The Power Of Madness In Shakespeare's Macbeth And Madness

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Macbeth and Madness

Imagine the President of the United States admitting to having mental instability. This scenario may rattle some, but it clearly plays out in William Shakespeare’s tragedy, Macbeth. The play’s title character uses violence to maintain power but gradually plummets into mental illness. Before Macbeth and his wife, Lady Macbeth, conspire to murder his cousin Duncan, the King of Scotland, in order to attain authority, Macbeth foreshadows the possible repercussions; afterward, he experiences an immediate sense of remorse. The subsequent murder of a friend displays his progressive unsteadiness, but the massacre of an entire family demonstrates his transformation from instability to deviance. Lady Macbeth tries to mask her guilt by covering up for her husband, but eventually comes to grips with her own instability. In Macbeth, Shakespeare asserts that power drives the title character and his wife to insanity, particularly after their conspiracy to kill Duncan. For starters, prior to killing Duncan, Macbeth imagines the likely consequences of his future actions and whether or not they signal his destiny. At the beginning
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The title character imagines the results of his brutal act against Duncan but kills him nonetheless. Afterward, he expresses fresh guilt by simultaneously divulging and withholding the open secret of his deed. After murdering Banquo, the feast honoring him demonstrates Macbeth’s further derangement, but his gradual insanity does not excuse the subsequent cold-blooded massacre of an entire family. Lady Macbeth tries to save herself by masking her husband’s instability, but ultimately, her sleepwalking spell places her own mental illness on display. This goes to show that it is not always easy for people in a position of power - or anyone, for that matter - to face their weaknesses head-on and admit that at some point in their lives, they need

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