Any work of art is viewed and created through a lens crafted by the viewer’s society. While this certainly applies to portraits, histories and other depictions of daily life, this still holds true for landscape. How the landscape is represented in a work of art is dependent on the cultural constructs of the artist, or the viewers, society. Different cultures view and create landscapes very differently. For example, European Romantic artwork is extremely different in its depictions of landscape from Japanese Ukiyo-e landscapes. In J.M.W. Turner’s The Slave Ship, the landscape is depicted as a very strong force, a very Romantic idea. Even the titular slave ship is more of a background object and the focus in on the brilliant red sunset and the tumultuous sea. Upon closer inspection, the viewer realizes with faint horror, that the foreground is scattered with bodies floating, or rather being pushed and pulled by the violent sea. Fitting in the Romantic ideals, nature is depicted as a force stronger than man and grander than any man-made object like the ship. Even Turner’s brushstrokes seem frenzied, perfectly matching the scene he is depicting. In Hokusai’s South Wind, Clear Morning, the landscape is a picture of tranquility. While it doesn’t suggest inaction (on the contrary, it evokes a clear sense of rolling waves), it suggests a …show more content…
Turner’s The Slave Ship, for a number of reasons. For example, they both are created by European artists and have landscapes that have a slight tension in them. However, Avenue de l’Observatoire draws its tension from its subject manner. Paris, in the dead of night as fog befalls the streets is a very chilling subject to be photographing. The Slave Ship, however, draws its tension from the feeling of incongruity of its parts. The bodies floating in the turbulent waves and the stark angles of the ship contrast greatly with the gold and scarlet
Once the piece of literature begins, the reader begins feeling captivated in the imagery that the author created to be envisioned. In John Muir’s extraordinary essay, The Calypso Borealis, he creates a vivid picture in the reader’s head of his experience to find a beautiful flower. In particular, he creates an image of his adventure into a swamp surrounding The Great Lakes through his writing. When his journey began, he was introduced to several diverse flora. During his journey, he is able to admire and soak up nature’s beauty as well as
Alcock says that monuments are set within the landscape, and while this is true of Etruscan sanctuaries, they are placed within that landscape to accent a certain aspect of that landscape that is important. Therefore the monument is engaging the landscape as opposed to just being set within it. The same can be said for the landscape in some cases where the landscape, or features of the landscape, can be used to accent the height or approach to a
Dillard’s description of the sun rising over the Puget Sound is a prime example of an ordinary experience made extraordinary. She describes the light and color of the sunrise in such detail that it becomes a breathtaking moment of beauty that is easy to take for granted in everyday life. Her depiction of the natural world is not only visually stunning but also evokes a sense of wonder and awe that can be felt by anyone who takes the time to truly see and appreciate it. However, Dillard also provides pictures of nature that our minds may have sensed but were too tired to notice.
In the story “Time of Wonder” the writer and illustrator Robert McCloskey creates a mesmerizing picture book. Throughout the book he relates his message to the reader of taking time to enjoy the weather and nature. Likewise, the reader is able to experience these events directly with phrases such as “IT’S RAINING ON YOU” (McCloskey 10). One event the reader is able to conjure up is the ocean in Maine with the taste of salt on their tongue. Moreover, the reader visualizes the calm sea on a sunny day and fears the roaring wind before a hurricane.
But, nature does not exclude humans, human excludes themselves from nature. Within the “mists of [the] chopping sea of civilized life, such are the clouds and storms and quicksands and thousand and one items to be allowed for”(277). He uses clouds and storms and quicksands to convey that civilized life includes the same negativity included in the connotation of those conditions, but nonetheless, those too are apart of nature. The purpose of utilizing imagery is so evoke images people already have to connect with them on that level to make them understand that they must find a harmony and balance in the world. So, in order to restore order within one’s individual life, one must defy the social norms that distance themselves from nature to find harmony with it.
