Throughout life, evolution, or change, becomes the center of each day as people overcome many different obstacles. Literature, such as in Thomas Hardy’s poem, “The Ruined Maid” and Karen Russell’s, “St. Lucy’s Home for Girls Raised by Wolves,” often upholds the same idea about change. In Hardy’s poem, two country girls simply conversate about the times they were apart to emphasize how ‘Melia changed in the city, yet she kept her same individuality. On the other hand, Russell displays through her writing more obvious change as girls were trained by undergoing five different stages as a way to teach them how to conform to new environments while remembering who they were at the beginning. Both authors illustrate the importance of change while hanging on to one’s roots, but Hardy uses a naive tone to create tension between the two girls while Russell uses an abundance of symbolism to represent each stage of change. A country girl’s reputation often holds high value in her heart which builds a foundation to create tension through small things. In “The Ruined Maid,” the conversational poem between two girls that grew up alongside each other establishes a new view they have of each other over time away …show more content…
Change is needed to ensure to future of world lies in good hands whether the change is from a societal change or from an environmental change. Hardy and Russell seek to reveal the significance of transformation while clingy to one’s origin through their literature. As they take opposite approaches, Hardy uses the naivety of a country to question ‘Melia’s change from the Town and becoming ruined, or of prosperity. Through the conversational poem, tension grows as ‘Melia’s reminded of all she left behind before going to the Town. With contrasting elements, Russell uses symbolism through characterization and the stages portray change is possible while remaining true to one’s first
In the satire fiction story “St. Lucy’s Home for Girls Raised by Wolves” by Karen Russell a pack of wolf-like girls attempt to transition to human life while being at St. Lucy's home for girls raised by wolves. In the text we see the point of view of Claudette, one of the wolf girls. We follow her as she learns to dance, eat, and even when her sister, Mirabella, gets kicked out of the program. There are also conflicts within the pack as some girls progressed faster than others such as Janette who is a very fast learner. Through the story we are faced with the question of if the girls would be able to adapt to human society and evolve skills needed to thrive in their new life.
Women’s Issues in the Past In both Trifles and A Doll’s House the reputation and appearances of the two women are examined within nineteenth century marriages. The men believe that the women only focus on trivial matters. These two poems are so powerful because of the metaphors, emphasis on gender roles, and tone the narrator uses to convey the way women were treated in the nineteenth century.
There are many literary devices used across stories. Color imagery is one of these literary devices that is used when colors give objects a symbolic meaning. In the short story “St. Lucy’s Home for Girls Raised by Wolves” by Karen Russell, girls who have been raised as wolves are thrust into the unknown as they are forced to adapt to human society. Their childhood was spent living with wolves, however they are taken in by nuns of St. Lucy’s who attempt to assimilate them into the human world through different phases. Throughout the story, color imagery is used to emphasize the key theme of unity, establish the conflicted tone, and metaphorically develop Claudette’s character.
In Karen Russell's short story, “St. Lucy’s Home for Girls Raised by Wolves”, a pack of wolf-girls are sent to a church to transform them into human-girls. As they journey through their transformation there is a guide called, The Jesuit Handbook on Lycanthropic Culture Shock that helps the nuns running St. Lucy’s. The book describes the transformation in stages to help determine the girls’ place as a human. Claudette, the narrator, arrives at St. Lucy’s with her pack to begin their transformation. She struggles through most of the stages, but succeeds in only a couple of them.
The idea of transformation has long been a well-used theme in Western literature. Popular examples include Ovid’s Metamorphoses and Virginia Woolf’s Orlando: A Biography. The following essay hypothesizes and analyzes the multiple award-winning movie The Silence of the Lambs produced in 1991 and the poem Lamia by the famous Romantic poet, John Keats based on the research question: Transformation of physicality in The Silence of the Lambs and Lamia. Previous researchers have presented and described content-based moments of physical transformation in both texts, “This will be the nearest Gumb will come to metamorphosing into a woman: by making, and wearing, a suit of female skin.”
In “St. Lucy’s Home for Girls Raised by Wolves”, Claudette, Mirabella, and Jeanette is taken to a foreign place to adapt to human nature. They are taken through the process of 5 stages of becoming human. Claudette, the speaker of the story, is stuck between two faces, the human and the wolf face. While Claudette is in between these two worlds, she has fully conformed from wolf to human. She has completed the transformation from wolf to human because her own mother doesn 't recognize her, trying to make herself seem more like human, and not even caring about her own fellow wolf mates anymore.
