The Godfather (1972) is a one of a kind movie; it is even considered by many an American classic. The American Film Institute (AFI) has The Godfather listed at number two in 2008 as one of the greatest films in American culture today. This movie has everything from great action scenes to world famous actors. This movie stars Marlon Brando, Al Pacino, and James Cann among many others. The Godfather portrays one major theme throughout the entire movie and that is violence. Almost every scene in this movie is either a shot of actual violence accruing or the audience sees some of the characters talking about violence. However, it is the violence in this movie that makes it the classic it is today. The opening scene in The Godfather is of man pleading …show more content…
Corleone has his back towards the camera and the audience feels that something bad is about to happen. Moments later the camera shows men running towards Corleone with guns pointed toward him. These men start shooting Corleone until he falls to the ground. These men shot Corleone because he refused Sollozzo's offer. At the same time Corleone is being shot, Sollozzo captures Hagen and tries to convince him to tell Corleone's oldest son Sonny (James Cann) to take the offer. This is one of the less graphic scene's the audience gets to experience, this is probably done discretely because it represents the respect people hold for Corleone. Here, the audience experiences more of an emotional effect when Corleone is shot. Even though he is a mob boss the audience has learned to except and like Corleone and to see him shot causes sadness. There is hope for us that he is okay and that becomes a …show more content…
The Corleone family has a very strong bond and will do anything to keep the family safe and together. We especially see this when Sonny gets a phone call from his sister Connie (Talia Shire.) Connie proceeds to tell Sonny that she is being abused by her husband Carlo (Gianni Russo.) With this news Sonny goes and beats up Carlo and warns him that if he touches his sister again he will kill Carlo. Just as the audience expected Carlo beats Connie again and so now Sonny goes to kill him but while Sonny is at a toll booth he is ambushed and shot to death but the other rival
In addition, he murdered two men in New York however he was not punished due to the gangland etiquette that no one admitted to hearing or seeing a thing. After that, Capone moved to Chicago to work for Yale’s old mentor John Torrio and he then became an influential lieutenant in the Colosimo mob. Torrio, with time, became a main member in the mob and Capone gained experience being Torrio’s strong right arm. But then, things started to change to the better for Capone when Torrio was seriously wounded in an assassination attempt which forced him to retire. Capone became the boss and built a fearsome reputation in the ruthless gang rivalries of the period.
Sonny woke up to the noise of a lady cutting his leg with a chainsaw. As the nightmare went away he got up and walked around his house thinking about what the dream could mean. As that faded from his mind he began remembering last night. He remembers Rita and he were talking about their future. She brought up the topic of marriage which he denied, saying that he was only thirty and still too young to settle down.
The Godfather The concept of Verisimilitude seemed to fail for the most part with this movie. In numerous scenes, such as where someone or something died, the viewer watches an incredible dramatic and exaggerated performance play out before them, which is especially tough to imagine happening in their own life. Specifically, in the incident where the godfather is shot at the market, he dramatically falls onto the car, stops due to gravity, then flops over a few extra times before hitting the ground and moving again once more. I suppose the intention of the actions here are to convince the audience that he is truly and surely dead. Another example would be the famous scene with Jack Woltz, who awakened with a severed head of a horse at the
It did have guns, violence, expensive Cadillac cars and nice suits, however the way Scorsese told the story was something new. We got to a personal level with the protagonist, we heard his thoughts and emotions, witnessed his weak moments. This was not explored in the genre as in depth as it was in Goodfellas. The audience doesn’t get the immediate sense of a rise of power because the protagonist is doomed never to reach nobility as we do see in such films as Scarface and Public Enemy. The Protagonist, Henry Hill, would have never been a leader or boss of the mob family due to his Irish inheritance.
Throughout the course of cinematic history one of the most popular genres of film has been “gangster” or “crime”, in particular a focus on the Mafia. A couple of the most popular films have been The Godfather, The Godfather Part ii, and Goodfellas. Some of the similar characteristics that the audience notices after watching these movies are: violence, power, family, etc. Of course those examples of films come from the perspective of the American directors who made them. Films like La Siciliana Ribelle (The Sicilian Girl) and I Cento Passi (One Hundred Steps) offer a perspective from Italian filmmakers.
