The main focus of this terms are Marxism, consumer culture and commodity advertising. It will serves to understand the; grow of students in concepts such as commodity fetishism, ideology, use and exchange rate as well as mass media. The aim of this project in this term is to identify and critically interpret media texts; specific commodity advertisements as a means to Karl Marx’s theory; that ideologies are encoded within images. This strengthens the economic force that would determine the actions on people through products. It shows the consumerists behaviour through the observation and study. The media manufactures desire in selling of commodities from a critical Marxist ideological perspective.
For the essay we are asked to state a valid
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Sturken and Cartwright (2001:200) explains that “commodity fetishism can be seen as an inevitable outcome of mass production and distribution of goods to many different consumers”. Commodity fetishism is seen as a process that does not so people the production behind the commodity. But instead market the commodity through the means of mass media. For example Nike nobody really knows about how it is made they just buy the product to fill social status in some cases. (Sturken & Cartwright 2001:200). Thus it will be creating a social value to the object. For instance looking at a specific brand no one knows about the production of the clothing, but it is bought because of the brand …show more content…
Ideology works largely by creating forms of "common sense," of the taken-for-granted in everyday life. ” ideologies are systems of belief that exist within all cultures, images” (Sturken & Cartwright 2001:21). In order to explore the meaning of images, one would have to acknowledge that they are produced within dynamics of social power and ideology. Aesthetic is an ideological necessity because it shows how people can be brought together and uses ‘individual experiences’ to produce a sense of community, which then embodies ideology (Cavallaro 2001:77).Images are elements used in advertising and consumer culture. They makes us conform to the standards and ideologies that are reinforced in society. Ideology is part of a system of belief that a culture produces in order to function is a certain way. They are produced and affirmed through the social institutions in a given society Cavallaro (2001:76) says that ideology can be defined in 2 ways; neutrally, as ideas without political connotations; and critically, as ideas in which people categorise each other within a socio-historical and economic
Abstract In the contemporary capitalist society, the marketing of higher education adopts a highly capitalist-focused rhetoric, with commercials promoting students’ choices in favour of specific educational establishments for financial and not intellectual reasons. Educational institutions use various methods and techniques of persuasion to frame the audience’s beliefs and values in favour of certain educational choices. In connection with pervasive presence of propaganda techniques in marketing, this paper presents a visual and rhetorical analysis of higher education print advertisements’ analysis. This analytical study is intended to show how marketers of higher education reinforce problematic representations that can be read as discriminatory
The roaring 1920s earned its name for the enormous prosperity and lively culture it witnessed. In the post war society, the American industry was in need for new markets as its capacity had increased significantly, which resulted in the flourishing of mass production, mass consumption economy. While arguably a stepping stone to the following Great Depression, the rise of consumerism during the era did help raise the living standard of many Americans and bring enormous benefits to investors and had remained one of the most prominent quality of American economy ever since. One of the factors responsible for the rise of consumerism in the 1920s was the drastic advancement in technology development. With new techniques and innovations that utilized
The 1920s and the 1950s were times of substantial growth and economic prosperity. The two decades led to historical breakthroughs as well as setbacks; they are imperative to the history of the United States. Consumerism and innovations had a large role throughout the time periods. While the decades were similar in heightened consumerism, they each affected Americans and their ideology regarding freedom differently.
1 - Consumerism developed in America during the early twentieth century in large part due to the boom in industry created by Europe 's inability to create goods after World War I. Combined this with American inventions such as Henry Ford’s assembly line and Americans had money to spend (Schultz, 2013). With the advent of an electrical distribution system, Americans had electricity in their homes for the first time, which led to the desire for all types of electrical appliances to make life easier. All these new products meant that companies had to get the word out about their products which ignited the advertising industry, which led to even more consumerism. Mix into this recipe, the growing credit industry, and you had consumerism like
The environment is pledging an elitist appeal but the warm colors found in the image attract the populist group. In Jack Solomon’s “Masters of Desire the Culture of American Advertising” he explains a paradox in the American psyche. He argues that Americans simultaneously desire superiority and equality, as a result, advertisers create images that exploit those opposing conditions. He emphasizes that America is a nation of fantasizers. He sums up that advertisers create consumer hunger by working with our subconscious dreams and desires in the marketplace.
