The Lanyard Billy Collins Analysis

Parenting is never perfect. Every parents questions whether they are raising their child correctly, and no parent ever feels like they are doing the right thing. With no clear distinction between good and bad parenting, it is usually left to personal preferences and judgements to decide which parents have adequately raised their children and which have failed. When a parent so call “fails,” often it is the children with their strong will and determination to survive that collectively raise themselves. In Jesmyn Ward’s Sing, Unburied, Sing, Leonie, one of the narrators and the mother of another narrator, Jojo, is not the most caring, hands-on mother, but is loving of her children nevertheless. Leonie is not just the failed mother most make her out to be because her thoughts are in the right place, trying the best she can given her own circumstances, but her past and her own childhood haunts her too

The 1990 film, Awakenings, which was directed by Penny Marshall, aimed to show the story of a doctor and how he coped up with the diseases of his patients. The neurologist, Dr. Malcom Sayer, did not just manifested his profession as a doctor but his relation to his patients as well. Another relationship can also be seen in the movie. The mother and child relationship between Mrs. Lowe and her son, Leonard, is very touching. The film has been auspicious in demonstrating the acceptance and love of a mother for his son despite his flaws and irregularities. This paper will be discussing a certain idea which tells that a mother’s love, specifically Mrs Lowe’s love for her son, is unconditional and eternal.

The poem Dusting by Julia Alverez relays several ideas to the reader. It begins by describing a young child going about a house and writing their name on the furniture. The child 's mother follows behind her and, in the process of dusting, incidentally erases the writing. While this poem may seem superficial from a quick reading, it not only reflects some aspects of Alverez’s childhood, but it also reveals some thought provoking questions. In Dusting, through making an analogy to a relationship between a mother and her child, Julia Alvarez demonstrates her desire to break away from traditional or cultural expectations, express her individuality, be well-known, and, ultimately, she makes an important point about life.

The Boat by Alistair MacLeod is about a boy who grew up in a fishing town and wanted to escape it retelling his story. The unmanned narrator starts the story by telling the readers of his first boat ride. We learn from the story that his father is a fisherman and his mother has always known this life of fishing. So the narrators entire life was spend on a boat; from reading thee we will learn that the boat is a reoccurring theme and it is kind of personified. The we learn that the narrator’s father is an avid reader and is always reading. This makes mother angry; she thinks that books are pointless; she even goes as far to say “In the next world God will see to those who waste their lives reading useless books when they should be about work”

Parents are always supposed to look out for the best interests of their child. Anne Tyler authored the short story “Teenage Wasteland” which depicts the story of a strained mother and son relationship between the character Donny, and his mother Daisy. Donny is a teenage boy who is struggling with his grades at school and is exhibiting poor behavior. His mother, Daisy is concerned with her son’s grades and behavior, however, she fails at getting her son the help that he requires. Told through the point of view of the character Daisy, Tyler uses irony to tell the story of a teenage boy who is failed by the adults in his life who are supposed to help him flourish, including his parents, a psychologist, and his tutor.

Parenting has been a long practice that desires and demands unconditional sacrifices. Sacrifice is something that makes motherhood worthwhile. The mother-child relationship can be a standout amongst the most convoluted, and fulfilling, of all connections. Women are fuel by self-sacrifice and guilt - but everyone is the better for it. Their youngsters, who feel adored; whatever is left of us, who are saved disagreeable experiences with adolescents raised without affection or warmth; and mothers most importantly. For, in relinquishing, a mother feels strong and liberal; and in guild she finds the motivation to right wrong.

Mothers is the person who cares the most about her child. The story “Teenage Wasteland” tells about a common situation many families experience: a misunderstood child creates problems to his parents, not by fault, but because he feels unwanted. Any mother would feel like a bad mother after all, so did Daisy, Donny’s mom. “She had always told Donny he had talent, was smart, was good with his hands” (Tyler 288). Daisy was always trying to cheer her son up, but he was way too impulsive to understand what she truly means. Then Daisy realized that while she was so preoccupied with Donny’s problems, she forgot about her youngest daughter. “She couldn’t give as much attention to Donny's younger sister” (Tyler 287). Daisy loves her children like crazy, and would do anything to make them happy.

