ipl-logo

Mean Ladies Transgendered Villains In Disney Films Analysis

524 Words3 Pages

Amanda Putnam’s essay, “Mean Ladies: Transgendered Villains in Disney Films”, is a compelling piece on gender portrayal and views in Disney films. Putnam opened the essay with a personal anecdote about her daughter. Her daughter wanted a Disney movie without a “mean lady”, as in most Disney films the villains are scary, evil women. The real life evidence strengthened her claim that children are noticing the characterization of female villains in Disney films. The antidote was brought fill circle when she referred back to her daughter in the final paragraphs of her essay. Putnam explains that when her daughter asks questions about gender norms (boys having long hair, etc...), she knows that this is because of influences like Disney that establish and reestablish ‘correct’ gender standards in many of their films. …show more content…

She explains that some heroines/princesses are considered heterosexual because they are beautiful and wear “form-fitting clothes”. I think that those points reaffirm their femininity but I do not see how they link to their heterosexuality. Homosexual women can be ‘sexy’ and wear revealing clothes just as much as heterosexual women can. She also wrote about Disney royalty being characterized as hyper-heterosexual and provided the example of Mufasa’s family: his wife, Sarabi and son, Simba. To me, that does not seem hyper-heterosexual; It seems like a regular heterosexual relationship and therefore I do not see the justification for picking on The Lion King when talking about hyper-heterosexuality. I liked the way that Putnam put detail into each example that she wrote about. In other essays we have read, some authors write one line about a character and provide little textual/film evidence. Putnam goes into depth and provides several different examples from each character in her

Show More
Related

  • Rhetorical Analysis Of Cinderella By Grimm Brothers

    1631 Words  | 7 Pages

    However, Cinderella successfully overcomes this psychological element through the usage of genre conventions. The “uncanny truth” of living authentically is exemplified through the rewards of Cinderella's lifestyle and the punishments of her sisters, yet audiences are

    Read More

  • Tyler Perry Why Did I Get Married Analysis

    1285 Words  | 6 Pages

    Throughout history the portrayal of gender roles have been maintained by a specific standard, specifically where the man is the main figure, and the woman is the submissive figure that is being acted upon. However, lately, specifically the last ten or so years, many movies have shifted this ideology. These movies in modern times show increasingly more women in positions of power, as well as in marriages where there is an equal amount of power between both the husband and wife. There are also more movies showcasing non-traditional relationships, such as, domestic partnerships and LGBTQ+ relationships. One movie in particular that showcases a shift in the status quo, in terms of the masculinity and femininity expected from individuals especially that of a relationships, is Tyler Perry’s

    Read More

  • Disney Villains: The Gay Days At Walt Disney World

    208 Words  | 1 Pages

    Making Disney Villains seem queer might sound very offensive towards homosexuals, in particular gay men, and it seems as if Disney is trying to create a metaphorical message that villains dress and act like stereotypical gay men. However, given the fact that the numbers of animators, creators and voice actors themselves are queer and take part in the creation of the film, such metaphors (e.g. “villain = queer”) might not be as what they seem, seeing how the homosexual audience’s reception of the films are, and how Disney influences their own lives. For example, every first Saturday in June, there is an event called the “Gay Days at Walt Disney World.” It started in 1991, and since then, every year, lesbians and gays gather in WDW to enjoy

    Read More

  • Stereotypes In Picture Books

    163 Words  | 1 Pages

    There has been a lot of quarrels over the years about how children’s picture books are embracing traditions and presenting gender stereotypes. In an article I found, author Narahara May of “Gender Stereotypes in Children’s Picture Books,” discusses two major problems. One being that gender stereotypes and sexism has an emotional impact on the development of children’s identity and development. Secondly, she explains about how books in the last decade have portrayed gender negatively. Furthermore, I will be discussing May’s ideas further in depth by examining the portrayals of gender stereotypes found in the popular “Berenstain Bears” picture books.

    Read More

  • Gender Roles In Spy Kids

    1013 Words  | 5 Pages

    The 2001 film Spy Kids is about two children Carmen and Juni Cortez who must save their parents who are spies captured by a children’s television star by the name of Floop. Carmen and Juni are often at odds with each other with their contrasting personalities. Carmen is an independent and confident older sister while Juni is the scared and younger brother who makes frequent mistakes. Compared to the analyzes of children’s books done by Lenore Weitzman in her journal Sex-Role Socialization in Picture Books for Preschool Children and the release of Spy Kids it is apparent that great progress has been made over the years in the dynamics of gender roles shown in the media.

    Read More

  • Disney Princesses Rhetorical Analysis

    1856 Words  | 8 Pages

    Across the world, little girls and little boys are being raised on gendered norms that determine how they will behave for the rest of their lives. Exposure to various types of media during their formative years instruct children on how they should look, feel, and behave. Consequently, adult women strive to emulate the fantasies they were exposed to through the Disney Princess films they were raised on. Disney Princesses offer a mold for what a successful woman looks like in terms of size, color, and physical sexuality. In modern society, countless marginalized groups are seeking equal representation in the media to accurately reflect how diverse the world truly is.

