In the gripping novel In Cold Blood, the protagonist, Perry Edward Smith, is depicted as a good-spirited person, who is strongly influenced by the people who are the closest to him. Those three people are his father, his mother, and his partner in crime Dick Hickock. His father denies him of an education and treats him like a slave. His mother never loves him and never shows him how to love others. And Dick, takes control of Perry’s vulnerability and leads him into doing awful things. Each of those relationships impact him negatively, and in the end, lead him to murder an innocent family and lose his life because of it.
Although Perry loves his father, John “Tex” Smith, more than anyone else, the relationship is an intimate, toxic, love-hate
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Although Dick’s childhood has been much more “fortunate” than Perry’s, Dick still grows up to be the more immoral, and cold-hearted human being. For instance, the day after Dick and Perry had murdered the Clutter family, Perry feels very remorseful and cannot get out of bed while Dick simply carries on as if nothing had happened, and visits him parents’ house: “Perry had merely fallen face down across the bed, as though sleep were a weapon that had struck him from behind… A few miles north, in the pleasant kitchen of a modest farmhouse, Dick was consuming a Sunday dinner… his mother, his father, his younger brother—were not conscious of anything uncommon in his manner” (73). Dick is an absolute sociopath; that is not fazed by murder or anything. Sadly, the reader understands that Perry becomes very attracted to Dick’s “dominance” and “manliness” when the two speak about their relationship: “Its because [Perry] wanted Dick’s friendship, wanted dick to ‘respect’ him, think him ‘hard,’ as much ‘the masculine type’ as he had considered Dick to be… ‘I’ve come to trust you, Dick. You’ll see I do, because I’m going to put myself in your power’” (111). Perry’s relationships with his father makes him feel incapable of making his own decisions and longing for someone to take control him. Therefor, Perry gives Dick control of himself. Certainly, the biggest influence Dick has on Perry’s actions, is convincing him to rob and murder the Clutter family with him. The reader is made aware of this when Floyd Wells, (Dick’s past cell mate and former worker for the Clutters), informs the authorities that Dick had told him about his plans to murder the Clutter family and that they were identical to the way it had happened: “[Dick] described to me a dozen times how he was gonna do it, how him and Perry was gonna tie them people up and gun them
Pages 92-93 In Cold Blood describes how both Dick and Perry had symbolic dreams and how these dreams had some sort of meaning into their live hood. Dick has been having a dream about him appearing in a jungle and in front of him there’s a diamond tree, but there’s a snake that protects the tree. “That’s why I’m there- to pick myself a bushel of diamonds, but I know the minute I try to… a snake is going to fall on me…” I believe the imagery in this detail explains how Dick is too scared to try because he believes everything won’t go as he plans and everything will crash down on him. Perry had the most meaningful dream. …”she went on hitting me in the dark, that the parrot appeared… a bird “taller than Jesus, yellow like a sunflower” a warrior-angel
Capote portrays only one of these two seemingly distinct characters (Perry) in a way that the reader feels the need to relate to and even sympathize with him. One can be taken aback by such an attachment to a murderer. This is not surprising as the author uses his compassionate diction to manipulate the reader’s emotions with a use of pathos, the appeal to emotions. At one point Capote goes as far as to write that “Smith’s life had been no bed of roses,” (Capote 245) attempting to have the readers relate to Perry. On the other hand, Capote has Dick say this about himself: “Deal me out, baby, I’m a normal” (Capote 116).
While Perry is mortified that he and Dick could commit such a gruesome crime, Dick couldn’t care less. All Dick is worried about is how odd Perry is. Because of how quick Perry’s mood could change, Dick thought he was “spooky as hell.” Now, Perry wasn’t your average run of the mill man. He still wets the bed, cries in his sleep, and “could slide into a fury ‘quicker than ten drunk Indians’”.
Although he ended up being one of the murderers of the Clutter family, the readers often felt sorry for him. In the beginning of the novel the reader finds out that Perry was actually very nervous about committing the crime, he and Dick were on the road to do. Capote made it seem like Perry
Nature versus nurture is one of the most controversial debates in contemporary psychology. The debate concerning whether or not humans are born with the preset characteristics that will shape lives for years to come or whether actions are a result of the events and the environment that pave the way for our behavioral characteristics. Capote’s “In Cold Blood” gives the audience a detailed look into the upbringing of the character Perry Smith, creating a sympathetic outlook towards his past and attempting to bring a sense of understanding as to how a seemingly harmless young man could brutally murder four innocent people. In the case of Perry Smith, nurture was the cause of his actions in regards to the Clutter family murders.
However, the Clutters have certain aspects which could be considered ‘abnormal’, especially in the case of Bonnie, a depressed and reclusive mother. Perry and Dick are juxtaposed with the Clutters, they are a seemingly abnormal duo, who are antisocial, have a hunger for murder and are even physically disfigured. Both Perry and Dick have attributes that are still somewhat ‘normal’ despite their surface abnormality. Perry is sensitive, creative and sings, Dick has had an upbringing that was completely typical of any American child, that is, he was brought up in a loving and caring environment, with enough money to live comfortably and attend secondary education. Dick also constantly defends himself saying: “I’m a normal”.