He was feared by many, but people did not fear Al Capone himself: they feared what he could do more than anything. Capone was ruthless, just like when he ordered the assassination of seven rivals. Al Capone earned the title of the most infamous gangster in American history because of his gang life like by ordering assassinations and running a bootlegging empire (“Al” History). Capone was a family man; he married an Irish-Catholic woman named Mae Josephine Coughlin(“Al” History). They had a son named Albert Francis “Sonny” Capone(Al).
The director Martin Scorsese’s characterizes the New York mafia in the film Goodfellas on the basis of a true story, and the commonality that Scorsese has with the director Baz Luhrmann’s film, The Great Gatsby (2013), is that they share a depiction of characters in New York organized crime which creates the cinematic mood reflecting different eras. The cinematic language of both directors’ communicates to viewers by way of their artistic use of mise-en-scène, staging and design, as well as composition in a drama genre. The film Goodfellas departs from the consistent violence of a gangster film genre through the way Scorsese portrays the characters. For example, the scene where Henry’s (Ray Liotta) voice-over point of view shifts to his wife Karen (Lorraine Bracco), she describes her average lifestyle, and later the film depicts mise-en-scène in the expensive parties, family gatherings, poker gambling games, and restaurant/night club gatherings.
It was a beautiful elaboration of the human struggle and heart. The image of a good-hearted mobster is one epitomized by Frank Sinatra. Ever since Sinatra was a child, he had ties to the Mafia. He grew up in Hoboken, New Jersey which was a hub for organized crime. This made it virtually impossible for him not to come in contact with the criminal world at some point.
The movies made car crashes, gunfire, and killing seem like wonderful things just because these gangsters had cool cars, girlfriends, and nice clothes (Lieurance 71). These gangsters were so glorified in the movies, but in real life, they were no joke. “During the first ten years of the 18th amendment, the murder rate climbed to 78% across the country and the arrests for drunken driving increased by 81%” (Hanson). One of the most popular and well-known gangsters in the 1920s was Al Capone (Lieurance 72). His most popular nickname was “Scarface” because when he was young he was attacked by a man named Frank Galluccio that cut his face three times with a razor (Lieurance 72).
The brother of the woman, who was a local gangster by the name of Frank Galluccio, protected his sister by taking out a knife and slashing Capone across the face, leaving a permanent scar on his cheek and claiming the nickname "Scarface.” Another incident occurred at a craps game after losing; Capone shot the winner and stole the prize. Later, when questioned by police, nothing happened because there were no witnesses (The People
One day people spotted two of Capone's biggest enemies conversing with each other. Capone ordered a hit to kill them both. They killed both of his enemies plus the “Hanging Prosecutor”. The “Hanging Prosecutor” was trying to prosecute him for previous murders and were talking to Capone's enemies at the time. After that the city of Chicago got sick of all the gang violence in their city.
After watching The Godfather, one of the main characters that really stood out was Tom Hagen, played by Robert Duval. We see from watching the movie that family is important to the Corleone family, and Tom is a key factor to keeping the family together as their consigliere. Though he is not related by blood or marriage, he was brought in and raised as a son and brother. His loyalty to the Corleone’s is unfathomable, and this is well represented as he is the right-hand man to the Don. He also acts as the form of reason and consciousness within the mobster realm amongst the men.
What Scorsese did differently was that he made male protagonists vulnerable again, just like they were in the old mobster movie days, but in a bit more realistic way Scorsese produces movies in a way that, according to Kolker, he „Determines our point of view and our emotional and intellectual attachment to the film. We are therefore, scarcely allowed any separation from what the central character is seeing. “ (218). He even does this directly by breaking the fourth wall twice in Goodfellas, and therefore making us feel as though we are the acomplices in all the things that were happening in the film. And we all know that it is very hard to judge ourselves effectively.
The Godfather (1972) is said to be one of the greatest films ever made. When this movie was released in 1972, it was nominated for Ten Academy Awards and it won three: Best Picture, Best Actor and Best Adapted Screenplay. The film was adapted from the book with the same name written by award winning author of mafia fiction, Mario Puzo. This film takes place in a span of ten years following the life of Don Corleone, the head of the Corleone Crime Family. It was a film that changed the history of cinema, introducing a very talented filmmaker and several acting legends in the telling of a story of a Sicilian Crime Family.
The critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters