Revision of “On Turning Ten” Essay
Growing up and living in the adult world requires responsibility, knowledge, and independence. A poem by Billy Collins, “On Turning Ten,” describes a young child as he attempts to grasp the concept of growing up and facing the harsh reality of adult life. The narrator uses a melancholy tone to argue that adult life is challenging, and the best way to cope with these challenges is to reminisce about young childhood memories.
The young narrator is convinced that adult life will not be much fun. The transition from the fantasy world of children to the adult world is “the beginning of sadness” (24). Although it is quite unusual to think that a ten-year-old would think this way, he recognizes that this transition
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He knows that “it is too early to be looking back” (8). The narrator is only ten years old and he thinks about the good old days when his life used to be simple. Reflecting on the joyful memories he had when he was younger is how he manages. He remembers, “At four I was an Arabian wizard. I could make myself invisible by drinking a glass of milk a certain way. At seven I was a soldier, at nine a prince” (13-16). He is overcome by nostalgia, thinking about how easy life used to be when he had a great sense of imagination floating around his head as a wizard or a prince. He was able to escape reality and be who he wanted to be with his childhood memories. Deep in thought, he describes “the perfect simplicity of being one and the beautiful complexity introduced by two” (10-11). As a child, it was effortless to enjoy the fantasy world, but as we grow older and experience hardships and problems life becomes more difficult. The “beautiful complexity introduced by two” suggests when we grow up, we have a deeper purpose of our existence. We have to mature by accepting more responsibilities, gaining knowledge, and seeking independence in our life.
To conclude, growing up and living in the adult life is strenuous. The narrator copes with growing up by reflecting on his childhood memories. The narrator is melancholy and is filled with woe as he says goodbye to his imagination and hello to the
Childhood never lasts forever. No matter who you are, where you come from, and who you think you are, age will catch up to you and tear you down like it has everyone else. Although aging is brutal, there is an incredible range of emotions throughout. A primitive way to differentiate the two is by happy and sad. These are not mutually exclusive and this is unequivocally displayed in the Song of Solomon by Toni Morrison.
Growing up is something that we all experience some time in our lives. Whether we eagerly await or stubbornly resist it, the coming of age is an inevitable and crucial time in our lives that builds up our character and personality. Correspondingly, in Something Wicked This Way Comes, Will Halloway and Jim Nightshade are both struggling to go through this transition as they face the temptation and evil that comes along with growing up. In the fantasy novel Something Wicked This Way Comes, Bradbury applies the theme of coming of age through the difference of mentalities, the change of self identity, and finally their approach to the world.
To be ignorant and naïve to the impure characteristics that plague the world is to live a life in a fictional bliss. The bliss will evaporate during the inevitable transition each individual undergoes from youth to adulthood. John Knowles’ characters in A Separate Peace make this natural progression towards adulthood by experiencing a series of internal changes. These characters show that becoming an adult requires growth and development as an individual, as well as broadening one’s self-acceptance. Becoming an adult entails a movement away from naivety toward a heightened sense of reality towards the world.
Eliezer, now fifteen-years-old looks at his reflection in a liberator’s mirror, the first mirror he had been given access to since he was twelve years old. Emotions overwhelm Eliezer as he sadly ponders, “From the depths of the mirror, a corpse gazed back at me. The look in his eyes, as they stared into mine, has never left me.” Eliezer saw a skeleton of the boy he once was. Three years of his life had gone by and in that time period, he had become unrecognizable to himself.
William Zinsser the author of “How to Write a Memior” gives three key phrases for writing a memoir. “Be yourself,” “Speak freely,” and “Think small.” This is a way to organize your memoir however you want it to flow. Walter Dean Myers author of “Bad Boy” follows these three phrases that Zinsser suggests by writing from a child’s point of view, freely but honest memoir, and vivid memories. William suggests that the best way to write a memoir is from a child’s point of view. ”
Coming to grips with reality as one matures of passage celebrated around the world. Many young children are given ceremonies to celebrate the advancement to adulthood. What these ceremonies do not show is the confusion and turmoil caused by coming of age. Rudolfo Anaya’s novel, ‘Bless Me, Ultima’, shows the constant conflicts of adulthood and childhood. Anaya conveys this idea with the constant fighting between his family, hypocritical advice given by authority, and the death of vital characters to show that blossoming isn’t a pretty process.
