The Detriments of Technology in Fahrenheit 451 While technology serves a great benefit to society, it simultaneously burns the connections people have with each other and the world around them. In Fahrenheit 451, Ray Bradbury hones in on a world consumed by the wonders of technology. Books are seen as dangerous and illegal, and they are burned by the government in favor of more exciting and interesting technologies. The overuse of technology in Fahrenheit 451 hindered social skills, severed relationships, and promoted ignorance as it entered more households and communities. Many began to favor technology over human interaction, which overall hindered their social skills. When Montag realizes the significant role literature plays within society, …show more content…
After a particularly scarring fireman shift, Montag becomes sick, and he decides to stay home the next day. He asks Mildred to take care of him so he can return back to full health, but to his dismay Mildred doesn’t seem to care much about his sickness, and her attention is directed somewhere else. This is displayed when he asks her “ ‘Will you turn the parlor off?’ he asked. ‘That’s my family’ ‘Will you turn it off for a sick man? ‘I’ll turn it down,’ ” (Bradbury, 46). Montag asks Mildred to turn the parlor off for a moment since he’s sick and in need of care. Yet, Mildred can’t even comply with this simple request. Missing a TV program shouldn’t matter when her husband is greatly sick, since he should be her first priority. But he isn’t. Instead, Technology is. She’s come to a point where a TV screen is more valuable over the health of someone she’s dedicated her life to, showing how their relationship has become disconnected from the abundance of technology she uses. Later on in the novel, when Beatty and the other Firemen come to burn Montag’s house down, he realizes Mildred’s the one that called the Fire station on him. Packing her things and getting ready to leave, “She shoved the valise in her waiting beetle, climbed in, and sat mumbling, ‘Poor family, poor family, oh everything gone…’ ” (Bradbury, 108). While her own house is merely minutes away from going up in flames, Mildred only mourns her TV “family”. No interaction between her and Montag is exchanged, and her mind is focused solely on the wellbeing of the 3 Televisions sat in the parlor room. Not a thought is given to her husband and what their lives will be like from this day forward, because Mildred doesn’t care about Montag or their relationship anymore. The only thing she cares about is technology and how it serves to entertain her and keep her happy. Mildred’s interest in human interaction begins to
Ray Bradbury's novel "Fahrenheit 451” utilizes imagery and... to show how the world will evolve without books and knowledge. Through his character Mildred Bradbury uses this to express how the overuse of technology can cause detrimental outcomes. Mildred, among other characters, experiences negative effects from overuse of technology. thus Bradbury shows that overuse of technology Causes problems such as, becoming distant from the people and the world around you along with the desire to escape reality Throughout “Fahrenheit 451" Mildred is continually perceived with effects from the overuse of technology. Mildred, as shown in the book, neglects to maintain strong relationships because of her obsession with technology.
Technology in fahrenheit 451 Ray Bradbury is warning us in the book Fahrenheit 451 that technology is becoming too advanced for humanity and could bring humanity to a halt. And he also brings us to the attention that technology addiction is becoming the new form of behavioral addiction. He does this by including characters in the novel Fahrenheit 451 such as, Clarridse, Montag, And Mildred. I read an article titled, “The Social Dilemma” that talked about the addiction in technology today. And I found a quote that stated, “People are depressed because of social media.”
Instead of expanding her relationship with her husband, she begs Montag to spend his money on another television wall so that she can feel more connected to her artificial family. Mildred wants to immerse herself in her television because she can achieve instant satisfaction from it without putting forth any effort. Improving her relationship with Montag would require hard work and for her to deal with complicated emotions, which is something that Mildred is not willing to do. Mildred may think that she is satisfied, but her lack of a meaningful relationship causes her to feel unhappy, which she covers up by immersing herself even more in the artificial stimulus. Not only is she unconcerned about her relationship with her husband, but she is also unphased when her
Montag's own wife loved her “family” more than she loved Montag and would give him up to protect her own “family”. Montag says “ Mildred, you didn’t put in the alarm!” “She shoved the valise in the waiting beetle, climbed in, and sat mumbling,’ Poor family, poor family, oh everything gone, everything, everything gone now…”(Bradbury 108). Mildred loved her technology or “family” more than she loved Montag. She was willing to turn him in for having books in the house, instead of just being by his side and keeping quiet.
