The Breakaway Thomas Roberts Analysis

In his painting, Lake Superior Landscape, George Morrison uses a combination of the visual elements line, texture, and color with the principles of design of repetition and visual unity to create an intriguing, abstract take on the traditional landscape painting.

During the late 1900’s, an aesthetic movement known as primitivism integrated itself into Modern art. African and Pacific Island motifs, fetishes, and design elements were adopted into the work of Modern artists, such as Pablo Picasso and Henri Moore.19 The rise in popularity of these primitive inspired artworks helped to influence Black Americans in investigating and reconnecting with their own cultural heritage.20 One of the concerns facing Black Americans was how to merge the heritage of their ancestors with being an American. Through music, the Blues evolved from African tribal songs to songs workers would sing while laboring in the fields before and after slavery. When Black American migrated north, the Blues transformed into Jazz

The end of the iconoclast controversy has come, and the beginning of the Macedonian dynasty and/or Second Golden Age has initiated. Therefore, the art of religious figures and holy images were making frequent reappearances. Most of these images were in mosaic form. Mosaics became a prime art form during the Byzantine times. They were made by implanting normal-sized, naturally colored stones, composed with opaque glass, into a soft cement or plaster. The material presented a great variety of diverse colors.

Vicent Van Gogh once said, “If you hear a voice within you ‘You cannot paint,’ then by all means paint, and that voice will be silenced.” Like most of Gogh’s paintings, Bonaventura Berlinghieri painted what he was passion about. Berlinghieri was “…know for his poignant and detailed scene from the life of the Saint Francis on the predella (based of the altarpiece) of the Church of San Francesco at Pescia” (The Editors of Encyclopaedia Britannica). The Saint Francis Altarpiece is a five feet panel, created in 1235 as a depiction of Saint Francis and the church. The portrait was painted on wood panel and in gothic like form. Nonetheless, this masterpiece is representation of time, the complexity of the painting and the

Thomas Cole (1801-1848) was an American artist who was the founder of the Hudson River School of romantic American Landscape painting. Cole was well known for his work a being realistic and had a meticulous depiction of American landscape which featured themes of romanticism. Cole was born in England but at 17 years old his family immigrated to Ohio where Cole learned the foundation of his profession. Landscape art was not Cole’s only skill, he also was known for doing sketches, which produced some very skillful and well known pieces. Cole’s personal life was full and enriched with 5 children one of which passed away at birth, and he was married at 26 years of age to the niece of the studio he worked for in New York.

The art work that is analyzed below is the “Noah Sacrificing Deluge” by Benjamin West. This particular painting was painted in the 1800s and the artist used an Oil Paint on a canvas. This art was 1 out of 36 in a series for the Windsor Castle in England. Mr. West lived to be 82 years old and was the first Americans to become a success on the foreign market. He would become a historical painter for King George III and president of the Royal Academy of Arts. He completed 18 painting before the king’s mental state of mind and suspicion questioned West’s political loyalties which ended the project.

an everyday normal occurrence (going to a pool house) that most people will pass off is captured in a light that puts a new perception on the normal. I’d say that this is to me the most “artistic” piece because it seems so real, and so gritty and stripped back. It seems like someone who had professional training for painting decided to break every rule that he needed to just to make something he saw with his artistic eye the way we saw it.

These contemporary Australian issues are represented in the poem ‘Drifters’ through a refection of Bruce Dawe’s personal experiences as a child. Dawe grew up in the 1930’s during the time of ‘The Great Depression’. His family experienced many socioeconomic difficulties during this time, causing extreme instability within the family. Dawe’s use of symbolism in the title ‘Drifters’ represents the circumstances in which he grew up. It suggests a sense of aimlessness, constantly moving from one place too another. This doesn’t allow enough time for a connection to be established with a place, resulting in social isolation. Dawe uses imagery as an indicator of time, “The green tomatoes from the vines”, symbolism is used in the colour ‘green’ to represent an unripe fruit , suggooesting they weren't in one place for long, having to move on before they were ready. Similarly, this is explored in the poem ‘We are Going’ as the Indigenous people lost their connection to the land before they were ready, resulting in a lost sense of identity. “she won't even ask why they're leaving this time, or where they're headed for “ , suggests the mother has little control over where they’re headed next, they move so often it’s become a normal experience. As a result, the poem ‘Drifters’ portrays the contemporary Australian issues of lack of connection to land and

Thomas Cole was originally born in Lancashire, England in 1801. In 1818 he and his parents moved to America. Cole’s father wanted him to be a lawyer. However, Cole self-thought himself in the art where he found his true passion on painting. Cole always found picturesque landscapes for which showed interest at an early age. Cole suddenly became a recognizable artist working in cities such as Ohio, Pittsburg and Philadelphia where he came to work with the Philadelphia academy.

