Visual Analysis Of Gustave Moriset Chair And The Orange Trees

Throughout this semester as a class we have gone over many different terminology, seen many artists from all different countries and time periods. We have also learned about different kinds of art and media that the Artist work with. Over the entire semester I have gained a greater appreciation and understanding for art. Taking all of the new information that I learned this semester I choose three pieces of artwork from the St. Louis Art Museum. Two are similar to each other and the other is very different. The three pieces that I choose to critique are called Keith, Betty and Loch Lomond.

Among all the objects in Lee Teeter`s oil on canvas painting entitled Reflections (Fig. 1), the focal point is one long, dark wall, with names written or engraved across the whole canvas along with the engravings on the marble creating motivation for individuals viewing the

Vicent Van Gogh once said, “If you hear a voice within you ‘You cannot paint,’ then by all means paint, and that voice will be silenced.” Like most of Gogh’s paintings, Bonaventura Berlinghieri painted what he was passion about. Berlinghieri was “…know for his poignant and detailed scene from the life of the Saint Francis on the predella (based of the altarpiece) of the Church of San Francesco at Pescia” (The Editors of Encyclopaedia Britannica). The Saint Francis Altarpiece is a five feet panel, created in 1235 as a depiction of Saint Francis and the church. The portrait was painted on wood panel and in gothic like form. Nonetheless, this masterpiece is representation of time, the complexity of the painting and the

The Grande Odalisque is an oil painting from 1814 by Jean Ingres. The painting is of one of the most famous harem girls in the history of art. The girl is young, nude, and beautifully lounging in a luxurious environment with a turban on her head an a peacock feather fan in her hand. This painting is currently located at the Louvre Museum in Paris and can be found in any art history textbook. The word Odalisque in the title is a French term for a woman kept as a sex slave in a Turkish, Persian, or Arab harem. In lecture we are shown how this image has been borrowed and modernized for an advertisement in a 2005 magazine for a cosmetic lotion. The image is also of a young nude girl lounging and showing off her smooth shiny skin with a turban located on her head and a peacock feather fan in her hand. This ad now has a level of credibility or ethos added to it now that we know of its origin and this may help sell the product better. This image also comes with an ideology that can still appeal to people in the 21st century by giving us a belief that men want to have a harem and for

The Breakaway was painted by Thomas William Roberts, an Australian artist known for his national narratives. This is demonstrated through, The Breakaway, as it tells the story of a drover trying to prevent a mob of sheep from running away from the pack. During the 1890’s there was a drought which is depicted in the painting, with dust being kicked up and dry, arid landscape. In 1891 a shearers strike began leading to the formation of the Australian Labor Party which suggests the lack of assistance that the drover is in need of.

This helps to create a close up look at the view outside the window suggesting the intimacy between the artist and the habitat outside. This is because the focus is almost wholly given to the view outside the window. The view, which is embellished by the presence of flowers sitting on the windowsill, and creepers climbing on the railing, is located in the center of the composition. Despite the lack of a line of symmetry and any logic or geometric order, Matisse has been able to draw the attention of the viewer’s eye through the use of bright colours, almost fluorescent, which were used to portray the calm sea with its floating blue boats, and the sky tinted with the colours of the sunset. The calm sea at the horizon is painted with unreal tones of pink, sky blue, and violet whereas the boat, painted with tones of indigo, orange and green, seem to move along with the light breeze. “The Open Window” is also a painting in a painting, as the sea and the creepers reflect on the shutters of the window creating different perspectives for the scene

Writer, James Baldwin believed as an artist, one must pursue and attain a “state of being alone” to find one’s way. (Baldwin, Creative America, p. 1) Like Baldwin, aloneness was a “silence” that painter Beauford Delaney described and which he found in light, a spiritual as well as atmospheric light. Each man needed this “light,” this “silence,” and this “aloneness,” as Baldwin said, to “illuminate [the] darkness;” to delve into their individual creative spaces, explore their shared cultural backgrounds, and embrace their trans-global identities.

