Research Paper On Dracula

1911 Words8 Pages

Denise Baltazar
25 April 2016
English 100
Professor Nava

The character of the Count Dracula has attracted people for quite a long time. Bram Stoker's original work, Dracula, started a whirlwind of stories about vampires and a close faction taking after of vampirism that keeps going till this day. Producers have additionally been tempted by these great stories what's more, many movies have rotated around the vampire mythos. However, unpreventably, these movies are moved back to their exemplary origination—Dracula himself. Works of art like
F.W. Murnau's Nosferatu in 1922, and Tod Browning's 1931 Dracula, featuring Bela Lugosi, have solidified the character as a true to life symbol since the most punctual days of film. Tally Dracula, …show more content…

In Dracula, the greater part of the dead are allowed the unparalleled peace of salvation—just the "Un-Dead" are banned from it.
Blood capacities from various perspectives in the novel. Its first say, in Chapter III, comes when the tally tells Harker that "blood is too valuable a thing in nowadays of despicable peace; and the –glories of the colossal races are as a story that is told." The tally gladly describes his family history, relating blood to one's lineage—to the "considerable races" that have, in Dracula's perspective, shriveled. The number anticipates the happening to a war between heredities: between the East and the West, the antiquated and the cutting edge, and the abhorrence and the great.
Later, the portrayals of Dracula and his flunkies nourishing on blood propose the trading …show more content…

Consequently, the sexually forceful ladies in the novel must be annihilated.
Arthur Holmwood covers a stake somewhere down in Lucy's heart with a specific end goal to murder the evil spirit she has ended up and to give back her to the condition of immaculateness and purity he so values. The dialect with which Stoker depicts this vicious demonstration is unmistakably sexual, and the stake is an unambiguous image for the penis. Along these lines, it is fitting that the blow originates from Lucy's life partner, Arthur Holmwood: Lucy is being rebuffed not just to be a vampire. Work Cited
Stoker, Bram. Dracula. Oxford: Heinemann, 1992. Print.
Bram Stoker’s Dracula. Dir. Francis Ford Coppola. Perf. Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves. Columbia Pictures, 1992.
Clarke, James. Coppola (Virgin Film). London: Virgin Books, 2003.
“Dracula: Bram Stoker.” Rev. of Dracula. SparkNotes. 2 July 2008.
Schumacher, Michael. Francis Ford Coppola: A Filmmaker’s Life. New York: Crown Publishers,1999.
Stoker, Bram. Dracula (Enriched Classics Series). New York: Simon & Schuster/Pocket,

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