Montag never talks to Mildred about what’s going on in his life but after Mildred snapped at Montag and he revealed his secret about hiding the books, she went a little crazy. She wanted to make sure it was kept a secret and demanded that Montag get rid of them, but he didn’t. Throughout the novel she went from crazy to even more crazy, being demanding and not knowing how to handle situations she’s put in because the way that society conditioned her to be. She is short tempered, easily manipulated, impatient, and seems to lack any sympathy or empathy for anyone. At the beginning of the novel she attempted suicide.
Rather than supporting her husband’s wishes and turning the television off, her immediate response is to defend the technology, which she does by referring to it as her “family.” Mildred’s tone when responding to Montag shows that she is not concerned with what he could be experiencing, and instead prioritizes her technology over her husband. Being Mildred’s husband, Montag is a part of her family. However, when Mildred refers to the parlor as her family she is acting as though they are more important than Montag. Following their interaction, that night while Mildred is laying in bed Montag begins to observe her, “Late in the night he looked over at Mildred.
During the scene where Montag confronts Mildred, asking her if her "family" and the "white clown" truly love her, Mildred tells Montag "Why'd you ask a silly question like that?",(Bradbury 73) because whether or not the parlor walls truly love her, at the end of the day she is happy and entertained. Montag realizes that he lost Mildred to the parlor walls and begins to accept that. In losing the one person he loves, he uses books and stories to fill his time. Despite this, Montag doesn’t drown himself in the words on the page to keep entertained, but uses the knowledge to improve upon himself and learn more. This shows that, not always do you have to take initiative for change to happen, it can happen on its own with no regards for you or others.
‘Mildred, you didn’t put in the alarm!’ She shoved the valise in the waiting beetle, climbed in, and sat mumbling, ‘Poor family, poor family, oh everything gone, everything, everything gone now…’” (page 114). This interaction between Montag and Mildred indicates the hollowness of their relationship, as Montag
Mildred is an average member of society who is oblivious to the absurd reality she lives in. She also doesn’t understand Montag’s growing fascination with books. As Montag begins to realize that he is not content with his life, he admits to his loneliness and thinks, “He was not happy. He said the words to himself. He recognized this as the true state of affairs.
People like Mildred and Montag were deeply affected by technology:“... And he remembered thinking then that if she [Mildred] died, he was certain he wouldn’t cry. For it would be the dying of an unknown” (44). Both Montag and Mildred, who have been married 10 years, have been consumed by technology—making them drift apart. Mildred, became dependent on TVs and Seashells (music players) isolating her from the rest of the world and allowed her to become oblivious to social cues and even self harm.
Mildred struggles with not acknowledging her real family, Guy Montag, and seeing her technology as her ‘real’ family. When Montag was under arrest by the firing squad, Mildred was leaving to get away from everything. As she was leaving she said, “Poor family, poor family, oh everything gone, everything, everything is gone now…”(108) Mildred was referring to the technology in the house and not her husband, Montag. Mildred always wants her ‘family’ to
(STEWE-2): Later, while watching the war in the city, Montag comes to a crucial realization regarding Mildred: “‘Even if she dies, I realized a moment ago, I don’t think I’ll feel sad. It isn’t right. Something must be wrong with me’” (Bradbury 148). Because Montag and Mildred were distant from one another and never truly loved or cared for one another,
Mildred cares more for the price for the TV than she cares for Montag. “‘It’s really fun. It be even more fun when we can afford to have a fourth wall installed. How long you figure before we save up and get the fourth wall torn out and a fourth wall- TV put in/ It is only two thousand-dollars.’ ‘It’s one-third of my yearly pay’” (18).
Montag's experiences with hollow, toxic relationships in his local community represent how an absence of real bonding purges away human qualities such as love and interconnection. Several meaningless relationships expose their true colors in Montag's experiences with Mildred and her friends. Following a frightening night of Mildred's pill overdose, Montag asks Mildred where they first met before marriage. Mildred replies, "It doesn't matter" (Bradbury 41). Montag then deliberates "that if she died, he was certain that he wouldn't cry" (Bradbury 41).
The morning after Mildreds overdose one of the first things she asks after Montag wakes up is can we get a “fourth wall torn out and a fourth wall TV put in?”(Bradbury 18) Another time Montag reveals that he sleeps with a “wall between [him] and Mildred. ”(Bradbury 44) We can also see this obsession with TVs right after Montag reveals his hidden stash of books. When he tries to start reading with Mildred all she seemed to care about was that “the white clowns on tonight.