Archibald Motleys Art Analysis

Modernism and popular styles became indistinct from each other in the 1950s. Art was never the same after the Holocaust and atom bombs. Plurality of visual forms existed in 1950s. If we take 1950s painting as an offshoot of New York school of abstract art, then photography in the 1950s is a more eclectic phenomenon, harder to classify. This can be attributed to the commercialisation of photography by the mid-century due to the rise of print media during the 1940s. There was an upsurge in newspaper photography. Newspapers like the Rocky Mountain News in Denver specialised in hardball journalism, featured regular photographer Morey Engle with sensational pictures. The emergence of new magazine like Ebony in 1945 provided work for African American

In the case of Jacob Lawrence, his personal style brought the African-American experience to life using contrasts between dark and vivid colors. Nonetheless, two examples of some of his most known paintings include “ The Builders, The Family” and “This is a Family Living in Harlem”. While both paintings are similar in that they both show strong family unity in the African Culture, they are different in the setting where each of the paintings are taking place.

The Manly Art tells the story of boxing 's origins and the sport 's place in American culture. The book was first published in 1986, the book helped shape the ways historians write about American sport and culture, expanding scholarly boundaries by exploring masculinity as an historical subject and by suggesting that social categories like gender, class, and ethnicity can be understood only in relation to each other. In 2010 it was republished and features a new afterword, the author 's meditation on the ways in which studies of sport, gender, and popular culture have changed in the quarter century since the book was first published. An up-to-date bibliography ensures that The Manly Art will remain a vital resource for a new generation.

The Great Migration was the movement of 6 million African-Americans out of the rural Southern United States to the urban Northeast, Midwest and west. How did it have an effect on there families? And how did it change their lives for the better? African Americans faced many trials from the great migration they were forced to move from their homes, they moved from the south to other parts of the country, in 1900s the had set off looking for jobs some we 're looking to get away from the racism many were looking for schools to accept them, but Chicago, Pittsburgh, Cleveland, New York and Philadelphia had all experienced a spike in population. For example Detroit had a original population of maybe 6,000 in 1910, but by 1930

In the museum of Salvador Dali over at St. Petersburg, Florida, there were several artworks that caught my attention because Dali’s artwork is genuine in many ways. Although I was impressed by all the artworks, there was a particular one that interested me completely. The artwork is the painting titled “Old age, Adolescence, Infancy (The Three Ages)”. This is a 1940, oil on canvas painting with dimensions 19 5/8 in x 25 5/8 in. The subject matter in this work is the three phases of life. The painting depicts what seems to be a panoramic view from afar but looking closely each aperture and objects make up the impressions of faces. From the left side there seems to be an aperture looking over a big cliff with branches of trees. This cliff and branches make up the face of an old person. The rock exposures within the cliff form the illusions of wrinkles, wrinkly lips and a long and untreated mustache. The branches give the effect of baldness, contributing to the overall appearance of an old man’s face. Over in the middle of the painting, there is a more pronounced aperture looking over a waterway and rocks. The outline of the aperture makes up the shape of the face, the woman sitting down looking over the other way forms the mouth and nose of the face and the rocks at the distance form the eyes. All these objects clearly form the face of adolescence. Over on the right side there is a smaller aperture looking over the shore and what seems to be a woman on her knees. The figure of

The art work that is analyzed below is the “Noah Sacrificing Deluge” by Benjamin West. This particular painting was painted in the 1800s and the artist used an Oil Paint on a canvas. This art was 1 out of 36 in a series for the Windsor Castle in England. Mr. West lived to be 82 years old and was the first Americans to become a success on the foreign market. He would become a historical painter for King George III and president of the Royal Academy of Arts. He completed 18 painting before the king’s mental state of mind and suspicion questioned West’s political loyalties which ended the project.

The Breakaway was painted by Thomas William Roberts, an Australian artist known for his national narratives. This is demonstrated through, The Breakaway, as it tells the story of a drover trying to prevent a mob of sheep from running away from the pack. During the 1890’s there was a drought which is depicted in the painting, with dust being kicked up and dry, arid landscape. In 1891 a shearers strike began leading to the formation of the Australian Labor Party which suggests the lack of assistance that the drover is in need of.

In the Loge, by Mary Cassatt is a very interesting piece of artwork. The artwork depicts what appears to be a woman, viewing a play or some kind of entertainment inside of a theater. The woman’s gaze is set on whatever the entertainment in front of her is. However, the man across the theater is looking directly at the woman, yet he appears to be attending the show with a woman himself. This painting appears to be set sometime in the past, the outfits the people are wearing appear to be very outdated. This painting is obviously a representational artwork, because it clearly depicts an event that could have actually occurred. There is no odd parts or unusual events occurring in the painting that could make it an abstract piece of art.