Poetry Analysis Once the poem “History Lesson” was written numerous poetry foundations celebrated it for many reasons. “History Lesson” not only makes an impact on literature today it has also impacted people also. This poem inspires people and moves them to the point to where they can find a personal connection to the poem itself and to the writer. Not only does it hold emotional value for those who were victimized and those whose family were victimized by the laws of segregation, but the poem is also celebrated for its complexity. The poem uses many techniques to appeal to the reader.
Landscape is more than the visible features of an area; it is what a person is surrounded by. Landscape is everything that is going on or everything that exists around someone. Therefore, landscape is a large factor in how a person will grow. In Life of Pi, Pi Patel is prepared and formed, to survive the tasking journey he did, by being raised in a zoo. With this knowledge, he was able to build a relationship with animals and co-exist without conflict.
The painting displays a pair of sailing ships engaged in a fierce combat as they blast cannons at each other . The spiritual turmoil in people 's lives is what the artist is trying to portray through this chaotic painting where there is a huge storm building inside every human being - a storm which puts people in serious dilemmas of choosing between material greed and spiritual austerities . People are so driven into the material world that they have completely lost the wisdom and humility that is largely associated with behaviors in civil societies.
Beauty is shown most prominently through times of struggle, not times of peace. This fact demonstrates the ability of beauty to show through as the driving force in beauty. In order to exist, beauty and brutality coexist. Without the wake of this brutality, beauty would never rise above, showing a balanced relationship between the two
In “On Not Shoplifting Louise Bogan’s The Blue Estuaries,” Julia Alvarez incorporates the use of imagery and selection of detail to convey the speaker’s discovery of a book of poems and the inspirational effect it has upon her. In this poem the speaker, who is in the poetry section of a college store, discovers “The Blue Estuaries” by Louise Bogan. The speaker develops an inner conflict of stealing the book or not and attempts to find her voice in literature. In “On Not Shoplifting Louise Bogan’s The Blue Estuaries,” Alvarez uses imagery to convey the discovery of the book and its inspiration to the speaker.
The heavy brushstrokes seen in the red flower bushes represent a feeling of realism. It’s as if you could physical touch the flowers. His details are more precise than Berth Morisot’s The Basket Chair, and show how more open male artist could be with their artwork. The scene seems to be during summer with the sun radiating off the garden gravel.
J.M.W. Turner's painting "The Slave Ship" illustrates the inhumane conditions of the transatlantic slave trade, a significant factor in historical globalisation. English romantic artist, painter, and water colorist Joseph Mallory Turner is renowned for his expressive coloring, imaginative landscapes, and tempestuous. He was a white guy who drew inspiration from Italianate landscapes by Claude and Richard Willson as well as 17th-century Dutch artists like Willem van der Vlade. A scene from the slave trades is depicted in the 1840 painting by J.M.W. Turner in which the crew of a slave ship dumps sick and dying slaves overboard in order to collect insurance money. Because of that the original name for this artwork was throwing overboard the dead and dying.
This is an accurate statement due to the fact that, once again, the experiences had with a sense of place directly make up an individual’s worldview. To elaborate, sense of place gives an individual a sense of belonging, metaphorical place in the world which directly builds their worldview. Then in turn, worldview is the lens through which people view phenomena so it will affect their sense of place so in other words, sense of place and worldview influences and build on one another. I like to think that it is safe to say that people who go out and experience landscape, whatever kind that may be, will be more inclined to do what is needed in order to protect and improve that particular landscape. For me, natural landscapes became my sense of place because I grew up around and was influenced by a lot of different types of landscapes.
Nature is easily projected onto, as it allows for a sense of peacefulness and escapism. Due to its ability to evoke an emotional reaction from the masses, many writers have glorified it through various methods, including describing its endless beauty and utilizing it as a symbol for spirituality. Along with authors, artists also show great respect and admiration for nature through paintings of grandiose landscapes. These tributes disseminate a fixed interpretation of the natural world, one full of meaning and other worldly connections. In “Against Nature,” Joyce Carol Oates strips away this guise given to the environment and replaces it with a harsher reality.