Song Analysis Of Aint No Mountain High Enough

Such as funding in our educational system and the importance of extracurricular activities. Even though this song was written more than ten years ago, it still remains pertinent. The artist mentions issues we face on a daily basis, “Same-sex marriage in a state where they don 't care. Murder is wrong but the jail time 's not fair. Not to mention date rape, felony, and car theft.

Transcendentalism in Country Music What is the message that an artist is trying to send when they write or sing a country song? Though some country songs seem to be filled with lyrics about girls, alcohol, and trucks, many deliver words that suggest a more free and truthful way of life. Although songs of all genres can be pointless and dumb, many artists portray their transcendentalist thoughts through their music. Ideas such as self-reliance, importance of nature, and nonconformity have unceasingly continued to appear in the lyrics of many Country songs and can be identified in hits including “Wide Open Spaces” by Dixie Chicks, “I Hope You Dance” by Lee Ann Womack, and “Real Live Woman” by Trisha Yearwood.

Her inner self craves for freedom to drive past and achieve something. She envisions her song as a luxurious Cadillac, where she now wants a materialistic world. She is in her imaginary world until the heat of the urn in her hand bring back her to reality, where she starts comparing to her real life, hallow and vapid. She attempts to find comfort in her room, as she says “coffee cruises my mind visiting the most remote way stations, I think of my room as a calm arrival each book and lamp in its place.” She starts to reflect her possessions and the security they give her and what they represent in her life.

The five song playlist that I chose is Fireworks, Set fire to the rain, The way, Love the way you lie and Firestones. All of these songs relates to the novel in different ways.

When African Americans sing Gospel music, it comes from deep within. It comes from the soul and from experience. It is thus, this experience of Gospel music by African Americans that I will discuss

In a society where songs with meaningless lyrics and repeated phrases gathers the most publicity, it is surprising to find songs that exhibit meaningful lyrics and thoughts. Unlike most hip-hop songs that contain useless repeated lyrics, Kanye West’s 2008 hit “Heartless” contains lyrics full of meaning. After producing this song, he was starting to approach the zenith of his career. This song became an instant hit for not only its soothing beats or sounds, but for its impactful lyrics that take the listener multiple attempts to really understand. This song tells the story of a tragic breakup between two individuals that cannot seem to get along.

LaPlante’s overture is based on Daniel Emmett’s “De Boatmen’s Dance,” a ninetieth century minstrel song that celebrates the boatmen of the Ohio River. Emmett, an Ohio native, is also credited with writing thirty minstrel tunes, including Old Dan Tucker and Dixie. Minstrel songs, the first American-born music genre, signaled the start of a prolonged tradition of African-American music being appropriated for mainstream audiences. Touring minstrel shows, which afforded audiences in various regions of the country exposure to the same music, propelled the development of American popular music in the nineteenth century (Cox, 2011). Although minstrel shows were advertised as authentic versions of African-American music, white northerners composed

The lead singer talks about how he tries to satisfy and be their for his significant other, but that doesn 't stop them from being disrespectful and rude. The beat of this song helps to show readers the frustration Pattyn had toward her father. The harsh tempo helps demonstrate how rebellious Pattyn is feeling and how fed up she is with being ignored and abused. When Pattyn is at her place of residence, she feels very alone unless she talks to her sister Jackie.

This is a wonderful song that represents transcendentalist

I did not understand the meaning of the lyrics being sung, or better yet screamed. The rhythms and melodies’ did not come across as pleasing as Disney songs, and they definitely did not carry my imagination to an enchanted world. During my youth, Gospel music was something I became a fan of, only because of the fact that I looked up to my grandma; I wanted to be just like my grandma and becoming a fan of Gospel music made me feel as if I was closer to being just like her. I was a big fan of the music my mom listened to: country and pop. It was something that brought my mother and I together.

Audience People listen to music to have fun and relax along with many other reasons, but this song is different from what other music is like. It teaches a lesson to the audience, how to be kind to each other and how to not be mean or mad at each other, also

An important aspect of both music and communication is making your thoughts relatable. Making something relatable will allow your audience to connect and care about it more knowing that they have felt similar things. Everyone has regrets and think about the past, lost loves, and reminisce about the good ole days of our past. Nostalgia is a powerful tool utilized by artist typically to provide listeners with memories and allow them to empathize with the work. This song makes me reflect on a time where I once made a mistake with someone I was romantically interested.

Whitney Houston’s iconic acapella opening to the song is what catches her listener’s attention. This is when Whitney begins to build the dynamic of the song after the first chorus, when the song shifts into a stronger and bolder feel. She then begins displaying her uplifting and powerful vocal abilities. Whitney is known in this song for her capability to hold certain notes throughout her performance. Unlike Dolly, who was calm, Whitney is crying out and declaring her love.

Within the first section of the theme, Fisher Tull displays the trumpet’s wide range abilities. Not only does the first measure of the solo trumpet’s entrance covers a scale of over a fourteenth (one octaves plus a minor 7th) , the first section of this works also requires the trumpet to cover over two octaves in a relative short period of time. In addition, Tull’s use of extensive phrases makes this theme unique. Throughout the theme section Tull does not rely purely on the standard eight-bar phrasing practice. The climax of the main thematic material from the theme section can be interpret as a thirteen-bar phrase.

The second stanza uses the imagery of the trumpet player’s “tamed down / patent-leathered” (12-13) hair, to represent the forced “tam[ing] down” of African Americans and their culture. The third stanza includes two metaphors using alcohol to characterize the jazz music as soothing like “honey” but energetic and forceful because it is “mixed with liquid fire” (19; 20). The music’s energetic and powerful rhythm is characterized by “the rhythm [...] is ecstasy / distilled from old desire–“ (21-24). The concept of social immobility resulting from social inequality is exemplified in the fourth stanza by the disparity between “The Negro[‘s]” “Desire / that is longing for the moon” and the reality that his “moonlight’s but a spotlight,” and the moon a “[moon] of weariness” (1; 25-26;