He ended up in a series of orphanages where he was severely beat and traumatized for wetting the bed. One nun at the orphanage would “ fill a tub with ice cold water, put me in it, and hold me under until I was blue.” Capote intends to provoke the audience's sympathy for Perry by including his terrible childhood experiences to explain his violent manner as well as provide reasoning to commit the crime he did. Perry has many examples of how his brutal life experiences cause his violent behavior. Perry has many sociopathic characteristics including, lack of moral responsibility or social conscience, erratic behavior, rage and anger, ability form a particular relationship to one person, crimes are usually spontaneous.
Although Perry is responsible for the murder of four innocent people, Perry’s actions do not reflect on who he is as a person because he is easily influenced, therefore; showing how easily people can be pressured into doing something they would not typically do. Dick, a violent, cold-hearted, manipulator, has molded Perry into the person he is today. As Perry is a follower, Dick has taken advantage of that by turning Perry into the cold-blooded killer he is today. Capote displays Dick’s manipulation of Perry through symbolism to make evident that while Perry did pull the trigger on four innocent people, although the fault does not entirely lay on him, as he was taken advantage of by Dick.
He is portrayed as a mastermind in the cold-blooded killing of the Clutters family, a man with little respect for the lives of others, which can be seen through Dick’s expression before the murder of the Clutters when he converses Perry, “We’re gonna go in there and splatter those walls with hair” (Capote 234). This sudden tone shift enables Capote to depict Dick as a cruel and immoral character. Dick’s lack of empathy and concern for other people beside himself allow him to commit crimes without remorse, which is in contrast to Perry’s moral contemplation after each bad actions they committed. Moreover, Dick is represented as the true criminal with evident motives in murdering the Clutters, while Perry is seen as a vulnerable victim who depends on Dick for validation and acceptance, something in which Dick happily provides in order to manipulate Perry, as Capote writes, “Dick became convinced that Perry was that rarity, ‘a natural born killer,’—absolutely sane but conscienceless, and capable of dealing with or without motive, the coldest-blooded deathblows. It was Dick's theory that such a gift could, under his supervision, be profitably exploited” (Capote 205).
Dick from In Cold Blood maintained that he was less guilty and did not deserve the death penalty. In stating this, Dick was not correct that he was less guilty. There are justifiable proofs that diminish his chances of being less guilty. These proofs are found within the book and can be represented through his demeanors and actions prior to and after the night. Richard Eugene Hickock (Dick) in In Cold Blood is just as guilty as Perry in that he had clearly displayed his intent for killing the Clutter family.
He spends his life trying to stray away from his vices, trying to take a step towards a stable and happy life but due to his mental instability and impulsive actions, can never stray from that. There is a lack of connection between Perry’s wants and desires and his actions. Perry Smith is a mentally ill man with a sinister disposition, that without a therapist or any form of treatment, is reckless and loose in a world where murder can be as simple as a gentle pull of an index finger. Perry Smith could be a good person but buried in his illness, only glimmers of the kinder parts of his soul shown through periodically. The contradictory nature of Perry Smith and battle between good and bad throughout the novel is what makes him the protagonist.
The novel, In Cold Blood, is an anomaly in the literary paradigm. The author, Truman Capote, designed his novel in a way that made it unique when compared to others. His fundamental purpose was to present the problem of American violence and the fragility of the American Dream and how it can be so easily shattered. In order to portray his purpose, he used many rhetorical devices including syntax, diction, tone, ethos, logos and pathos. These devices allowed Capote’s novel to be different from the spectrum of other non-fiction novels and to support his purpose.
From the outside Dick is a very charming person who can attract many groups of people and is in most cases the center of attention. He brings joy and excitement everywhere he goes, he is married to his loving wife Nicole, and even has a career he actively pursues but behind all that is a man who is grabbing too much he can’t carry. In book two we see that Dick is a psychologist who married a patient who is none other than Nicole herself. Dick’s motive to marry Nicole was for his work to help Nicole with her past trauma and to “‘be a good psychologist— maybe to be the greatest one that ever lived.’” (Fitzgerald 195).
[He said] it [didn’t] bother Perry a bit” (Capote 255). Dick is honestly trying to make Perry look very guilty instead of him. Even though Perry killed all four of the Clutters, Capote was still against the death penalty for Perry. Capote was also biased throughout the story because of his “relationship” with Perry. An example of Capote’s bias is when he wrote that “Dewey, a believer in capital punishment, its purported deterrent effects, and its justice, witnessed the hangings” but he could not watch Perry’s hanging.
Dick’s, many characteristic groups had their own sets of strengths and weaknesses, such as the Precrime associates being physically strong and the three Precogs being mentally strong. The two groups were battling each other without fully realizing. The physical was trying to dominate the metal. “They don’t understand any of it, but we do.” Stated Precrime Commissioner John A. Anderton.