Several Arab stories illustrate the oppression of women under patriarchal societies through controlling female sexuality that results in broken identities. In the Women of Sand and Myrrh, after Suzanne evidently enjoyed their lovemaking, Maaz reminds her of the traditional gender roles of women, “God created you to bear children, and to give pleasure to a man, and that 's all.” By saying this, he indicates that Suzanne should never delight in sex as it represents a purely functional purpose for women. The idea of sex as a process serving men alone perplexes Suzanne who asks what Maaz means, and he answers, “God created women to make children, like a factory. That 's the exact word, Suzanne. She 's a factory. She produces enjoyment for the man, not herself.” As Maaz places Suzanne in her “proper position,” one that underlines the reproductive utility of sex to women only, not men, Al-Shaykh demonstrates gender inequality. …show more content…
Unable to control their lives, the female “I” vanishes due to the imposed “we,” the kind that men designate and control according to their interests. Suzanne demonstrates identitylessness as she fills the void of her inner self through multiple sexual affairs. While sexual expression does not provide a strong foundation for one’s identity, it, at the very least, enables the articulation of a woman 's identity that challenges the pressures of patriarch and social customs, as Saddik Gohar argues in "Empowering the Subaltern in Woman at Point Zero." Gohar asserts that literature demonstrates the creative ways that the subaltern resists oppression. In the case of Suzanne, sex becomes a source of freedom, a means of empowerment to women in repressed social
Gender constructs are virtually everywhere. No matter what society, time period, or seemingly progressiveness of a people, gender continues to shape and limit ideologies. In Louise Erdrich’s novel The Last Report on the Miracles at Little No Horse, the main character experiences the limitations of gender constructs firsthand as she finds herself transformed to a male to achieve her goals of becoming a priest. It is after this transformation takes place that Father Damien is able have control over his life which he did not previously have living as Agnes.
There are women all around the world who are being continually treated as objects, and the majority of them are being forced to live lives that aren’t their own, lives that were devised for them. Elizabeth, a woman in the short story, “The Leaving” by Budge Wilson, was treated her entire life like a maid; she even began to believe that her only purpose was to wait on her family and get the daily chores done. Not once in her entire life was she ever thanked for the hours of labor she completed from day to day in order to benefit her family. On the other hand, Samia from the short story, “Another Evening at the Club” by Alifa Rifaat, was forced to go along with an arranged marriage, the man she married being wealthy and from a well-known, high-reputation family. However, during this marriage, Samia makes a mistake by accusing an innocent girl of something that Samia later realizes she did herself.
Women have few rights and things available to them in the country. If there is a conflict between a man and a woman, the woman is who receives the blame even if it wasn’t their fault since they are seen as inferior. On top of that some are born illegitimate like Mariam and face even more hardships for things then again out of their control. Through the actions of men such as Rasheed or Jalil this important meaning is expressed. This is to spread awareness to the reader that while it seems obvious that men and women should have equal rights, some countries don’t believe in the idea.
In the beginning she talks about how throughout the centuries women have been slaves to men’s desires and philosophies. She evens relates men’s hold of women as the “shackles of slavery”. “We now know that there never can be a free humanity until woman is freed from ignorance, and we know, too, that woman can never call herself free until she is mistress of her own body. Just so long as man dictates and controls the standards of sex morality, just so long will man control the world” (pg.2).
Maggie Nelson makes it clear that the only way to not feel pressured and contaminated is to change people’s attitudes towards life. This is evident in Azar Nafisi’s essay and Susan Faludi’s where both groups of people create a liberating boundary from the harsh environments they’re currently living in. A few lonely woman living the Islamic Republic of Iran create a book club that enables them to escape from their totalitarian reality and act as they wish. Creating this safe space, liberated the woman and gave them the freedom they’ve been striving for in their lives.
