1.
(III, i, 83-85). This was important to include because it showed the thoughts that the characters were having when deciding what actions to take. Hamlet in this moment was considering what God’s judgement would be if he was to go through with it. In the article, ““Shortly They Will Play Me in What Forms They List upon the Stage”: Hamlet, Conscience, and the Earl of Essex” by the author Jeremy Venema, he wrote, “Whether the act
Hamlet Character deception is a common characteristic that has and will be a reflecting characteristic in literature for centuries. In many of William Shakespeare’s tragedies, deception, whether positive or negative, is being used to mislead, to protect characters, or to hide a crime or future crime. Analyzing why the characters are using deception against each other is very important to the reader’s understanding of the work as a whole. In William Shakespeare’s Hamlet, He uses Hamlet’s deception of character and also the character’s use of deception towards Hamlet to carry out the overall theme of the tragedy. The theme that is represented, is that in able to get malicious revenge, you must be able to act as if you are someone different than your true self while in turn, being able to deal with others deceiving you.
Hamlet is a Shakespearean play about a distraught prince who comes home to Denmark at the news of his father’s death. Once he finds out that his uncle Claudius has married his mother and become king himself, Hamlet suspects foul play. When his father 's ghost comes back to tell him of Claudius’s sins, he is asked to murder Claudius for revenge, but he isn’t sure if he can do it. Some scholars, researchers, and casual readers would argue that this drives Hamlet mad by burdening him with decision. Others would say that after he accepts his father 's plea for vengeance, that he uses this cloak of madness as a disguise so Claudius cannot see his murderous intentions.
After learning this, Hamlet’s sole motivation is to avenge his father’s death by revealing Claudius’ deception. Hamlet’s initial plan to expose Claudius is to have performers put on a play imitating the events of his father’s death. Hamlet says, I’ll have these players play something like the murder to my father before mine uncle. I’ll observe his looks; I’ll tent him to the quick. If ‘a do blench, I know my course…The play’s the thing wherein I’ll catch the conscience of the King (Shakespeare
Almost every character in the tragedy, Hamlet by Shakespeare intentionally or unintentionally deceives others by not showing who they really are or how they really feel. Hamlet is the greatest example of deceiving others because throughout the whole play he is never truly showing who he is or how he feels unless he’s alone and the audience or readers are the only ones who really know who he truly is. How ever what the readers and audience cannot decide on is whether or not hamlet deceives the other characters on purpose for a greater accomplishment or do the events that occur to him really change who he was in the beginning of the play. The plays main focus is based on hamlet’s way of viewing the other characters and how to make them feel like he wants them to feel. Hamlet deceives them so he can get everyone to think the way he wants them to think.
In Branagh’s version of Shakespeare’s Hamlet, the ‘To be, or not to be’ speech is interpreted differently than other actors’. Branagh’s character, Hamlet, knows he is being watched by Claudius and Polonius. His disclosure about not committing suicide for fear of the afterlife is part of his plan to keep Claudius at bay until he can convince himself that Claudius is the assassin and find a way to get revenge. The set of this scene includes mirrors and mirrored doors but it is difficult to tell them apart. These are used very intriguingly by Branagh.
Deception is an action driven with the motive to employ one purpose which can be to mislead another individual in order to gain knowledge, to get revenge, or to reveal a plan unknown to the public eye and keeping it that way for the dutiful well-being of the Kingdom of Denmark. In the tragedy Hamlet by William Shakespeare, deception develops into the character trait that initiates the actions, heartbreak, and revenge driving this play. This attribute held by Hamlet is the leading cause of this same flaw development in Ophelia, King Claudius, and many others in an attempt to reinforce the theme. This theme is one of heroism, but the deceptive notion each action reveals challenges the perception the reader has on each of the main characters. In order to be able to fully analyze the part Hamlet’s deception plays in driving the plot and storyline of this tragedy, one must understand that a foil character juxtaposes each character to illuminate their shortcomings.
Throughout Hamlet, Prince Hamlet is faced against many situations that question his mental stability and ability to make decisions. His indecisiveness comes from the way he reacts to the situations he is put in and the way his mind presents these situations to him. The most important indecisive moments are Hamlet’s suicidal thoughts, his father’s ghost, and his vengeance to Claudius. When Hamlet is told by a ghost that has a resemblance of his father that Claudius had killed him, he vows to take vengeance and revenge his father’s death.
William Shakespeare tells the tale of a troubled man in his masterpiece, Hamlet. Imagine your beloved father dying and your mother marrying his brother shortly after. You’re left to grieve on your own. Instead of consoling you, your mother and uncle have a wedding and begin to share the same bed. This is what Hamlet suffers through in the play.
Claudius had arranged an execution for Hamlet, to get rid of him permanently. Behind these acts of deception, we can see Claudius had wanted power, and would do anything to achieve it. This makes
He starts to believe that the spirit may be the devil or some sort of demon that was sent to tempt young Hamlet into a destructive existence. The appearance of the ghost causes Hamlet to mistrust his own perceptions of things and doubt the validity of his father’s ghost and the malicious claim that he states. Hamlet decides to stage a play in which the plot very closely resembles the events that the ghost describes as his death. Hamlet feels that if King Claudius is indeed guilty, it will be written all over his face. “The play’s the thing/Wherein I’ll catch the conscience of the king” (II, ii, 566-567).
Not just Hamlet, but everyone wants to know what each other is thinking. Appearance versus reality plays to their thinking of one another. One of the first instances where appearance versus reality takes a role is when the queen and Hamlet are speaking to one another. It is first stated by the queen, “It it be, Why seems it so particular with thee?” Hamlet responded with, “Seems, madam!