“A mother 's love for her child is like nothing else in the world. It knows no law, no pity. It dares all things and crushes down remorselessly all that stands in its path.” The wise words of Agatha Christie ring true for many across the world; the unconditional love a mother holds for her child. An instinct so powerful and caring, it does not allow for any interference or hindrance. The universal knowledge and strength of a mother can become, ironically, an element that provides difficulties in many relationships. The love between a mother and daughter is eternally enchanting and frustrating, invigorating and challenging. Mothers serve as a role model and example to their daughters, providing insight and guidance in every walk of life. Despite the stress many mother-daughter relationships endure, a mother’s advice is imperative. Through examining Amy Tan’s book The Joy Luck Club, Sandhya Shetty’s painting Mother and Daughter, and “Sonnets are full of love, and this is my tome” by Christina Rossetti, the power of a mother’s influence is evident. As the prominence of a mother’s wisdom grows, a daughter’s perspective will transform by understanding her relationships and situations.

In an effort to discover her identity, she embarked on a spiritual journey, writing poetry along the way. Mother’s Jewellery Box writes of the beginning of her lifelong expedition.

In life difficulties may arise, but an “instructive eye” of a “tender parent” is a push

In the book Ethan Frome by Edith Wharton multiple objects are used to represent big moments in the book and is heavily used. There are many objects that clearly relate to people and relationships between people. The first emblem that represents love between Mattie and Ethan is Mattie's red scarf and ribbon in her hair.The first symbol is the pickle dish representing Ethans and Zeena’s relationship. The final commodity is the cat which represents Zeena. Throughout the book ethan and Mattie have a growing relationship and their love is shown by Mattie's apparel.

Many believe that the parents of the Sandy Hook victims conspired to murder their children, but what they fail to realize is that all their “ evidence” is just circumstantial. In court all types of various evidence is presented to the jury. According to Citizens Information “ The general rule is that circumstantial evidence is admissible. However, the courts are careful when the only evidence in a case is circumstantial evidence. Circumstantial evidence must be closely examined and it must be looked at cumulatively. In other words, a court would be very slow and unsettled to convict a defendant on the basis of a few pieces of circumstantial evidence” ( 4). In court the Sandy Hook Conspiracy would have trouble being found true due to the giant amount of

In the Narrative of Frederick Douglass, Douglass is tasked with not only making a case for abolitionism, but also making this case to an audience that contributes to and benefits from slavery. As such, he must provide an account that is equal parts believable and moving, all the while treading the line of not alienating his target audience of white women. However, through his depiction of slavery as a corrosive agent on the family structure and ideals, Douglass makes a sentimental appeal to white women.

The raw emotion in the mother’s face, paired with her body language and grimy appearance, captivates viewers; however, it is not the mother that makes this image so powerful to me, but rather, the turned away children framing their mother. This detail adds a new dimension to the portrait for me. It makes the image all the more powerful; the irony of the children finding comfort in their mother’s embrace and presence is defeated by the mother’s uneasiness about their present situation. The children do not see the mother’s distressed look, which makes the coziness they feel even sadder. A mother is turned to in times of distress, as evidenced by this portrait, but whom does a mother turn to when she is burdened and overworked? I have turned to my mother many times seeking comfort when problems have arisen in my life, and she has always been there to be that comforting outlet.

Unlike “From Childhood,” set within the home of the mother and son, this mother-son-duo is at a party. This mother is persistent in taking her son away from his surroundings and reeling him in to her—keeping an eye on him is simply not enough. Nowlan writes, “The touch of her hand embarrasses him” (Nowlan, 390). Taking the term overbearing to new extremes, the mother is not content unless her hands are physically on her son. While it is completely normal for a mother to have protective instincts and to watch over their children, the level of overbearing the mother in the poem reaches is radical. This boy, paralleling the boy in “From Childhood,” is being smothered so much so that it is impacting his life negatively. Though some might argue that his attention induced embarrassment is typical of a growing child, context clues point to his mother’s overbearing nature as the direct culprit of his discomfort. The relationship between the parties of both “From Childhood” and “Mother and Son” are uncanny. But even so, the way in which the mother in “Mother and Son” acts overbearingly differs to that of the overbearing actions of the mother in “From Childhood,” thus giving this maternal relation its own place on the wide-ranged