In the poem “Next, Please,” Philip Larkin compares religion to one among many “bad habits of expectancy” as a result of eagerness (l. 2). In the western society, the words “eager” (l. 1) and “expectancy” (l. 2) are positively connoted and perceived as good characteristics, however, Larkin creates an unusual tension by adding the words “bad habits,” foreshadowing the poem’s negative tone regarding religion (l. 2). From a sociological perspective, expectancies play a central role in society. They emerge from experiences and therewith gained knowledge in order to regulate uncertainties and contingency. According to this, expectancies have a behavior-controlling impact by recommending an appropriate behavior in corresponding situations. Likewise, …show more content…
18). “But we are wrong” is the shortest sentence in the poem and only consists of monosyllabic words, lacking any optimism regarding this hope. Larkin’s opinion of religion is bleak and merciless. The last stanza is filled with oppositions. Instead of a fleet of ships, there is “Only one ship” approaching (l. 21). The word “seeking” is significant as it points to the ship’s active search, opposed to the expected armada which wastes time (l. 21). Being “black-/ sailed,” this ship does not bring any goods but only death and darkness, accompanied by poignant grief (l. 21-22). Moreover, it is “unfamiliar” (l. 22). The negated prefix indicates that this ship is not part of our related family, no one was waiting or looking out for this one. The “huge and birdless silence” indicates the inevitability and permanence death as huge nothingness (l. 23). This silence is stressed by the regular rhyme scheme abab and the remarkable shortened final line of each stanza, stressing the absence of words. There is neither afterlife, nor words, nor music which is rephrased in the final two lines “In her wake/ No water breed or break,” reflecting the clear negation of religion (l.
The clinging to the death garments- The rigid embrace of the narrow house- The blackness of absolute night- The silence like a sea that overwhelms- The unseen presence of the conqueror worm. 2.
The last line of the stanza, and poem, repeats the same structure of the previous stanzas’ last lines, it is shorter the other lines of the lines in the stanza and it finishes the sentence started in the second line. The last line of the poem brings in another element, water “by unwilling waters”. (155). Water is the opposite of the other fire, but not necessarily the opposite of destruction, the theme throughout the
Long as morning rose and the favored day developed more grounded we stood and fended them off, massed as they were, yet at that point, when the sun wheeled past the hour for unyoking bulls, the Cicones broke our lines and beat us down finally. Out of each ship, six men-at-arms were slaughtered; whatever remains of us paddled far from certain fate. From that point we cruised on, happy to get away from our demise yet wiped out on the most fundamental level for the dear colleagues we had lost. In any case, I would not give our moving boats a chance to set sail until the point when the teams had raised the triple cry, saluting every poor friend chop around the furious Cicones on that plain. Presently Zeus who masses the stormclouds hit the armada with the North Wind a yelling, satanic storm, covering over in thunderheads the earth and ocean on the double what's more, night cleared down from the sky and the boats went diving fast on, our sails sliced to clothes by the sea tempest's impact!
The tradition of following particular notions and dogmas in our culture shape our role as individuals in society. In Shirley Jackson’s short story “The Lottery” we are introduced to the destructive influence that unchallenged or unquestioned dogma has on an entity's life and death in a community. In this paper I will engage in textual analysis with the purpose of demonstrating and comparing how Salman Rushdie’s outlooks of organized religion and its effect on society in his essay, “Imagine there’s No Heaven” compares to those implied in Jackson’s short story. “The Lottery,” conveys the argument of the endangerment in thoughtlessly following rituals in cultural society.
For the word "Death" also known as in negative term means losses that no one wants to meet with him. He also uses ironic diction. There are three stanzas; six, eight, and ten lines. Including to rhyme scheme throughout each stanza.
“Do Not Go Gentle Into that Good Night” is a poem written by Dylan Thomas at the time when his father was at the brink of death. The piece is actually a villanelle where it consist of six stanzas, each with three lines except for the sixth stanza which has four lines. The rhymes on the first until fifth stanzas are aba, aba, aba, aba, aba. While, abaa is the rhyme for the last quatrain stanza. Thomas died a few months after his father, it is believed that this poem was written by him especially for his father.
Retrieved from http://www.jstor.org.ucc.idm.oclc.org/stable/1465226 Hinnells, J. R., 2010. The Routledge Companion to the Study of Religion. In: J. R. Hinnells, ed. The Routledge Companion to the Study of Religion. s.l.:London ; New York : Routledge, pp. 5-19.
As life persists, humans continue to make the same mistakes that we have been making for many years. The poem “Evening Hawk” by Robert Penn Warren is about the continuous errors of humanity, which is forgotten in the past, as death keeps approaching and society progresses. The poet uses imagery, diction, symbolism, and other figurative language devices throughout the poem to convey the dark mood and deeper meaning of history and death in the poem. The poem begins with a beautiful scene of the vast mountains and a hawk flying through it.
The imagery is also used to prepare the reading for the end with the line “the air was damp, the silence close and deep”. This line showing that death was near and soon after finding this Myop comes across a dead
Gwen Harwood’s poems ‘At Mornington’ and ‘The Violets’ mirror ideas of circulatory nature of life and relationships between contrasting themes. Through images and references to certain motifs, two distinct stories and journeys are reflected, ‘At Mornington’s’ journey of life and death, and ‘The Violets’ story of the squandering of opportunities. The portrayal of certain voices and the displaying of contrasting ideas, the two poems have both similar and dissimilar aspects. Gwen Harwood uses two contrasting personae’s in ‘The Violets’ and a broadening, progressive voice throughout ‘At Mornington’ to reflect the journey of both narrators. Through the use of first-person narration, ‘The Violets’ emerges with a cold, brittle attitude emphasised through short, sharp sentences.
It contains a total of fourteen lines, has half rhymes, has internal rhymes (‘bride/’died slept’/’wept’), and takes on the form of iambic pentameter. It is written like it is in a form of
This line is intended to demonstrate that although the poet
However, after reading the first stanza, it is evident to the reader that, there is oppression in the air. The first stanza reads that, “Dawn in New York has four columns of mire and a hurricane of black pigeons splashing in the putrid waters,” and this is clear to the reader that, the New York Dawn is not a normal dawn and that life in New York is despondent. According to the writer, the dawn does not come with something to smile about. After reading the poem, we realize the writer’s reason for entitling it as such.
“’Tis some visitor,” I muttered, “tapping at my chamber door— Only this and nothing more.” “meaning there was just noise or so it would seem... And the poem concludes “Perched, and sat, and nothing more.” Leaving it undefined to allow us to define nothing more.
Throughout the poem Erin depicts poetry as well put together and thought out. However what the point of the line is truly depicting is the exact opposite. Erin uses the word poetry to contradict the idea of her message, that people are not perfect. With this comparison the reader takes away a message of hope. The idea that noone is perfect no matter how hard they try.