The impact of Persian classical literature on European writers has been the subject of various ‘influence’ studies and numerous oriental scholars have alluded to a possible influence of 13th century Persian poets on the 18th century European writers. However, this is the first comparative study in the tradition of American school of comparative literature which focuses on a thematic study of ‘Man’ in the works of Sa‘di and Pope. There are no scholarly and academic researches done specifically on this particular subject, yet there are a number of insightful sources on the texts and contexts of both poets. The books, articles, dissertations and other sources that are helpful in this study are divided into two parts: sources that explore the time …show more content…
It provides a social, historical as well as literary account of Sa‘di’s era with regard to the poet’s position. Interestingly, the author rejects Sa‘di as a rationalist and mystic and holds that “Philosophical realism – something akin to Socratic wisdom – is perhaps the nearest modern term that may be applied to his approach to personal and social life, although he was far from a pragmatist and instrumentalist” (143). These claims are contrary to the discussions of this dissertation and will be debated in the course of this study. Kazem Kamran in his book The Wisdom of Sa‘di (2001) has provided a dictionary of the ideas and topics expressed by Sa‘di in his Bustan and Gulistan arranged in alphabetic order. The book is very selective in that it does not cover all the ideas expressed by Sa‘di, yet it is insightful regardless of …show more content…
The author emphasizes the influence of Sa‘di on Emerson’s writings and finds this influence undeniable. ‘The Image of Women’ is a subject of investigation by Dehghani et al (2010) in a comparative study of Sa‘di with the Arab poet Motanabbi. The author stresses while Sa‘di bestows a high position to women, Motanabbi takes a less admiring view. Hamid Reza Alavi (2009) in his book has made an extensive comparison among the views shared by Muslim and Non-Muslim writers on the issue of education and philosophy. Chapter six of this work includes an interesting comparison among the ideas of Rumi and Sa‘di from the east, and Rousseau and Dewey from the west, concentrating on moral education. Initially, each of the four writers is discussed separately and then placed together for comparison. With regard to Sa‘di, Alavi deduces the implicit doctrines of moral education from his poems, identifying four educational aims in Sa‘di’s
Islamic Gunpowder Empires: Ottomans, Safavids, and Mughals is an attempt by Douglas E. Streusland to present the similarities and difference between the Ottoman, Safavid, and Mughal Empires that stretched across the Middle East. The book focuses on political, military, and economic history rather than on the social, cultural, and intellectual history. Even though Streusland has extensive knowledge and understanding of the Mughal Empire, he still has several observations that make the book a valuable read for anyone studying the history of the Middle East. The book begins with a brief history about the formation of the Islamic culture up until the beginning of the Gunpowder Empires.
The Declaration of Sentiments and Resolutions Women’s place in society has been studied for several years, even today in 2018 it is still relevant. The history of the 19th century is when the Declaration of Sentiments and Resolutions has proven that women are just as equal as men. This Declaration has managed to make changes and thoughts about the roles women play in society. Women- regarded as particularly susceptible to religious and moral influences- were increasingly confined to the domestic circle, but they became more important within it (Pearson).
Women tried their hardest to bridge the gap between the two sexes and to bring equality as a forefront to Enlightenment ideas, and although successful trailblazers emerged, most of their intellectual findings remain in the background of their male counterparts because of conservative and sexist beliefs. It is no secret that the Enlightenment was geared mainly around male philosophers and their new revolutionary thoughts, but there are some eighteenth-century women that were able to us
Notably, then, despite the film’s expository richness, its intelligent use of archival material, and the boldness it displays in incorporating family members (Andrés’s father and, in a short sequence, his uncle), with La televisión y yo Andrés Di Tella would not yet reach the pinnacle of the personal documentary form. Beyond expressing angst about the seven years of television he missed (angst that doesn’t totally gel into anguish, drama, or tragedy), beyond sharing with the viewer some childhood dreams (like wanting to be an astronaut), or excepting a brief sequence from his wedding (aimed at showing that it was there where he first met Rosenfeld), there is actually very little of “Andrés Di Tella” in this film. Even though the documentary’s
Marjane Satrapie, in her book Persepolis, states, “I wanted to be an educated, liberated women. And if the pursuit of knowledge meant getting cancer, so be it (73) The oppression of women has been present in several different cultures. While many women in different nations have fought to establish their place in society, several cultures still suppress women with harsh restrictions on their way of life. Well-known authors such as Marjane Satrapi, Bahithal al-Badyia, and (add name here), though born in different eras, all understood the fundamental importance of women
There is a big emphasis placed on education, which is now readily available compared to previously when manly rich landowner’s children had the means to attend school and get education. In this newly emerging curious society effected by the Enlightenment dramatic political and literary changes start taking place, among other fluctuations.
