Obedience, or the Lying Tale by Jennifer Chang Obedience, or the Lying Tale, one of the poems from The History of Anonymity. The poem was written by Jennifer Chang, a rising voice in the American poetry scene, who is an assistant professor of english in George Washington University. Jennifer Chang’s lyrical poems often explore the shifting boundaries between the outer world and the self. Chang’s use of allusion and imagery influence and create atmosphere and theme of the poem. In Obedience, or the Lying Tale, there are several phrases that allude to Greek mythology and fairy tales. “I will wait for the ferryman to motion me through.” (Line 25) The ferryman alludes to Greek and Roman mythology — to the ferryman Charon, who carries souls across the rivers Styx and Acheron in the Underworld. Chang also unintentionally took inspirations from the famous fairy tale of Grimm brother—Little Red Riding Hood. For …show more content…
Obedience, or the Lying Tale is filled with imagery drawn from Jennifer Chang’s imagination and personal expression. Chang is able to make strong pictures of places by her pure imagination. Take the forest scene in the poem as an example. “Into the forest’s thick, where the trees meet the dark, though I have known misgivings of light as a hot hand that flickers against my neck.” (Line 20) Chang said she had no inspiration for it, instead, she just imagine all of it. However, she did put her personal experience and emotion to it. She writes the poem based on her old working place. It was a bark- covered cottage surrounded by woods. One of the reasons she wrote the poem is because she wanted to return back to the place she found tranquility and peacefulness. Chang had connected the word “obedience” to the confinement of her new apartment in San Francisco, and the word “lying” to the freedom she felt from where she worked before. Chang uses rich imagery and allusion to create strong mood and theme to her
“The feeling of guilt is your conscience calling your attention to the higher road, and your heart wishing you had taken it.” The poem “I Can Stand Him no Longer” by Raphael Dumas and “The Tell-Tale Heart” by Edgar Allan Poe are pieces of literature that develop the thematic topic of guilt using literary devices such as metaphors, connotations, similes and etc. Both stories are about a person who commits a deed that he is later guilty of doing. In “The Tell-Tale Heart”, a man commits a murder of an old neighbor and tries to hide the crime. However, he later finds himself guilty of doing so and accepts his crime in front of the police.
Many of her experiences during the Cultural Revolution changed how she thought, and it helped her to realize who she was. Her intelligence, conflict between pursuing politics and staying loyal to her family, and her devotion to her family have made Ji-Li into the experienced and successful person that she is today. Her experience and success is shown through her novel’s success and her care for her family when she moved to the United States. The Cultural Revolution changed Ji-Li in many different ways, and those changes improved her morale, there are many times that are very formative throughout our daily
"You gain strength, courage, and confidence by every experience in which you really stop to look fear in the face. You are able to say to yourself, 'I lived through this horror. I can take the next thing that comes along. "- Eleanor Roosevelt.
Kelley’s diction adds a tone to the piece and allows her to get her message across with helping the reader understand more deeply . Kelley’s use of imagery, appeal to logic,
The Style of Poe Analysis In “The Tell-tale Heart” by Edgar Allen Poe, the demented, arrogant and dark tones reflect the man’s guilt and insanity that eventually leds him to admit to the crime he committed. Poe’s diction heightens the arrogant tones which is seen as the man plans the murder and carries it out in a careful, organized way. He goes “boldly” into the chamber, “cunningly” sticks his head in the doorway and feels “the extent of his own power”. Poe’s use of diction shows how cocky the man actually is.
It came to dominate my understanding of the discussion on the social and historical scene and to restrict my ability to participate in that discussion.(444) If we go back and use the reference again of the electronic tool we can see the struggle of being at home and communicating with her family and having an influence of capitalistic viewpoints and living the life of a capitalist, then immediately having to communicate in a different language at school and being surrounded by socialistic views and living the life of a socialist. Her thoughts were constantly flip-flopping and this became very frustrating for her. If we bring all these struggles into one main purpose, Min-Zhan Lu’s mother falls into silence two months before her death and Min-Zhan Lu attempts to “fill up that silence with words that I have since come to by reflecting on my earlier experience as a student in China.(437) The struggles that she faced growing up in China as a student and her past experiences have really helped her overcome life obstacles and develop her as a better reader and writer.
Prose Analysis Essay In Ann Petry’s The Street, the urban setting is portrayed as harsh and unforgiving to most. Lutie Johnson, however, finds the setting agreeable and rises to challenges posed by the city in order to achieve her goals. Petry portrays this relationship through personification, extended metaphor, and imagery.
People have beliefs that short stories are narrated by people who are reliable. However, unreliable narrators are people who are telling the story in their own way. The three stories, The Yellow Wallpaper by Charlotte Perkins Gilman, The Tell-Tale Heart by Edgar Allan Poe, and Strawberry Spring by Stephen King.
My’yonna Pride Professor Suderman Enc1102-20946-002 Them of Innocence/Power of Literacy Theme: “Loss of Innocence and The Power of Literacy “ To live is to die and to die is to live again, in the short story fiction “Lives of the Dead,” by Tim Obrien, either seems true. When a loss of innocence is experienced traumatic events, such as death, has created awareness of evil, pain, and or suffering. Obrien experiences a loss of innocence, by death, at the age of 9, when his childhood girlfriend dies of cancer. Physical the dead may never be able to be brought back to life but, mentally, through The Power of Literacy anything is possible. Many of the Character in “Lives of the dead” are deceased; however, they are able to live again, through the power of literacy.
Throughout the entire novel, the mothers and daughters face inner struggles, family conflict, and societal collision. The divergence of cultures produces tension and miscommunication, which effectively causes the collision of American morals, beliefs, and priorities with Chinese culture which
“It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night.” This is said by the narrator in “The Tell-Tale Heart.” Once evil enters the mind and is welcomed and given permission to rule, it will control and direct one's actions. The theme in both “The Tell-Tale Heart” and “The Masque Of Red Death” is death, whether it be intentional by humans or inevitable because of mortality. The similarities and differences in these stories are they both have death that kills innocent people, one story is more realistic and the other symbolizes death, and lastly both stories have people imagining something.
In Duong Thu Huong’s Paradise of the Blind, Hang has been placed on a path of self-sacrifice and duty by her family. Her life unfolds in stages- childhood, young adulthood, and her eventual role as an exported worker in Russia. With each of these shifts in her life comes a shift in setting and a shift in her emotional state. Hang’s changing emotional state depicts her “coming of age” and her growth as a character. Setting is important to creation of shift in the novel, and is often described in detail.
This presents a development of characterisation when we meet Ling in the first paragraph of the extract. The description of Ling’s wife follows straight after. In the second paragraph , we encounter Wang-Fô whom inspired Ling to have a new perspective of the world as “Ling avait grandi dans une maison d’où la richesse éliminait les hasards.” The passage is written in an omniscient third person narrative. It is predominantly narrative
Fate, by definition, is the universal principle by which the order of things is seemingly prescribed. (Webster) Essentially, fate is events that are inevitable that we have no power to change. It is debatable that fate exists among everyone; however, humans are subject to making their own choices- free will. No matter what choices people make, they do not change our fate.