Karen Russel’s narrator, Claudette in the short story “St. Lucy’s home for girls raised by wolves” has a guilty hope that she fails to adapt to her new human culture and exhibits her instinctive wolve traits showing that Claudette has not successfully adapted to the human culture. Claudette wishes to adapt to the human culture but has a difficult time accepting it. The St. Lucy’s home for girls raised by wolves is for girls to learn the human culture. The faster the girls go through the stages, the faster they have adapted and accepted their new culture and can be released. While Claudette acts as if the human culture is growing on her
The vivid imagery contrasts considerably with the speaker’s identity, highlighting the discrepancy between her imagined and true personas. The speaker undergoes a symbolic transformation into a boy, but in order to do so, she must cast away her defining features as a woman. One way she does this is by repositioning
Kelli Raque Ms. Stout Creative Writing 26 April, 2023 TW In St. Lucy’s Home for Girls Raised by Wolves by Karen Russell the reader follows a collection of short stories told by many perspectives. From the four that the class read there are many literary devices used, one that really stuck out was how she decided to tell the stories and who told them. Russell uses point of view effectively throughout a lot of her stories, by making the narrator a younger kid telling the story it helps provide to the magical realism in the book and also lets the readers have different interpretations of the story and debate if it's all real magic or just the magic of childhood. In the short story Haunting Olivia the story is told by a young boy named Timothy
Life has been and will continue to be full of changes. From the time humans are born, their bodies, their minds, and their surroundings will be at a constant transition. It is inevitable. Change can be sad and hard to go through, but it should never be something that someone is ashamed of. Lisa Parker conveys change frequently in her poem “Snapping Beans” through imagery, similes, internal monologue, repetition, and foreshadowing.
In the story, “St. Lucy’s Home for Girls Raised by Wolves”, the author, Karen Russell, uses feral diction to establish that although people strive for perfectionism in their lives, people cannot become someone or something that they are not, thus causing a loss of identity. Russell uses feral diction in “St. Lucy’s Home for Girls Raised by Wolves” to prove that people cannot change who the are. For example, Kyle tried to talk to Claudette, but just succeeded in annoying her instead. Claudette immediately reacted and, according to the story, “I narrowed my eyes at Kyle and flattened my ears, something I hadn’t done for months” (249).
In the short story, “St. Lucy’s Home for Girls Raised by Wolves,” written by Karen Russell, a pack of wolf girls leave their home in the woods for St. Lucy’s in order to be able to live in human society. Within the story, Russell has included epigraphs before each stage from The Jesuit Handbook for Lycanthropic Culture Shock. This handbook was for the nuns at St. Lucy’s to help guide their students. Karen Russell included the epigraphs, short quotations at the beginning of a chapter intended to suggest a theme, from the handbook to help the reader understand what the characters might be feeling or how they will act in a certain stage. In Stage One, the epigraph closely relates to the characters’ development, yet doesn’t consider that the girls could be fearful in their new home due to interactions with the nuns.
In Karen Russell’s short story, “St. Lucy’s Home for Girls Raised by Wolves”, she develops the progression of the characters in relation to The Jesuit Handbook on Lycanthropic Culture Shock. The characters, young girls raised as if they were wolves, are compared to the handbook with optimism that they will adapt to the host culture. The girls’ progression in the five set stages are critical to their development at St. Lucy’s. The author compares Claudette, the narrator, to the clear expectations the handbook sets for the girls’ development. Claudette’s actions align well with the five stages, but she has outbursts that remind her of her former self.
Some poems are lengthy, and some poems can be very short, however when analyzed, they all express a deeper message. For example, when examining the poem, "The Changeling," by Judith Ortiz Cofer, the reader can easily spot the important message which the author is trying to reveal to the reader through the use of poetic devices. When closely reading this poem, the language and the terminology applied by Cofer enhances the readers ability to make connections between the theme of this poem and how it can be applied to real world scenarios. The poetic devices incorporated into the poem, "The Changeling," reflect on how young children interpret gender roles in their own way.
Change is an inevitable force in which nothing stays still – life is in constant motion and we are changing right along with it – whether it is in reality or fiction, change is an ever-occurring element. In light of this, looking at fictional pieces, The Bath, by Janet Frame and The Elephant, by Raymond Carver, we can see change at work and its effects on the narrator’s lives. Whether it is in their physical or mental well-being or their current situation, it is unstoppable but not uncontrollable.