Thomas Cole’s painting, The Course of Empire: Consummation of Empire, is based in America and has an immense amount of detail as well as being “archaeologically correct and based on known sources.” The painting is extremely pleasing to the eye because the variety of pastels used throughout the painting gives it a sense of tranquility and contentment. Thomas Cole’s painting also provokes curiosity by illustrations of different of details such as the placement of people on different levels, the use of land and water, and other details . Through Thomas Cole’s painting, The Course of Empire: Consummation of Empire he is able to show his views on the government and its future.

The brilliant hues of greens, purples, reds, and yellows that are strategically brushstroke on the piece give of a sense of impressionism. The characteristics of this piece capture the modern them of leisure activity. Caillebotte’s young cousin Zoe and brother Martial are depicted in this piece through the two characters. Both characters are dressed relaxed and have middle to upper class attire. The painting contains element of modern style through the scenery and garden. The heavy brushstrokes seen in the red flower bushes represent a feeling of realism. It’s as if you could physical touch the flowers. His details are more precise than Berth Morisot’s The Basket Chair, and show how more open male artist could be with their artwork. The scene seems to be during summer with the sun radiating off the garden gravel. The light change in the artwork from dark to light, displays a feeling from relaxation to adventurous and excitement. The male figure I the piece has a calm mood to him and wears a straw hat while reading a newspaper that demonstrates a sense of modernism. According to the Museum of Fine Arts of Houston (MFAH) Web site, “Capturing the specific light effects of midday, Gustave Caillebotte contrasts the cool colors of shade with the dazzling, flattening effects of direct sunlight” (2014, para. 1) Caillebotte creates a diagonal line that moves from the lower left

In The Race Beat, authors Gene Roberts and Hank Klibanoff explore the struggle of civil rights in the South from the early 1900’s to the 1960’s. Some major events during this time include World War I, World War II, the Brown vs. Board of Education case, the Voting Rights Act, sporadic periods of lynchings and riots, the Civil Rights Act, Jackie Robinson’s career with the Brooklyn Dodgers, and the achievements of Martin Luther King Junior. Within this book is the examination of various means of publicity and their significance to the civil rights movement. The authors employ mediums such as journalism, interviews, television broadcasting, and articles to support the claim that the Press has the power to drastically change race relations within

Thomas Hart Benton was an American painter and muralist during the 1930’s. He was born in Neosho, Missouri in 1889, and died in 1975. Benton grew up in a very political family. Because he grew up in a political family, that influenced some of his earlier works as an artist. At age seventeen, he moved to Chicago to study under Frederick Oswald at the Art Institute of Chicago (Source one). Just two years after he arrived at the Art Institute, he began to study Synchronism, which focused on the musical qualities of color. He then moved to New York in 1913 to experiment with his new found interest in Synchronism. He created beautiful pieces of art in his time in New York. Soon after he moved to New York, he was drafted for World War I.

The Holocaust, was a mass genocide where six million European Jews were killed by Nazis under the dictatorship of Adolf Hitler. The horrific events that took place in 1933-1945 where millions of innocent life 's were taken; six million Jews and 5 million more innocent life 's. After experiencing being in the presence of a Holocaust survivor and being a witness to their story inspiration took ahold of me. I was emotionally captivated and impacted through the story and the many artefacts that spread across the museum. However, the major factor that contributed to my sudden interest is that these horrible and unimaginable events were part of reality that happened 84 years ago.

My landscape acrylic painting is done on canvas, and depicts a cabin in a outdoors environment.The foreground of the landscape consists of a mixture of yellow, green, orange, and dark orange grass. As the viewer 's eyes move up there is a skinny patch of orange, and dark orange grass that passes all the way from the right side to the left. After the skinny patch of orange and yellow grass ,in the middle ground, there is a house that consists of brown, cream, and black. The house has a black roof with a cream color highlighting the top and edges of the roof; the walls use brown with a cream door on it’s left side. The house is getting covered by three bushes made from yellow, brown, black, green, and white. One bush is on the house’s left side, yet only overlap