Summary Of Stereotyping In Zoot Suit

Racial tensions in Los Angeles came into the public eye when a gang of sailors beat up a group of Mexican-Americans wearing “zoot suits” in June of 1943. This led to the mass incarceration of these individuals known as “pachucos”. This initial incident was followed by days of violence in which servicemen roamed the Los Angeles area and physically assaulted any Mexican American they found in zoot suit apparel. The following two nights, the attacks progressed and though a few sailors were arrested while others were warned not to proceed in further assaults, word of the rioting spread and more military personnel from other areas of the city joined in as well. These events were preceded by increased racial tension between Mexican-Americans and Anglo Saxons.

Do you have a neighbor that you really just don’t like? In 1600’s Massachusetts, there was a solution! You could tell everyone that they were a witch. Sure it might ruin their life, but hey, they’re out of yours. The Salem Witch Trials were a series of trials that occurred during Colonial America where many people, mostly women, were falsely accused of and wrongly punished for performing witchcraft. There is a well documented history of these accounts, including the causes, the results, and similar cases throughout history.

From our previous film showing, High Noon, we got a taste of how the Western genre portrayed Chicano/a characters. The late 1970’s saw a decline of the western, and “with the decline of the filmic western came the rise of the urban violence film” (Cortés 134). The 1980’s and 90’s saw film after film released portraying gang violence, and the Latino gang film was a “natural crossroads for sex, violence, and ethnicity” (Cortés 135). Some see these Latino gang members “as updated, modern variants of the Mexican bandit type” (Treviño).

The 38TH Street Gang got into a fight, in which a young man gets murdered. The 38th Street Gang wore zoot suit; they were being discriminated for what they were wearing. Around 20 members in the gang were placed in trail for the murder. The play demonstrates Henry brother being beat and unvarnished of his zoot suit. “They play emergence of a Chicano identify from a history of discrimination and oppression” (Aaron). What is amazing about this play is that it validates on political and historical events that the audience can have knowledge and a perspective of how people were treated. The play uses Chicano culture. A zoot suit is high waisted zoot suits. The characters in the play were mainly focused on Henry Reyna his family, George Shearer who is a Lawyer and Alice Bloomfield who is an active, a secretary of the defense committee and who Henry Reyna has a romance with. Zoot suit by Luis Valdez brings historical facts, such as the term Pachuco which is a reference to a Mexican

The immigrants entering the United States throughout its history have always had a profound effect on American culture. However, the identity of immigrant groups has been fundamentally challenged and shaped as they attempt to integrate into U.S. society. The influx of Mexicans into the United States has become a controversial political issue that necessitates a comprehensive understanding of their cultural themes and sense of identity. The film Mi Familia (or My Family) covers the journey and experiences of one Mexican-American (or “Chicano”) family from Mexico as they start a new life in the United States. Throughout the course of the film, the same essential conflicts and themes that epitomize Chicano identity in other works of literature

Code Talker by Joseph Bruchac is a book centered around the Navajo Indians in WWII. The Navajos were forced to live on reservations, their only option to further their education and broaden their opportunities were to leave the tribe or to join the military. Caucasian Americans at the time were very stereotypical towards the Navajos, they believed they were drunk, uneducated, wild savages. Caucasian Americans were guilty of only hearing a single story of how their ancestors took the land from the Indians who weren't deserving of it. Non Indians believed they rightfully used the land and saved it from wild savages destroying the land. In reality The Navajos were highly spiritual, and educated people who respected the land. The mindset of the “real Americans” demonstrates “how impressionable [humans] are in the face of a story”.

Throughout “The Mexican in Fact, Fiction, and Folkore” examines the term “Mexican” as it is applied in Southwest literature and argues the Anglo society has made a conscious effort to misrepresent Mexicans (Rios 60). He states the people of Mexican descent are viewed as un-American because they are perceived as filthy, lazy, and dumb. Ricatelli adds to the conversation of Mexican stereotypes by examining the literary expressions of Chicanas and Mexicanas in the literature of both the United States and Mexico. In “The Sexual Stereotypes of The Chicana in Literature” Ricatelli explains how in Yankee literature, the Chicana is referred to as the “fat breeder, who is a baby factory” meanwhile the Mexican is described as an “amoral, lusty hot tamale” (Ricatelli 51). He makes note of these stereotypes in order to highlight the ethnocentric and nativist points of view that dominated Anglo literature. Furthermore, he describes the multiple forms of control Chicana women face when he states, “The Chicana is first of all oppressed economically, socially, and politically by virtue of her being a woman. Secondly, the Chicana as a member of an oppressed ethnic and/ or racial group is limited to the same extent as the Chicano by the dominant Anglo society” (50). However, he fails to mention the experiences of queer women, which implies how the Chicano

She begins the essay by relating the story of how an Irishman serenaded her on a bus with a Spanish song because of her Puerto Rican appearance. Cofer then comments on the double-edged nature of the stereotypes her appearance elicits. “This is sometimes a very good thing—it may win you that extra minute of someone’s attention. But with some people, the same things can make you an island—not so much a tropical paradise as an Alcatraz, a place nobody wants to visit” (547). In this simile, Cofer compares the isolation that someone feels when others stereotype him/her to the confinement of the prison island of Alcatraz. Moreover, she reveals that stereotypes mark people as undesirable and separate them from the rest of society, thus impeding their assimilation. Cofer uses another simile when she details her experience with an American boy at her first formal dance: “ … [He] said in a resentful tone: ‘I thought you Latin girls were supposed to mature early’—my first instance of being thought of as a fruit or vegetable—I was supposed to ripen, not just grow into womanhood like other girls” (549). In this simile, Cofer shows how those who stereotype Latino women compare them to fruits and vegetables because both are supposed to mature rapidly. However, she denounces this comparison by emphasizing that it dehumanizes Latino women and reduces them to the status of mere plants while creating a

Stereotyping is an issue that affects all ages, genders, and races. Not all stereotypes are bad, but when you maliciously stereotype it becomes a problem. In S.E. Hinton’s young adult novel The Outsiders, stereotyping is a significant issue. There are two gangs in this novel, the “greasers”, and the “Socs”. The greasers live on the east side and are known as “hoods”. The Socs live on the west side and are known as the west side rich kids who have all the breaks. People judge their personality just based on where they live, and what they look like. Stereotyping is an unfair way to judge people because you never know their whole story.

In the 1960’s, the United States went through a period of clarity and diversity in thought, analysis and action for people from Mexico or those who practiced the Mexican culture. Issues of deep resonance and problems both Mexican and American communities faced were brought to light through different platforms that include multiple socio-political mobilizations, art, and music all throughout the country (Cockcroft, 1993). This later ensued into battles of cultural reclamation and self-determination that combined into a national consciousness called the Chicano Movement. The Chicano Art Movement represents the attempts made by Mexican-American artists in establishing a unique artistic identity in the United States. Most of the Chicanos belonged

The film prejudice and pride, revealed the struggle of Mexican Americans in the 1960s-1970s. In the film it showed Mexican Americans, frustration by the President discrimination and poverty. In this film I learned about the movement that led to the Chicano identity. This movement sparked, when the farm workers in the fields of California, marched on Sacramento for equal pay and humane working conditions. This march was led by César Chavez and Dolores Huerta. In this film I also learned about Sal Castro. Sal Castro was a school teacher in Los Angeles that led the largest high school student walkout in American history. This walkout demanded that Chicano students be given the same educational opportunities as Anglos students. In Texas, Jose

In the 1960s, the Chicano movement started to gain momentum. Chicanos began banding together to protect others while discovering their own self-identity. One source says that, a newfound gratitude for Chicano culture was detected. It goes on to state that, a “cultural rebirth was proclaimed” which had been provoked by “rediscovery” and an acknowledgement of their collective indigenous roots. The author adds that, it was a chance to uncover “a positive self-definition” (Rodriguez, "Building Aztlan: Chicano Movement Springs Back to Life"). Furthermore, in the 1960s, nothing could slow down the Chicano movement once it had sparked. So much so, that Rodriguez claims that it “led to colleges and universities becoming targets of protest” and the

In his book the Absolutely True Diary of a Part-Time Indian, Sherman Alexie portrays a teenage boy, Arnold Spirit (junior) living in white man’s world, and he must struggle to overcome racism and stereotypes if he must achieve his dreams. In the book, Junior faces a myriad of misfortunes at his former school in ‘the rez’ (reservation), which occurs as he struggles to escape from racial and stereotypical expectations about Indians. For Junior he must weigh between accepting what is expected of him as an Indian or fight against those forces and proof his peers and teachers wrong. Therefore, from the time Junior is in school at reservation up to the time he decides to attend a neighboring school in Rearden, we see a teenager who is facing tough consequences for attempting to go against the racial stereotypes. The decision to attend a white school is a tough one and Junior understands that for him to survive and to ensure that his background does not stop him from attaining his dreams; he must battle the stereotypes regardless of the consequences. In this light, race and stereotypes only makes junior stronger in the end as evident on how he struggles to override the race and stereotypical expectations from his time at the reservation to his time at Rearden.

Racism isn't born, it is taught! This essay "Just walk on by Brent Staples" is written in the mid 70's when racism was at its peak. Racism is not only common today it's been a part of American history. Staples works as a journalist in a predominantly white society. This essay deals with racism, stereotypes, and prejudice. In this essay, he demonstrates to the reader using his own experiences, how stereotypes based on sex and skin color can change the mind of one person and how it can influence many other people. Staples fears about how his appearance and his color make people think of him as a harmful person. a beard and billowing hair, both hands shoved into the pockets of a bulky military jacket- he also mentions that he possesses an indulgent

2. Stereotyping in mass media was an important concern of Chicana/o media activists because it imprinted a demeaning label by only casting Chicana/o actors with "minor roles: villains, sidekicks, temptresses, where their main function is to provide the protagonists, typically a handsome white