Lovely with a killer rhyme scheme that doesn’t quit. Deceptive in its simplicity. American poet Robert Frost (1874-1963) is highly regarded for his realistic depictions of rural life. His work is frequently employed setting from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes. My favorite story about this sort of thing is Robert Frost being asked why “Stopping By the Woods on a Snowy Evening” ended with the line, “And Miles to Go Before I Sleep,” repeated twice.
As Judson uses a variety of the senses into her poem, the peace of winter comes alive. One way in which the meaning of the poem was discussed in some sections was when Judson used words such as, “gems /gorgeous dyes/palaces of frostwork” (1-3). Using this smart word choice gives an brillant description and provides the poem with a romantic tone at the beginning. Deeper into the poem, the author uses even more active word choice such as, “cold and cheerless/Without one warm, free pulse, one softening breath” (6-7).
‘The woods are lovely, dark, and deep,” (Frost). Robert Frost, though a poet of many genres, is most famously known as a nature poet. Frost’s “Stopping by the Woods on a Snowy Evening” is one of the most classic examples of nature poetry. Robert Frost, himself, thought the poem to be one of his best. It is one of the poems that created the foundation for the many awards Frost would receive over his lifetime.
Winter break is also used for winter sports. Winter here in the northern part of the US and southern part of Canada, is generally from late November to early March. There is snow and below zero temperatures. Saying that the clothing in winter is… puffy, would be a huge generalization. It depends where you are.
Many authors utilize imagery to allow the reader to engage in and understand their works. In Robert Frost’s “Birches,” there are several instances where the poem contains heavy usage of imagery for this purpose. The meaning of the poem “Birches” is very under-the-surface— the entire poem focuses on bent birches— too vague for the central purpose to be clear and solid. However, the poem’s copious examples of imagery enable the audience to grasp the scenery that Frost is attempting to describe. In “Birches,” Movement One depicts the author erasing the damage that ice-storms have done to birches by replacing this idea with a more sugar-coated version; he imagines that a “Boy’s been swinging them.” (Frost 3).
Robert Frost has so much enthusiasm about life in his poems. Other events that may have influenced him to write poems the way he does are, visiting different places and things. When he moved, he went to different colleges and got different experiences to write poems. In Frost’s three poems, “Stopping by Woods on a Snowy Evening (“SBW”), “The Road Not Taken” (“RNT”), and “Nothing Gold Can Stay” (“NGS”), there are both similarities and differences in form and style, theme and meaning, and tone and mood. First off, in the poem “Stopping by Woods on a Snowy Evening”, the form of it is a traditional form.
Frost at Midnight achieves just that, reflecting the poet’s introspective sense of mind, as well as highlighting the same pantheistic view and uncomplicated, conversational language that Wordsworth shared. Opening the poem with the line “The Frost performs its secret ministry” (1), breaks in the subtle pantheistic views of Coleridge, and will allow him to expand his thoughts against the “extreme silentness” (10) of the night. Coleridge creates a sense of immediacy, captivating the reader with his sudden break in line; “The owlet's cry / Came loud—and hark, again!” (2-3), blatantly interrupting the “hush of nature” (17). This sensation of solitude and quietness is amplified by the repetition of words relating to sleep, calm and stillness, allowing the imagination to run free and conjure up fantastic images, like a “thin blue flame” (13), described as a “fluttering stranger” (26). In addition, metaphors are used to enhance the imagination and create this perception of imprisonment, as shown by the word “bars” (26) in place of school grates, in describing the poet’s unpleasant school years.
Horseback riding, hay rides and bon fires are just a few out-door family activates to patriciate in. During this time nature completely transforms its self, exposing the beauty of death and the promise of life in spring. The seasonal smells, tastes and sights are unlike any other season. The shades of colors seem to emit a sense of peace, mix that with a pumpkin spice coffee or apple spice tea and that equals pure bliss. Work and stress come and go, don’t miss all autumn has to offer.
In the first stanza, Lawrence uses flashback to talk about his childhood memory that seems to be extraordinary beautiful. The poem starts “softly”, this suggest that the setting is pleasant and sunny. Right after that, the setting was describes as gloaming since it is “in the dusk”. This gives an impression of the sun melting into the moonlit during the evening, which suggests that the persona is listening to the
The North collection utilises various historical context while also stylistically allude to the bygone era of the Vikings and the discovery of the bog bodies of the Northern Europe in order to emphasise the endless occurrence of brutality and violent events. “The Grauballe Man” is an allegorical poem that conveys the political crisis and regional warfare happened in Northern Ireland. During this time period known as “The Troubles”, violent and animosity erupted and spilled over like an active volcano. Noticing the brutality and adversary, Seamus Heaney figuratively utilises the context of The Troubles and elicits his message towards the act of brutality. The context of the atrocious event inspired the poet to voice his opinions and utilise poetry skills to convey his message.