Rhetorical Analysis Of Why I Want A Wife

Brady uses words and various rhetorical elements to bring more awareness towards the feminist movement towards readers. In the essay, Brady establishes ethos by allowing the readers to know that she is a housewife with the first line, “I belong to that classification of people known as wives.” Throughout the essay, Brady uses irony and sarcasm to show the absurd standards that women have to meet in the household, “I want a wife to go along when our family takes a vacation so that someone can continue to care for me and my children when I need a rest and change of scene.” Brady successfully delineates her criticism of societal expectations of housewives by their husbands through her use of words. She effectively crafts her thoughts into words that make the goal of creating equality between females and males more

In the end of the article Brady uses a rhetorical question, explaining that the wives are the ones who do all the work: “ My God, who wouldn’t want a wife?” (230). Her reference to this quote uses pathos because the rhetorical question adds humor into the thought of why she wants a wife; Judy uses pathos to put the reader at ease and to suspend judgment. Another example of pathos is in Paragraph 8 “ I want the liberty to replace my present wife with another one” (230); this statement is more of a ridicule than humorous. Pathos is the emotional appeal based on their feelings.

“I Want a Wife” Rhetorical Analysis In an essay by Judy Brady, the author asserts that husbands (men) expects their wives to cater to their every need; therefore, she too wants a wife to do the same for her. Brady supports her claim first by explaining how a wife should keep track of household duties; second, by explaining how the wife should take care of physical needs; and third by explaining how a wife must satisfy sexual needs. Brady’s purpose is to illuminate the hardships of the perfect wife in order to raise consciousness for women's equality and create social change in American society. Based on her purposeful use of anaphora, catalogue, and pathos, Brady is writing for the feminist community of 1972 so that they may speed the word

The authors use of figurative language also attributes to her argument. She uses Anaphora, Irony, and hyperbole the most to support her claims. Brady uses anaphora when she repeats the words “I want a wife”. She uses anaphora to distinguish the egotistic side of men who think that there wives will do anything for them. Brady’s repetition of words makes her ideas more dense and allow the argument to be shoved right into the readers face.

In the 1950s women on TV and in the household were supposed to take care of all domestic work and leave important decisions about their future to their husbands. Many women took issue with this doctrine and by the time the turbulent year of 1968 happened the “Women’s Lib” movement started to gain support for more freedom in women’s lives. Once this happened women had independence from men and any other impediments, but in modern TV shows the narrative is about the current problem of how women live without slipping back into the lifestyles of the 1950s. Throughout the years of women on television there have been shows that demeaned their place in American culture, but there have also always been shows instilled with feminist undertones (Mittell 336). Television today has many models of strong females, like the shows that Shonda Rimes produces, but it stills need to continually look forward and not back on the role of women in American

By using logos in her essay’s, Mairs is able to further describe the effects of standards have on women, including herself by stating in her quote, she’s spent most of her life suffering from not meeting the standards set for her. The use of short and long sentences in her essays help the rhythmic flow describe what it’s really feel like to fall short of standards people have set for

Another technique that was used is when she parodies the way traditional families’ wives take on the names of their husband. In the story, handmaids are named “Of” plus the name of their commander, criticizing how changing the surnames makes it seem like the men are the owners of the women. The way these issues were satirized in the story are effective because of the role of the main character. It would be difficult to not sympathize with a victim of a totalitarian society that oppresses women to a much greater extent than to that of men. It is important to remember that the purpose of creating dystopian literature is not to prophesize but to warn us of what could

Women during Edna’s time were supposed to be dedicated to their husbands and children, however, Edna yearned for her own independence, and as a result of wanting her own independence Edna knew that she was seen as a terrible person. For instance Edna wanted to “…try to determine what character of a woman I am; for, candidly, I don't know. By all the codes which I am acquainted with, I am a devilishly wicked specimen of the sex. But some way I can't convince myself that I am. I must think about it" (27.4).

I Feel Bad About My Neck and Other Thoughts On Being A Woman is a humorous nonfiction written by Nora Ephron. Nora wrote about the things that she hates and the struggles of being a woman. As she has gotten older in time she has realized that being a woman is not that easy. Being a girl, I liked it because it is something that all women at some point in their lives will be able to relate to and it suggests that women deserve more credit for what they do. The author, Nora Ephron, starts and ends each section with the things that she does not like about being a woman.

She is trying to prove her point that a women has to deal with all these struggles that death would bring more happiness. There is only so much a person can take before they finally give up. Marge creates that image in the reader's head about how messed up society can be. This girl had lost her life, so no one would be able to judge her. That's what happens today too people end up giving up because the pressure of being the perfect man/women is too

She herself doesn’t realize it until it’s too late. This character is very naïve and it is going to get the best of her. To start Oates guides the reader to empathize with Connie by showing us how her mother speaks to her in a way that is emotional abuse. For instance, in the book it states “her mother who noticed everything and knew everything and who hadn’t much reason any longer to look at her own face scolded Connie about it” “stop gawking yourself who are you?”

The role of a woman in society has always fit into a perfect box. Women were expected to be the dutiful wife, loving mother and housekeeper for her family. Betty Friedan wrote The Feminine Mystique, in 1963 hoping to unveil the truth behind women’s thoughts about their role in society. Friedan exposed that things were not always, as they seemed for the average mother and homemaker in the 1950s and 1960s. Kate Chopin wrote The Awakening in the 1850’s which told the story of Edna Pontillier and her struggles as a housewife and finding her true identity.

Over the years there have been many movies that have come out were characters either fall in their gender roles or they step out of their gender roles. When movies first came out, filmmakers usually made movies where characters within the movie had typical or traditional gender roles. The reason that they did that was because they wanted to present viewers with characters they can easily recognisable and relatable to, by portraying a conventional image of a person or group of people with identifiable characteristics. There are many examples of this.

This advertisement was most likely published around the 1950’s. Women was supposed to fulfill certain roles during the 1950’s. The perfect wife was supposed to stay home and have dinner ready and on the table for when her husband arrives home from work. The advertisement says a lot about how some men may view their wives and many women who always had need for a man. Women would more than likely be shown doing the “nonworking roles of the home” then a man would.

Society explicitly molds a façade of conformity which aids in the direct manipulation and social castration of the individual, those with free spirits defiantly choosing not to fall victim to societal convention. Consequently, history is tainted with the continuous oppression of particular groups, a prominent one being women. The role of women in society has been purposefully dictated in order to maintain this false sense of societal uniformity. Furthermore, women have been subjugated to submissive roles in which any deviation from these predetermined standards labels an individual as an outlier. Specifically, in Kate Chopin’s