Though juror 3 has been adamant on the guilt of the young boy it is safe to say that this case meant more to him because the relationship with his son is similar to the relationship between the boy and the father. Since his personal vendetta causes him to forcefully accuse the boy of murder it leaves the jury 11-1 in favor of not guilty. Since carefully reviewing the movie it becomes very prevalent that there has not been enough substantial evidence to convict the boy of murder. Furthermore, with the usage of group think all of the men, accept juror 3 are able to put their pride aside and vote what they truly believe the verdict should be, which is not guilty. Though, one of the more pragmatic points in the film happens after juror 3 becomes infuriated after realizing that all of the men are voting not guilty.
Personal baggage, this is the flaw that juror three represents. Juror three was very stubborn throughout the movie, a personal issue with his son had caused his stubbornness. It may be seen as a flaw that each juror in the movie carried personal baggage, but the jury consists of peers of the accused, and without personal baggage would the jury system work the same? In Figure 1 juror three is represented by a square, he is very opinionated and snappy. Juror three was stubborn and didn’t consider the thoughts of other or the facts that others had brought up.
Progressively, the jurors begin trying to compromise on a point that everybody agree because the decision of the jury has to be unanimous. Eventually, the votes of the eleven jurors are converted by convincing speech and peer pressure. Therefore, they made a not-guilty decision. Twelve Angry Men emphasize social psychology theories in the fields of conformity, eye-witness testimony, schemas and heuristics, attitude change (persuation and social influence) and group process (polarization).
The Jurors were not very open to hearing every detail that Juror Eight gave to prove the boy’s innocence. He had a positive attitude that was not changing at all; he stood up for the boy even if the boy did murder his father. Juror Eight did not wait for others to defend the kid, he stood up and started the process. Bernard Roth, a Stanford professor and author of The Achievement Habit writes, “You can sit around in the dark waiting for the light to come on, or you can get up walk across the room, and flip the switch yourself” (Roth 105). This quote ties in with Twelve Angry Men because Roth is saying that a person can wait for something to happen on its own, or they can get up and do something about it.
12 angry men THE STORY UNFOLDS in front of us. The film places us as the audience into the shoes of the different jurors. Forcing us to make tough decisions of character and morality. We’re told very quickly and very efficiently that we’re dealing with a life-and-death situation. The jurors need to sentence a young man being accused of murder; all 12 jurors must come to a unanimous decision if they decide he’s guilty he’s be executed.
Several feature films of the 1950’s showcase a variety of war and criminal justice themes, specifically 12 Angry Men directed by Sidney Lumet. Released in 1957, the film focuses on a contentious case, where twelve diverse jurors must collaborate and determine the fate of the defendant. With seemingly substantial evidence, viewers are taken into the jury room, where all but one juror are quick to return a guilty verdict. Although a unanimous finding is required, juror number eight, played by Henry Fonda, questions the evidence, unable to return a verdict without further examination of the documentations and testimonies. Insisting the jury take additional time to analyze reasonable doubt within the evidence, Henry Fonda utilizes critical thinking and reasoning skills to depict through the case.
Juror number 3 went off knowing that they’ll spend some time in the room debating whether the boy was the murderer of his father, along with the other jurors. The way juror number three was displaying in a way was that he was judging the boy since he was in the courtroom and mentioned he looked as guilty as ever, but this preconceived notion goes more into depth with the same juror commenting about his background. When someone has the mind of bias thinking, that person is entitled to only see the flaws of others and not the positive qualities one possess, yet can’t see their own mistakes committed noticed. As this continues, juror eight viewed this case and led some other jurors to think and dramatize the evidence they were given by the testimonies from what they saw. Little by little, the jurors start to change their opinion about the case of the young man and have been supporting juror eight by the facts he has stated in the room, yet juror three still wouldn’t reason correctly and thought the guy should convicted of the
As they enter the jury room, all but one is persuaded of his responsibility in a straw vote. There were several different characters at work; the task-oriented jury foreman, the gentle business man who finally finds his voice, the oppressor who was open about his bias, and juror number 8 who refused to vote guilty without considering all of the indication. An interesting social psychological existence was the eye-witness testimony. A woman who wore glasses appeared that she saw the murder. Jurors, however, misjudge the precision of eyewitnesses.
In the play Twelve Angry Men by Reginald Rose twelve jurors in a court have to try to decide If a boy is guilty or innocent in the charge of murdering his father. With this we get to see many personalities within all the jurors making them all extermenley different voices being heard the the courtroom. For this assignment we created shapes showing off the personalonalities for three jurors, the twelfth, eighth and third jurors as they all have they different and distinguishable personalities. While juror eight is logical and tries to examine all the evidence thoroughly, juror three is brash and goes against his personal pregidef.nces, strongly sharing all of them to the other jurors. Juror twelve was the one I had watched in the movie, he didn 't
This definition seems to be so specific, that is, one cannot always return the owned thing; for instance, you ought not to return the weapon of a madman, because he will most probably use to harm others. I believe that Cephalus is not one of those who have nothing to say, because their whole mind has been absorbed in making money. His definition of justice is all about what is just around himself, he can justify himself as a righteous man. The only reason people listen to his weak argument is because of the respect that his old age brought. Polymarchus’s definition of justice, in fact, is more general than Cephalus's.