Also contributing to the loss of Samir’s clients is the aftermath of Hosamm’s murder-suicide, which causes Samir’s children to recommend he relocate his practice. Therefore, the reader learns about the “other” from the words spoken, not only by Samir, an Egyptian-Muslim, but about him by his loved ones. When one thinks of the traditional Middle
Throughout his text, readers identified phrases and words used in today's current time. He managed to archive phrases used during his adolescent years and smoothly integrate them into today's current era of language. While there were places where his tone was more serious, there were also places where his tone was as if he was talking to us as a well-known friend. His descriptive words paint a picture of his childhood, almost as if we lived through his experiences. The various descriptions enhance his argument by managing us as readers to see his perspective from his point of view.
M. Synge’s well-known tragedy Riders to the Sea, the sea also plays a great role throughout the work as a background, as a living character, as a force of nature, as an agent of destiny. Like the sea of “The Open Boat” it is also dark, mysterious, and powerful. That is why the characters do not know its moods. It has been presented as both kind and cruel. It is kind as it provides livelihood to the inhabitants of the island.
Mary Wollstonecraft’s A vindication of the rights of women written in 1792 can be considered one of the first feminist documents, although the term appeared much later in history. In this essay, Wollstonecraft debates the role of women and their education. Having read different thinkers of the Enlightenment, as Milton, Lord Bacon, Rousseau, John Gregory and others, she finds their points of view interesting and at the same time contrary to values of the Enlightenment when they deal with women’s place. Mary Wollstonecraft uses the ideas of the Enlightenment to demand equal education for men and women. I will mention how ideals of the Enlightenment are used in favor of men but not of women and explain how Wollstonecraft support her “vindication” of the rights of women using those contradictions.
Mahfouz, as well as Said, shared a direct contact with the Arabian lifestyle because they grow up in that society. Mahfouz’s novel depicts the real world with the touches of the supernatural and mystic, but as a form of evil in the world not as exotic and uncivilized as the Europeans did. Mahfouz’s Arabian Nights and Days “takes new depths and insights as it picks up from where the ancient story ends” (Fayez 229). Mahfouz uses the Arabian Nights tales and Shahryar’s and Scheherazade’s society to portray the contemporary social and political issues of his people. Mahfouz aims to show various thematic concerns of the people of the East than the early versions left out.
Hosseini’s use of language, sin and redemption reveal to us the foundations of moral growth. As Amir ages, he experiences and grows to understands guilt and remorse. His actions and growth allow the reader to observe a journey of
Chapter iii Mary Wollstonecraft concept of education for women In this chapter we will be discussing Wollstonecraft concept of education for women. For Wollstonecraft education is very important for women as it will help them strengthen their mind and help them become a better mothers and wife`s. Wollstonecraft was a passionate advocate for education reforms. I would like to present the criticisms on Rousseau's ideas on education put forth by Mary Wollstonecraft in her political treatise "A Vindication of The Rights of Woman" (1792).
Rousseau believes that an educated woman is a threat to her husband and society as a whole. In fact, when describing the suitable partner for Emile he notes he would rather have a homely girl who has been simply brought up than a wit who would install herself as the president. Rousseau’s work was typical of the time as it was essentially a man’s world. What Mary Wollstonecraft argued was to extent the basic ideas of Enlightenment philosophy to women including Rousseau’s educational ideas of how to educate boys, to
This chapter provides a review of available literature on social issues in To the Lighthouse. The basic focus is on the social issues related to every character in the novel. Issues like feminism, marriages, death, vision, religious doubts, optimism, pessimism, materialism etc. The relative work is connected to the objectives of the study. Mrs. Ramsay uniting family, and Charles Tansley religious doubts and degrading women, and Lily’s painting, similarly the marriages of Victorian and Modern Age through the characters of To the Lighthouse, and at the end how they all deal and respond to all these different social issues.