The Relationship Between the Creature and the Creator Rough Draft Frankenstein written by Mary Shelley goes in depth to the theme of the relationship between the Creature and the Creator. Categorized as a gothic novel. Victor Frankenstein develops an interest in science after reading about the "wild fancies" of several noted alchemists who live hundreds of years before him. He maintains driven by ambition and scientific curiosity. His quest for absolute knowledge and power will eventually end his own ruin.
In Frankenstein, Victor asks Walton for a favor as he lies on his deathbed saying, “I asked you to undertake my unfinished work; and I renew this request now, when I am only induced by reason and virtue” (157). Shelley repeatedly uses the root word “un” in the words “undertake” and “unfinished”, as the root of both words means not, directly contradicting Victor’s claim that he is “only induced by reason and virtue”. Just as Satan is notorious for being deceptive, Victor also uses deception to his advantage in an attempt to convince Walton to carry out his revenge against the Creature after he dies. Victor’s trickery is very similar to Satan’s plan to tempt Adam and Eve into pursuing knowledge. He sneaks into the Garden of Eden disguised as a snake, a creature with a reputation for being notorious trickster who uses deceptive language to play tricks on humans.
"Believe me, Frankenstein, I was benevolent; my soul glowed with love and humanity; but am I not alone, miserably alone?" (M. Shelly 114). Therefore the daemon's nature must be loving and compassionate, but because he experienced a lack of nurturing, that he was expecting to receive from his creator, Frankenstein, this then caused the daemon to be monstrous and seek revenge upon his creator; therefore Frankenstein's pain was a result of his own failures. The character of Frankenstein argues that both nature and nurture influences the behavior of people through his actions against his very own monster and in turn the effect of those actions on himself. Frankenstein left the monster alone, and the monster reacted for seeking that Frankenstein should feel just as much loneliness and woe and he did by killing off his entire family.
As Lawrence Lipking rightfully assessed the creature at first is “too good” (Lipking 428) and “innocent” (Lipking 428) but sooner rather than later “hostility and prejudice of men” (Lipking 428) awake desires of violence and revenge in it which lead to its awful plot against its creator. There is a huge shift in the emotions of Victor Frankenstein once his work is done and the creature finally opens its eyes. While
This is prevalent due to the fact that the moment the monster is created, Victor calls it a catastrophe and is horrified by what he has created. He explained, “The beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 51). When Victor uses words such as “dream vanished”, “breathless horror” and “disgust” he is showing his emotions for the
The fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost
Duality is shown in Mary Shelly’s Frankenstein, a gothic tale of a scientist whom looks to advance the life-giving qualities of mother nature. Through this novel, Shelley proves that good and evil in human nature is not always simple to define, and that everyone has both of these qualities within them. The duality of human nature is shown through the characters of Victor Frankenstein and his monster, who are both heroes in the novel while simultaneously displaying anti-hero qualities. Shelley forces the reader to sympathize with them both but also creates gruesome ideas of the two. Frankenstein’s creature places himself in a submissive position when he begs his creator to have mercy on him and asking the creator to “create a female for [him] with whom [he] can live in the interchange of those sympathies necessary for [his] being.”
Though the creature is a man-made creation, he still as a part of nature and requires nurture. When denied this basic need, death and sorrow soon follows. In Mary Shelley’s Frankenstein, it can be argued that the creator, Victor Frankenstein, could be considered the “monster” rather than the creature itself. Victor’s creation was made in greed and obsession. Not only did Victor steal the body of a murderer, he stole the brain of his most influenced professor.
In the novel, Frankenstein by Mary W. Shelly, Victor Frankenstein creates a creature. The creature and Victor Frankenstein have conflicts between each other, which is why Robert Walton is necessary to help the reader relate to Frankenstein, by having many of the same attributes are Victor Frankenstein does. Robert Walton has many similar traits to Victor Frankenstein, ultimately helping the reader greater relate to Dr. Frankenstein. Even though Frankenstein is viewed as a monster himself and Walton is considered a normal person.
When making the decision to destroy his half-finished female form, Victor recalls that he had already “created a fiend of unparalleled barbarity” in his first monster, and that this new creation might even be “ten thousand times more malignant than her mate” (138). In the wake of the trauma the monster has caused both to himself and his family (via his post-partum depressive state and the deaths of Justine and William respectively), Frankenstein is now overwhelmingly conscious of the horrible consequences that birth can entail. In contrast to his previous aspirations, he characterizes his creation with words of negative connotation such as “barbarous” and “fiend,” and suggests that a future creation could even be exponentially more evil. Victor’s initial dreams of fatherhood have been grotesquely morphed into terror of future creation, which would be made possible by creating a female monster. He speculates that one of the first results of creating a mate for his monster would be a “race of devils…propagated upon the earth” who would make the “very existence of man…full of terror” (138).
In many novels throughout literature, enemies often share striking similarities. They push and pull at each other to the point where they lead to the each others undoing, yet they share tremendous likeness. In the novel Frankenstein, by Mary Shelly Victor Frankenstein and his creature are two sides of one person. Both despise each other, and in doing so they are despising themselves. There is a power struggle between the two adversaries, which leads to both Frankenstein, and his creature ending up alone.
The Theme of hatred and revenge is shown in these lines of Othello because Iago is admitting the second part of his plan to seek revenge on Othello. After already getting Cassio fired, Iago plans to further his revenge on Othello by trying to manipulate him into believing that the only reason Desdemona is asking Othello to hire back Cassio, is because they are having an affair together. Portrayed in another way, the theme of hatred and revenge is displayed in Frankenstein when the creature and Frankenstein are talking to each other on the Alpine Valleys of Chamounix. Frankenstein tells the creature that he hates him and that he wishes to kill him, while the creature wishes to seek revenge on Frankenstein for living a miserable life. He is also seeking revenge on Frankenstein by threatening him to choose between complying with his demands or letting your family die.
In Chapter 15 of Frankenstein, the author compares the monster to Adam (the first man) as well as comparing Victor to God. I believe that Frankenstein is not as much a commentary on the bible, but rather on the nature of man. In Frankenstein, Mary Shelley compares the monster and Victor to biblical figures in order to relate that everyone is capable of moral good and evil. As we see in the novel, the monster is much like Adam in that he desires companionship, he is made in the likeness of his creator (a man), and he eventually turns to evil.
We are gathered here today for the trial of Mr. Creation and Victor Henry Frankenstein. The creation is charging his creator, Victor, with negligence, reckless endangerment resulting in the involuntary manslaughter of William Frankenstein, Henry Clerval, and Elizabeth Lavenza, malpractice, emotional, and physical distress. My client, Mr. Creation, has suffered many times at the hand of his creator, and we are here today to see that justice is served for the cruel actions of Mr. Victor Frankenstein. In the following trial, we will be proving the defendant guilty of all the above charges. Mr. Creation is charging his creator, Mr. Victor Frankenstein, with negligence.
Mis-en-Scene Analysis: Frankenstein The creation scene of director James Whale’s film Frankenstein (1931) emphasizes the contrast between light and dark lighting combined with clashing sounds to leave the audience with a reminiscent chill. The classical story by Mary Shelley has been interpreted though film numerous times which has allowed directors to make subjective decisions with the portrayal of the story. The swift, back-and-forth camera angles that Whale utilizes aim to convey the ferocity of the nature-defying creation scene. The four components of mis-en-scene employ German Expressionism tactics throughout the course of in order Frankenstein to highlight the theme of classism that is prevalent throughout the film.