Advertisements: Exposed When viewing advertisements, commercials, and marketing techniques in the sense of a rhetorical perspective, rhetorical strategies such as logos, pathos, and ethos heavily influence the way society decides what products they want to purchase. By using these strategies, the advertisement portrayal based on statistics, factual evidence, and emotional involvement give a sense of need and want for that product. Advertisements also make use of social norms to display various expectations among gender roles along with providing differentiation among tasks that are deemed with femininity or masculinity. Therefore, it is of the advertisers and marketing team of that product that initially have the ideas that influence
The 1920s were marked by an increase in consumerism due to a booming economy post-World War I (CrashCourse, 2013), the increasing popularity of consumer debt (CrashCourse, 2013) and an increase in the mass production of consumer goods (Osburn, n.d.). Coupled with technological advances, families now had access to mass media (in the form of the radio and television) and modern conveniences, such as household appliances and automobiles. Radio and television broadcasts helped to build a mass culture, where consumers were watching, listening, purchasing and emulating the same things across the nation (Osburn, n.d.). Women’s suffrage granted women the right to vote; some women took this new found voting freedom as license to break from traditional female roles in other areas and began dressing and
Commodity fetishism refers to the transformation of human relations formed from the exchange of commodities in the market. Human relations form between people of trade in goods and services in the market expressed in terms of the objectified economic relations among currency. Commodity fetishism allows the ability to transform individuality, conceptual aspects of financially viable value into objective and real things that people think have intrinsic value. (Rubin, 1990,5) Karl Marx states social relation between people assumes in their eyes to form a relation between things therefore commodity fetishism is religious due to the involvement of supernatural status to assume a belief in something not there. Humans use their brains to create commodities
Popular Culture I Öğr. Gör. Gülbin Kıranoğlu The Capitalist and Patriarchal Elements in the Products of Popular Culture Betül Kılıç 110111077
Everyone in the world in the world seems to know who the Kardashians are, wherever you look they seem to appear, on billboards, magazines, in salons, on the internet, pictures of them are plastered everywhere. The Kardashian family is popular culture. In this essay I will be discussing consumerism, the role of technology in consumer culture and materialism in accordance to the show Keeping Up With The Kardashians and the Kardashian family, and explaining it through conflict theory. Conflict theory dictates ideas coined by Karl Marx (1818-1833) who has divided the social groups into two classes, the bougeousie and the proliteriate. He states that because of the inequality in the power balance and the bourgeousie having a capitalist hold over the proletariates, they abuse their power over the proletariates.
From the above, we can see the essential role played by the capitalist society and its relation to the theory of Marxist aesthetics under the discussion of Marxism. To develop a further understanding in the art history related to Marxism, the materialist art history should also not to be missed out in the context of Marxist aesthetics. From the point of view of Marx and Engels, they believed that the forms of society is the most hostile to art when the society is developed into industrial capitalism in a full way, while the division of material labor and mental labor may have to go through the point of extremeness. (Klingender, 1943) The art history of materialism has focused on the production modes of art, in the other words, the labor of
This process of recuperation happens in two ways: by converting subcultural signs into mass-produced objects (the commodity form) and by labelling and re-defining deviant behavior by dominant groups (the ideological form). The commodity form benefits from the relationship between the spectacular subcultures and the industries, which is based on ambiguity and the difficulty to distinguish between commercial exploitation and originality, since consumption is an indispensable part of spectacular subcultures and they feed on production and publicity. However, this commercialization and mass production of cultural symbols takes their meaning away from the subculture and makes it available for everyone.
This sociological study will analyze the problem of commodity fetishism in American consumer culture. Karl Marx’s theory of commodity fetishism is a major problem in the United States due to the inability of consumers to see the intrinsic value of a commodity. American consumer culture tends to become trapped in the “magical qualities” of a product, which makes them unable to understand the object as it was made by a laborer. This abstraction of the commodity is part of Marx’s analysis of capitalist products that is separated from the labor and become valuable objects in and of themselves. This is an important sociological perspective on commodities, which creates an irrational consumer culture in the American marketplace.
Advertising plays an important role in creating false needs, for example, instance of when the capitalist advertises to buy this perfume and you will smell like Rihanna. The persuasion by the advertisement and images gives a false reality that is the social control. Social change then cannot be
1 Introduction Advertisements have a great impact on people but they are not representing reality. Companies try to promote their product the best they can in order to increase revenue. To do so, they and appeal to and satisfy the needs and longings of potential customers. Dove® , being a Unilever brand, tried a considerably different approach to draw attention to itself.