Depending on which piece of the collection is viewed, vertical parallel or horizontal lines varying in weight stretch across the composition. The vertical lines give Germaux’s piece a strong and stable feel, whereas the horizontal lines provide a more calming feel for the viewer. The repetition of parallel lines in Parallel Play creates beauty through dissimilarity. The predictable order of the parallel lines contrasts the stir of circles located adjacent and causes the lines to beautifully model simplicity and structure. In addition, by painting dark contour lines around the colorful circles, Germaux is able to aid the viewer in distinguishing the individual circles and identifying the beautiful pattern that they

The 1920s and 1930s was a time when everyone was inspired by jazz and urban, black expression. It was a moment when modern African American culture took people's imagination. Archibald Motley, an visual artist, born in 1891 in New Orleans, LA and raised in Chicago, IL was one of the most widely recognized African American artists in the 20th century. And one of the most important 20th century artist in Chicago. He contributed to artistry of black culture and history in many different ways. Not to mention, Motley was a great importance during the Harlem Renaissance time period, known as a symbolic painter. Greatly known for his paintings of jazz culture in passionate city scenes and black social life. Motley made many contributions to life in

Philosopher Alain De Botton uses Vincent Van Gough to persuade his audiences into seeing and embracing our environments so that we can full understand the extent of their impact on society/us, “It was for Van Gogh the mark of every great painter to allow us to see certain aspects of the world more clearly” this evaluative statement highlights De Botton's and Van Gough's attempt to convince the respondents of their neglectfulness to their elements in their travels and everyday lives. As Van Gough’s distinct style of representing forms expresses his emotions of society, “Artists could paint a portion of the world and in consequence open the eyes of others to it”, said by Alain De Botton suggests that artists eyes are open to the world and it is those that we see it through. Like wise in Ljalkaindirma, Albert Namatjira uses his cultured beliefs of traditional Aboriginal customs demonstrated by his use of vector lines and light to give the painting depth and meaning connecting it to the traditional Aboriginal relationship between their land and culture. Namatjira builds upon this through his use of vector lines, which immediately draw the respondents towards the centre of the mountains allowing the respondents to allow themselves to identify the other aspects of the painting that extend the landscape

In 1948, one of America’s greatest artist of the 20th century, Andrew Wyeth illustrated the painting Christina’s World. This artist often created paintings that related to personal or general real life issues. The young woman in the painting happened to be a good friend and neighbor to Wyeth. His paintings often depicted the sorrow and despair of life, just like Chirstina’s. In the 18th century, another one of the greatest artist of all time, Vincent Van Gogh illustrated a very personal painting. The Starry Night is now one of the most widely known paintings in the world, but the story and meaning is not. Both artist used dark and grim themes when it came to their creations, and that is what draws the public to them. In today 's society we are able to relate to the deeper and more mentally touching symbols of these pieces of art.

Camille Pissarro is born in the U.S Virgin Islands in 1830. He is born part French and part Danish from his parents. He moved to Paris at the age of 12 to pursue his career overseas. During his time overseas, he became interested in the French Arts, especially in the philosophy of anarchism. Overseas, he also studies in different institutes to learn more about the arts. He also lived through the Franco-Prussian War of 1870, but his paintings were destroyed in the war. He moved from place to place to find inspiration for his painting around Paris.

The American art scene is home is to a compilation of skilled artists. One such artist was Thomas Kinkade. He was highly regarded for the treatment of light in his works, earning him the title Painter of Light. However, he had many more styles of painting. Under the brush name Robert Girrard, Kinkade painted a collection of pieces that distinguished themselves from his signature look, yet still had a “Kinkade” touch. These difference and similarities can clearly be seen when comparing and contrasting his works September Song and The Autumn Gate.

The artist of this painting, Jacob Lawrence, used tempera paint as his medium. Some of the things that were present in the painting, from

This essay will be analyzing the paintings Mending Socks and Barbecue by Archibald Motley. Mainly focusing on the painting to recognize and understand the visual choices that were made when creating the artwork. As well as being able to state specific elements in the painting.