If you listen to jazz today, you will hear expanded musical harmonies, musicians playing more complex chords, and musical harmonies borrowed from many different genres of music, including pop. Many new, mainstream jazz as artists use the same techniques that artists from the early 1900’s used. Joseph “King” Oliver was the father to many of these techniques, which changed jazz and the way we hear it today. During the 1920’s, Joe “King” Oliver was the most progressive and influential artist in jazz because of his musical innovations that influenced other jazz artists to incorporate his methods,which sparked a new type of jazz. Jazz was first born in New Orleans and eventually moved to Chicago.
Duke Ellington was a very famous pianist and composer as well as a bandleader of early to mid-20th century. Duke Ellington was not only known for having been a notable Jazz player, but also for having had a significant sound that made him stand out among other players in front of his audience. His use of rhythms and melodies in a blended manner allowed audiences a new experience to truly feel and comprehend the beauty of Swing music. Glenn Miller was a big band musician, a songwriter and composer. He is most famous for having done the most known arrangement of the famous Jazz song, In the Mood.
During this time period he start to work with a pianist named Bill Evans, who collaborated with Davis to make the sub-genre of jazz know as Modal Jazz. Modal Jazz focuses on using scales that are different from standard major and minor scales. Another unique factor of Modal Jazz is that it often uses unchanging harmonies throughout the entire song (Yudkin, Jeremy. “An Analysis of Miles Davis's Kind of Blue.”). With the development of this style, Miles Davis and Bill Evans created one of the most famous jazz albums of all time called “Kind of Blue”.
Louis Armstrong shaping scat singing to make it achieve posterity Louis Armstrong (1901-1971) is surely one of the most famous and incredible jazz singer and trumpet player. He influenced widely, and still does, jazz music. But there is something that only jazz specialists or some aficionados know: he actually reinvented a brand new genre of vocal jazz, the scat singing. And I said “reinvented” on purpose. Indeed, though Louis Armstrong 's recording Heebie Jeebies in 1926 is often cited as the first song to use scatting, there are some earlier examples of artists ' pieces of work that could be considered as premises of scat singing.
Jazz is often associated with blackness and slavery. Unsurprisingly, several jazz musicians follow the ideals of Afrofuturism. According to Davids article in 2007, Sun Ra is one of the best examples within the jazz genre. His music shares a lot of the post-human ideals. The ideas of space, the post-human, dehumanization and the future are present in his music, both in his lyrics and in the accompaniment (David, 2007).
Women were expected to purchase goods that they had not previously been expected to, many of which revolved around jazz culture, like cosmetics, dancing garments, musical instruments and radios. Along with this, jazz and dancing were becoming increasingly popular. Jazz began with African-Americans, but it became popular with middle-class white Canadians soon enough. Jazz received harsh criticism in its beginning in the US, due to racism. Aside from prohibition, one of the reasons many African Americans turned to jazz was that is was a
He became one of the pioneers and even titled as “the King of Jazz” in the Philippines. He is an entertainer who came back to the Philippines, returning with his newfound love for jazz along with him and formed his own group with the love and passion towards Jazz music, soon after it, it ushered its way to the golden age of jazz in the country. Pinoy Jazz and its predecessor, Bodebil, has mirrored its African-American origins, and that it was a catharsis for a struggling people. It became something that expressed the thoughts and emotions of the Filipinos. It became a medium for Filipinos to vent out their frustrations on the new government, the new situations, and the new world.
Gioia describes this duality as the two Harlems. Harlem was simultaneously a cultural capital and a slum, both of these elements would contribute to the development of jazz in New York. The piano took center stage in Harlem. The instrument could be seen in the homes of the wealthy as well as the rent parties of the poor. The piano served as the cultural bridge between the jazz played by more affluent African Americans and the ragtime brought over by the poorer southern African Americans who had recently migrated to New York.
The musical styles of each are the results of the collision of traditionally African rhythms and musical techniques with European classical and popular music genre. Each are adored American styles of music. Miles Davis “So What” and Robert Johnson’s “Cross Roads Blues” have some similarities and some differences. Miles Davis “So What” is Modal Jazz, used whole band tenor Saxophone, Alto Saxophone, Piano, Drums, trumpet, bass, and emphasis on melody and rhythms whereas Robert Johnson’s “Cross Roads Blues” is Delta Blues, used only slide guitar and vocals in his track (solo), and defining Racism, phobia and violence. The precise origins of each jazz - blues are quite covered.
Music Essay Aaliya Shafi 7B Jazz Rock 21/1/2017 Jazz-rock may be known as the loudest, wildest bands from jazz camp. This is also known as Jazz-fusion as a musical genre, which was developed, in the late 19’60s and the early 19’70s. This was when artists merged different characteristics of Jazz harmony, and improvisation with styles such as: rock, funk, blues and Latin Jazz. Different artists started experimenting and trying out electrical instruments for the very first time. Jazz-Rock is quite different from earlier Jazz in a number of ways: • Jazz’s rhythm is renowned by its “swing”, while on the other hand Jazz-fusion is more based on eighth or sixteenth note rhythms.