We often encourage people to actively pursue their happiness while also wanting to discourage them to escape from reality. However, avoiding your issues is also a way of pursuing happiness, even though this route will prove to be temporary. In the literary piece, “Horses of the Night” by Margaret Laurence, the author describes the story of a boy named Chris, who, due to his financial conditions, is forced to move from his home in Shallow Creek to dwell in Manawaka, in order to attend high school. Chris’ character is used to demonstrate the idea that individuals may escape from the miserable aspects of their lives in order to stay happy. Through the course of this work, you witness the changes Chris undergoes, through the eyes of his six-year-old cousin Vanessa, which ultimately lead to his downfall.
Likewise, individuals must recognize the innocence and virtue in life though it may be obscure. As Johnny describes it, “When you’re a kid everything’s new, dawn. It’s just when you get used to everything that it’s day” (Hinton
As children grow up, they tend to forget the stories that once made up their lives and look down upon what they deem as “child’s play”; however, these stories raise children where parents are not present. Fairy tales characters for children are the construction workers of the adult world, and as the children mature into adulthood, the gates of imagination are opened and the storybook characters morph into newspaper headlines; suddenly, the clock strikes twelve and the glitz and glamour disappear as the realization that “human nature is not innately good, that conflict is real [and] life is harsh before it is happy” (Tatar 306) sinks in. James Braddock, as he attends the ball, assumes the role of Atlas, holding the weight of the working class
Little kids dream of being just like their parents, playing house, and growing old with the person they love, but too soon the dreams of little kids die as they realize that the adult world is not just the love stories, the one parents tell kids, the ones about how they met and fell in love. The adult world coomes with things that daydreams never include. Responsibilities, work, worries, pressure, lies, isolation, manipulation, limitations, rules, competition, bosses, taxes, politics. Everything is getting worse and never
Childhood, like any other part of a person’s life, is only lived once. Once childhood becomes our past, as we all know, becomes a memory. To help the reader become more aware of how heartbreaking this fact may be. The authors E.B white in “Once More to The Lake” with the fact that you can never revisit the past, and Annie Dillard, in “An American Childhood,” through looking back at the past while remembering to be happy in the present. For E.B White in “Once More to The Lake” the lake he visits serves as a symbol of the past and present.
Blake’s Songs of Innocence and Songs of Experience demonstrate the individual perspectives between children and adults. While one is more joyous and innocent, the other is experienced and much less spontaneous (Bloom). A child’s perspective observes the world with innocent eyes and thinks about their desires rather than the reality. In other words, a child’s view is clouded by illusion while an adult would see the harsh reality.
With the novel being read from a ‘twelve’ year old whose history motivates his understanding, perception and interpretation of the events he encounters and interprets to the reader,
The adults within the book was so serious, so focused on work, so unreasonable, so strange. So I rephrase the first sentence and say; I am scared of forgetting what it is like to be youthful to the point I become a very, very strange adult. When I first found The Little Prince, I was probably six or seven. I thought that the book was about a prince who fell in love with princesses but when I tried to read and saw that that wasn’t
Personal Narrative As a blossoming adolescent at the innocent age of eleven, my most prominent concerns were sneaking makeup past my mother, adapting to the overwhelming ecosystem that was sixth grade, and figuring out which cat-themed T-shirt I would purchase with my birthday money. My twelfth birthday came and went; I had a small party at which my friends and I watched Napoleon Dynamite and ate pizza. The doorbell rang, and my father appeared with his new wife. I scarcely acknowledged his presence, accepted his gift, gave the obligatory hug and “I love you,” and then he was gone.