    Read More

  • Cinderella Ate My Daughter Chapter Summary

    532 Words  | 3 Pages

    In 2011, Peggy Orenstein published Cinderella Ate My Daughter to examine how princess culture impacted girlhood. “What Makes Girls Girls?” is a chapter in this book that delves into the implications of sexual difference and whether or not it is rooted in biology. By studying various research projects conducted by professionals, Orenstein discovers that, ultimately, a child’s environment plays a key role in behavior. To pose the question of whether the concept of gender is inherent, Orenstein references several examples that have sparked a considerable amount of discussion about how a child’s gender expression is molded by upbringing.

    Read More

  • Gender Roles In Sesame Street

    606 Words  | 3 Pages

    We should treat all as their own, everyone learns and has different life practices. But first we must break the common theme placed in programs designed for children; male characters should not always be superior, both genders should be represented equally and in the same

    Read More

  • Post-Princess Models Of Gender: The New Man In Disney

    722 Words  | 3 Pages

    Rhetorical Analysis Cinderella, Snow White, Sleeping Beauty and many other Disney movies all have one thing in common, they feature a female lead who need a male figure to save them. However, things started to change after the release of Mulan 1988. It changed from only having those female leads who always needed to rely on someone, to females who were able to show off their more masculine side. In the article “Post-Princess Models of Gender: The New Man in Pixar/Disney,” Ken Gillam and Shannon R. Wooden explored the idea that Pixar movies were starting to show male characters who weren 't afraid to show their emotions and feminine attributes, to promote the “New Man” model.

    Read More

  • Gender Stereotypes In Cowboys And Aliens

    1456 Words  | 6 Pages

    In contrast to the twentieth century we still see some of this in our current day and ages. Contrasting portrayals of men and women in films leave us with the fact that we haven’t changed. Men and women are sought to have different gender roles within

    Read More

  • The Little Mermaid Gender Stereotypes

    1690 Words  | 7 Pages

    Gender is something that is brought to the attention of people well before people are even brought into the world. Take for instance, when a woman finds out that she is pregnant and is about to have a child. The first question that that women is asked is “What are you having?” In doing this we are automatically emphasizing the importance of being able to identify whether or not to buy “boy” things or “girl” things. As a society we deem it important for each sex to practice a set of “norms” of how to behave via that sex.

    Read More

  • Aladdin Movie Analysis

    1250 Words  | 5 Pages

    3.3 Aladdin “Aladdin“ is a relatively old Disney movie, released 1992, which won several Academy Awards and broke grossing records of its days. The animated feature is about a street-urchin called Aladdin, who falls in love with the princess Jasmine as she escapes the palace and meets him at the marketplace. However, the evil vizier Jafar finds out Aladdin is the “diamond in the rough“, the only one that can get into the cave, where the miracle lamp is, that he so desperately wants. So Aladdin is arrested and tricked into getting the lamp for Jafar, but eventually catches it himself.

    Read More

  • Villains In Disney Films

    1156 Words  | 5 Pages

    When we think about the villains Disney cinema produces, the first image that comes to mind is the powerful women who use their magic to cast spells, summon forces greater than life, and enhance their agency. Often, identifying the villain in Disney films is easy, since they differ considerably from gender conforming characters due to their physical features, abilities, and style of dress. When examining the villain, one of the characteristics that stand out, is the villains’ dehumanization and non-heteronormativity. As a result, the villains’ stories may not adhere to idealistic social norms, but it’s their own just the same.

    Read More

  • Analysis Of Mean Ladies: Transgendered Villains In Disney Films By Amanda Putnam

    455 Words  | 2 Pages

    The article, "Mean Ladies: Transgendered Villains in Disney Films" by Amanda Putnam examines multiple characteristics that villains demonstrate from body shape, makeup or attitude. Putnam examines the villains and makes the connection that they are demonstrating characteristics that are associated with transgendered people. In addition, Putnam uses multiple Disney films such as Cinderella, the little mermaid, and other films to show the different ways women are being portraited. In addition, Putnam addresses that there's nothing wrong about being transgendered; however, it's more about the message that it's being provided to children. The message is that those who are transgendered people are evil and shouldn’t be approached.

    Read More

  • Post Feminism In Bridget Jones's Diary

    1476 Words  | 6 Pages

    Throughout the years femininity in Hollywood cinema has changed quite drastically. The industry has gone through several phases that changed how femininity was viewed. This paper will address the postfeminist phase in Hollywood, while focusing on the film Bridget Jones’ Diary (2001). It will show how postfeminism is viewed in cinema as well as the characteristics that make a film considered to be postfeminist. Bridget Jones’ Diary (2001) showcases all the characteristics needed in a postfeminist film which makes the film a great representative of postfeminist attitudes in media.

    Read More

More about Mean Ladies Transgendered Villains In Disney Films Analysis

Open Document