African Americans face a struggle with racism which has been present in our country before the Civil War began in 1861. America still faces racism today however, around the 1920’s the daily life of an African American slowly began to improve. Thus, this time period was known by many, as the “Negro Fad” (O’Neill). The quality of life and freedom of African Americans that lived in the United States was constantly evolving and never completely considered ‘equal’. From being enslaved, to fighting for their freedom, African Americans were greatly changing the status quo and beginning to make their mark in the United States. They have endured severe oppression and racism for many years and suffered under Jim Crow Laws as well which were created specifically

In the story entitled “The War of the Wall”, by Toni Cade Bambara, two boys are walking to school and find a surprise. They realize someone is painting over there special wall. The boys tell their parents who don’t care. With no help from their parents, they decide to go out and buy epoxy paint to cover up the wall. While ready to paint, they realize the painting was done already. It is a beautiful painting with one inscription they notice on the side. This wall was dedicated to Jimmy Lyons who was a friend of theirs. Jimmy was going to take them fishing when he came home from the war, however, he did not return.

In the time WW1, a wild new popular culture emerged in the United States. In part, it was a hedonistic and extravagant reaction to the hardship and austerity experienced during the war. Some have referred to it as the Roaring Twenties, while others have called it the Jazz Age. When one speaks of the Jazz Age, what comes to mind is a decade of partying, of the Charleston and jazz bands, of female flappers and loose morals, of bathtub gin and speakeasies, all combined and intertwined into a celebration of American technology and ingenuity that, over the course of a decade, provided average U.S. families the materialistic conveniences of automobiles and modern appliances. A truly remarkable chapter of American history, Jazz was the soundtrack to it and came to embody the attitude of the burgeoning counterculture. One of the defining aspects of the Jazz Age was the Harlem Renaissance, a cultural explosion that took place in Harlem, New York. It was a movement wherein African-American writers, musicians, and intellectuals came together to celebrate their culture and create brilliant works of art that not only transformed black culture, but American culture at large. Jazz, being a predominantly black art form, played no small role. Composer William Grant Still was one of the most important musicians of the Harlem Renaissance movement. The values introduced by the

In his Highbrow/Lowbrow The Emergence of Cultural Hierarchy in America (The William E. Massey Sr. Lectures in the History of American Civilization, 1986), Lawrence Levine reviews the American public culture in the nineteenth and early twentieth century. He believes that American public culture was shared across classes through the mid-nineteenth century. By the later nineteenth century, the upper classes began to divide culture into hierarchal categories, and labels of "high" and "low" came to expressive culture, such as Shakespearean drama, opera, and orchestral music, as well as institutions such as museums.

“The Wild One” written by art historian Ellen Landau focuses on the psyche of post World War 2 American society and how Jackson’s Pollock’s influence was able to shatter the conventions of an “American hero”, simultaneously bringing about change to what is considered to be an acceptable approach to picture making. Landau’s article begins by asking the question “is he the greatest living painter in the United States?” , she lays this as the platform for her central argument, linking this argument by thoroughly evaluating Pollocks deep rooted personality traits which brought about his own unique style of art making.

Immigration has shaped the United States as a nation since the first newcomers arrived over 400 years ago. America has been known to be a nation of immigrants. Most immigrants viewed America as the "Land of Opportunity." Back in the mid-19th century to the early 20th century immigrants mostly from eastern and westerns Europe were leaving their home to find work in order to allow them to live a better life and to practice their religion freely. Many immigrants came to America seeking greater economic opportunity. America technically kept its promise but the quality of the job that came with it was terrible. They had jobs but the conditions were horrible

The Harlem Renaissance was a period of great cultural growth in the black community. It is accepted that it started in 1918 and lasted throughout the 1930s. Though named the ‘Harlem’ Renaissance, it was a country-wide phenomenon of pride and development among black Americans, the likes of which had never existed in such grand scale. Among the varying political actions and movements for equality, a surge of new art appeared: musical, visual, and even theatre. With said surge, many of the most well-known black authors, poets, musicians and actors rose to prevalence including Langston Hughes, Countee Cullen, Louis Armstrong, and Eulalie Spence. The development of many unique styles of such art was also started due to the Harlem Renaissance, much