In the end her push for equality’s of gender, causes her to be sent to death by the male figure she
In Amal El-Mohtar’s “Seasons of Glass and Iron,” two women are trapped in magical situations: Tabitha is forced to wear down seven pairs of iron shoes by her abusive bear husband as punishment for trying to prevent his violence, while Amira is placed on a glass hill by her father to prevent the advances of suitors and keep her father’s kingdom united under his control. Magic here acts a metaphor for patriarchal power, and is used to impose restrictions upon women, just as the patriarchal system does. Through this metaphor, El-Mohtar asserts that the socially constructed patriarchal system is not intrinsic to society but, like magic, is an unnatural force, and advocates for a return to the natural base in order to reconstruct society. Throughout the story, magic works in the same way that power dynamics in a patriarchal society work, in that it works against the female characters, imposing restrictions on them, while it works in favour of men.
“You must create a female for me, with whom I can live in the interchange of those sympathies necessary for my being. This you alone can do; and I demand it of you as a right which you must not refuse”. The latter part of his tale had kindled anew in me the anger that had died away while he narrated his peaceful life among the cottagers, and, as he said this, I could no longer suppress the rage that burned within me. “I do refuse it,” I replied; “and no torture shall ever extort a consent from me. You may render me the most miserable of men, but you shall never make me base in my own eyes.
In Hosseini’s A Thousand Splendid Suns , Nana tells Mariam that a man always finds a way to blame a woman. This mistreatment of women is depicted in the novel by utilizing multiple examples. Throughout the novel, men were able to use women as scapegoats in the Afghani society that deemed women as unequal to men.
The perspective of four writers shows the intersectional relationship between race, class, gender and how they create a human’s sexuality with the influences of political and social powers. This shows that sexuality is not simply a private choice, but a public matter. Which also brings up the idea that sexuality is not only dependent on one’s sexual acts or desire but also focuses on the social, economic and political consequences that are placed on an individual. These four writers are Anne McClintock, Dean Spade, Margaret Sanger, and Audre Lorde; respectively, they wrote “Imperial Leather”, “Administrating Gender”, “Free Motherhood”, and ‘Zami: A New Spelling of My Name”. These four used their readings to express the hardships women and
In the beginning, women were treated badly. The sultan loved his wife, but once he finds out that she was unfaithful he then kills her at the break of dawn. Although, he marries a new woman each day, spends the night with her, and then kills her in the morning. His actions show us that the women were seen as deceitful, and the lives of women were meaningless shown in how many
She has been brainwashed by the patriarchal society of her time to worship the man, her husband, and perform her duties and daily rituals as a means to please him. Welter outlines several characteristics that constitute the perfect or true woman; however, the most crucial and detrimental so-called “virtues” exhibited by Gilman`s the narrator are her submissiveness and domesticity. Although the artistic narrator clearly has her own desires to be free and write as she pleases, her desire to satisfy the patriarchal construct of the household by attending
Interestingly, Rhouni narrates the twofold critique that Mernissi uses to approach the Moroccan feminist discourses. Moreover, the deconstruction of euro-centrism and patriarchy are meant to relegate women to the periphery and to place them in a secondary position. Moroccan women in the western mainstream indicate passivity, lust, docility, and submissive human beings who are frozen and essentialized to sex objects. That is why Mernissi seeks to represent them as being active agents, powerful beings, producers, transcendent, and the like, by generating local feminist narratives that counter the discursive western ones. In her work Dreams of Trespass: Tales of a Harem Girlhood Mernissi proves that, as Rhouni claims, ‘’Foregrounding women’s agency, the novel is an attempt to decenter feminism from its Western location where it supposedly has originated, locating it in Moroccan culture and even within the confines of the harem” .
The role of women in literature crosses many broad spectrums in works of the past and present. Women are often portrayed as weak and feeble individuals that submit to the situations around them, but in many cases women are shown to be strong, independent individuals. This is a common theme that has appeared many times in literature. Across all literature, there is a common element that causes the suffering and pain of women. This catalyst, the thing that initiates the suffering of women, is essentially always in the form of a man.
This novel is also autobiographical. Throughout history, women have been locked in a struggle to free themselves from the borderline that separates and differentiate themselves from men. In many circles, it is agreed that the battleground for this struggle and fight exists in literature. In a