The novel The Road by Cormac McCarthy conveys a man and his son caught in a desolate post-apocalyptic United States, where the date is unknown. The author never reveals the name of the man and the boy which asserts the reader into living vicariously through them. McCarthy overstates the “barren, silent, godless”(4) and bleak setting to reiterate the contrast of the atmosphere in the novel to the reader’s surroundings. The novel contains immoral people who are willing to do anything for humanity's survival where people that read the book will not share the same values. The man and the boy face many obstacles on the desolate, never-ending road that they overcome. The boy and the man have an encounter with a corrupt man that ends poorly, the man and the boy search for food by rummaging through houses they come upon helpless people, and the man’s decision at the end of the novel affects the boy. The boy is the light of the man’s world and the man urges to find a better place for them because of his angelic qualities and “if he is not the word of God, God never spoke”(4). McCarthy portrays the theme of the …show more content…
The man and the boy encounter many difficult obstacles which make their journey difficult in the apocalypse. The man makes a quick decision and has to kill a man who threatens the life of the boy. The naked people kept in a basement against their will forces the man and the boy to realize the importance of being careful while searching through houses. The man convinces the boy to go on without him because the man cannot watch the boy and let him “carry the fire”(234) on his own. Ultimately, the man and boy conquer many obstacles which each teaches them lessons. McCarthy reinforces the theme of severe circumstances disclose the foremost in people through grisly diction, graphic imagery, and prominent
Both sons are taken through the Awakening of Moral
Imagery is a crucial part of every novel; it helps readers to better understand the conditions in which the characters are living in. McCarthy uses imagery within this novel to show that death is universally present through every decision that these characters make. One example of this is when the text states, “The dead grass thrashed softly. Out there gray desolation. The endless seacrawl.
Since the start of the Cold War, people have been afraid from a bomb like no other in history. Nuclear warfare struck lives of many every since the end of World War II which ended by a atom bomb dropped on Japan wiping out everything in its path. Cormac Mccarthy was a passionate writer and was inspired and terrified by this idea and wrote the Marvelous story The Road. Even though some might disagree with the powerful reality of a possible post apocalyptic hazard.
The Road is an amazing novel that shows the struggles and moral conflicts that arise from living in a post-apocalyptic world. While reading the story, the use of McCarthy’s distinctive diction, imagery and tone helps the reader become more understanding of what they are reading. It helps the reader better connect and understand what the man and the boy are experiencing. Through third person, one is able to know the feelings and thoughts of both the man and the boy which is important since the man knew what it was like before the apocalypse and applies that knowledge to situations he is currently facing while the boy only knows this post-apocalyptic “society” therefore his views are vastly different from his father’s. While reading the story,
To Change is to Grow Through the book “The Road” by Cormac McCarthy the boy and the father show a great amount of change and maturity, while also learning to adapt and love. The story has a good balance of how different events can affect and impact someone's life in either a good or bad way. There are many events that change the mind and heart of the boy and father, but change can only be helpful if you learn from it and mature out of being afraid for things to happen. The stories main idea is very tragic in a dark, grey world where nothing ever good happens and instead of learning to live your preparing to die.
McCarthy uses symbolism throughout the entire book. He symbolizes “the fire” that the boy is carrying and how the difference between fighting and giving up. This symbolism is part of a bigger literary analysis that I read this novel through. The literary analysis is called Formalism and it is used to separate everything apart from the novel to just read the novel in its raw state to find the symbols and meaning behind the text.
When the boy had a fever, it was almost unbearable to read because the man had to unwrap him from his blankets so that his fever would go down. McCarthy’s description of the harsh climate allows readers to picture the setting and how it affected the boy and man’s
The Road: A Breakdown of Maslow’s Hierarchy of Needs In Cormac McCarthy’s post-apocalyptic novel, “The Road”, a man and his young son find themselves on a journey fighting for survival through a dark and desolate world. With no identity or any hope in the future, the characters are faced with many compromising decisions. Two levels of Maslow’s Hierarchy of Needs, the physiological and safety levels provide the most motivation and validation for the characters’ actions throughout the novel. There are 5 major levels to Maslow’s Hierarchy of needs; physiological, safety, emotional, esteem, and self-actualization (Maslow 1).
The novel tells a story of an unnamed man and his son in who struggle to survive in this horrific environment. I feel that the language in the novel is verbose. McCarthy is blunt in his descriptions. He uses repeated struggles and similar scenes forcing the reader to share the tough experience of the characters. I agree with the author that The Road is the picture of a post-apocalyptic world.
In this scene, the man recalls the final conversation he had with his wife, the boy’s mother. She expresses her plans to commit suicide, while the man begs her to stay alive. To begin, the woman’s discussion of dreams definitively establishes a mood of despair. In the
Some days they go hungry, the weather uproots their lives, and other hindrances place a awful, dark outlook on life. Cormac Mccarthy writes about a disgusting world. It is the dying of lie on the planet, the end of the world. Not only do the gruesome events in the novel led the reader to take an opposing view, but even the setting of the novel
“You remember what you want to forget and you forget what you want to remember,” (McCarthy 12). With most aspects of life, the horrendous moments are the times that no one can erase. This applied to The Road by Cormac McCarthy. Towards the end of the novel when the son loses his father proves to be the most indelible moment with the assistance of the feelings experienced during that part. The son encounters a variety of emotions including loneliness, loss and hope.
However, not all of the tests and enemies faced by the Man and Boy are physical obstacles; in several cases, these obstacles are their own minds. For example, the Boy sometimes expresses a desire to be with his mother in
The novel, The Road by Cormac McCarthy, is about a man and his son’s survival in a post-apocalyptic world. For the majority of the novel, the man and the boy are the only characters, leading to an abundance of dialogue. It is that dialogue as well as the narration from the author that make up the novel as a whole. But there is a stark difference between the narration and the dialogue with the dialogue being simple and the narration being complex. Despite the extreme contrast between the two, the narration and dialogue combined are able to hold thematic importance in the novel.
How effective is visibility in The Road by McCarthy ? Frist of all, I will talk about the visibility of the landscape in The Road. The reader is never told exactly where the story takes place though it is implied that it is set after the end of the world, and the only thing we are given to imgine of the landscape is nothingness. Indeed, from the beginning of the novel, the reader faces colorlesss and montionless surroundings. The man looks for “anything of color, any movement” (4) but there are only “ash and dust everywhere” (7).